Essays discuss Marcel Duchamp, the Shroud of Turin, insect mimicry, Russian art, art criticism and theory, and psychoanalysis
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"" October" is among the most advanced journals of the 1970s and 1980s in the fields of art theory, criticism, history, and practice. [Its editors] are intimately familiar with the cultural and political avant-garde of Europe and the U.S. and are able to attract its best thinkers.... Few, if any, journals could receive a higher recommendation." -- "Choice" & quot; October is among the most advanced journals of the 1970s and 1980s in the fields of art theory, criticism, history, and practice. [Its editors] are intimately familiar with the cultural and political avant-garde of Europe and the U.S. and are able to attract its best thinkers.... Few, if any, journals could receive a higher recommendation.& quot; -- Choice ""October" is among the most advanced journals of the 1970s and 1980s in the fields of art theory, criticism, history, and practice. [Its editors] are intimately familiar with the cultural and political avant-garde of Europe and the U.S. and are able to attract its best thinkers.... Few, if any, journals could receive a higher recommendation."--"Choice"
"OCTOBER: The First Decade "brings together a selection of some of the most important and representative texts, many from issues long out of print, that have appeared in one of the foremost journals in art criticism and theory. Contributors include Rosalind Krauss, Sergei Eisenstein, Peter Handke, Georges Didi Huberman, Mary Ann Doane, and Hans Haacke. Their essays are organized under the categories of the index, historical materialism, the critique of institutions, psychoanalysis, rhetoric, and the body.Annette Michelson is Professor of Cinema Studies at New York University. Rosalind Krauss is Professor of Art History at Hunter College, CUNY Douglas Crimp is an art critic, and Joan Copjec is a film theorist.
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Librería: Aspen Book Co., Denver, CO, Estados Unidos de America
Paperback. Condición: Acceptable. Second printing, 1988. The book is in fair condition, showing signs of wear and handling. The cover has noticeable scuffs and discoloration, typical of a well-used paperback. There are stains visible on the pages, particularly towards the edges. The binding appears intact, ensuring all pages are securely held despite the wear. No dust jacket is present. Nº de ref. del artículo: A24-B2-CIZ-KME-0536
Cantidad disponible: 1 disponibles
Librería: ANARTIST, New York, NY, Estados Unidos de America
Softcover, 456 pages, very good condition, faded spine; no internal marks. Foreign shipping may be extra. Nº de ref. del artículo: OcMiMI45
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Librería: ANARTIST, New York, NY, Estados Unidos de America
Hardcover with dustjacket, 456 pages, very good condition, light rubbing to dj; no internal marks. Foreign shipping may be extra. Nº de ref. del artículo: OcMiMI60
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Librería: gearbooks, The Bronx, NY, Estados Unidos de America
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Dziga Vertov (Front Jacket Photo/Still) Ilustrador. 456 pp. Solidly bound copy and dj with moderate external wear and crisp pages. Relevant newspaper articles included from previous owner. Pen, highlighter and pencil markings throughout text. Nº de ref. del artículo: 4iiiEb0006
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Librería: GoldBooks, Denver, CO, Estados Unidos de America
Hardcover. Condición: new. New Copy. Customer Service Guaranteed. Nº de ref. del artículo: 47L90_65_0262132222
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