This work synthesizes ideas from a number of different disciplines to arrive at a philosophy of creativity for the digital age. Drawing ideas from music, computing, art and philosophy, it explores the integration of computers into the creative process. It shows how computers could change the way we create. The book looks at the use of structure in the development of human languages, in the philosophy of Buddhist monk Nagarjuna and linguist Ferdinand de Saussure, in the music of Arnold Schoenberg and Anton Webern, in the paintings of Wassily Kandinsky, and the grammars of Panini and Noam Chomsky. It then turns to the use of computers for building abstract and virtual worlds in language, music, art and virtual reality, and surveys the work of AI pioneer Terry Winograd, composers Gottfried Michael Koenig and Iannis Xenakis, and artist Harold Cohen. The conclusion discusses the aesthetic implications of these new worlds and introduces the concept of digital expression.
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This work synthesizes ideas from a number of different disciplines to arrive at a philosophy of creativity for the digital age. Drawing ideas from music, computing, art and philosophy, it explores the integration of computers into the creative process. It shows how computers could change the way we create. The book looks at the use of structure in the development of human languages, in the philosophy of Buddhist monk Nagarjuna and linguist Ferdinand de Saussure, in the music of Arnold Schoenberg and Anton Webern, in the paintings of Wassily Kandinsky, and the grammars of Panini and Noam Chomsky. It then turns to the use of computers for building abstract and virtual worlds in language, music, art and virtual reality, and surveys the work of AI pioneer Terry Winograd, composers Gottfried Michael Koenig and Iannis Xenakis, and artist Harold Cohen. The conclusion discusses the aesthetic implications of these new worlds and introduces the concept of digital expression.
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Destinos, gastos y plazos de envíoLibrería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de America
Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.2. Nº de ref. del artículo: G0262082284I4N00
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hardcover. Condición: Very Good. First Edition. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting. Nº de ref. del artículo: MIT-HC-VG-J-0262082284
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Cloth. Condición: Fine. Estado de la sobrecubierta: Fine. Second Printing. New ways to think about the integration of computers into the creative process. 321pp, illustrated in color, diagrams. Bright, fresh copy, about 'as new'. Size: 4to - over 9¾" - 12" tall. Book. Nº de ref. del artículo: 13509
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Hardback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Nº de ref. del artículo: GOR002098069
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Librería: Wonder Book, Frederick, MD, Estados Unidos de America
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Librería: Hay Cinema Bookshop Limited, Hay on Wye, Reino Unido
2nd impression. Small 4to. x + 321pp. Colour and b/w. illustrations. Slight foxing to e.ps. and edges of pages. Original boards. Pictorial black d/w. lettered in green. ISBN 0262082284 US$18. Nº de ref. del artículo: 195383
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