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Sinopsis
Kant after Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Although Duchamp's readymades broke with all previously known styles, de Duve observes that he made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgment that replaced the classical "this is beautiful" with "this is art." De Duve employs this shift (replacing the word "beauty" by the word "art") in a rereading of Kant's Critique of Judgment that reveals the hidden links between the radical experiments of Duchamp and the Dadaists and mainstream pictorial modernism.
Part I of the book revolves around Duchamp's famous/infamous Fountain. Part II explores his passage from painting to the readymades, from art in particular to art in general. Part III looks at the aesthetic and ethical consequences of the replacement of "beauty" with "art" in Kant's Third Critique. Finally, part IV attempts to reconstruct an "archaeology" of modernism that paves the way for a renewed understanding of our postmodern condition.
The essays: Art Was a Proper Name. Given the Richard Mutt Case. The Readymade and the Tube of Paint. The Monochrome and the Blank Canvas. Kant after Duchamp. Do Whatever. Archaeology of Pure Modernism. Archaeology of Practical Modernism.
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Críticas
-- Michael Fried, Herbert Boone Professor of Humanities, The Johns Hopkins University " You don't have to agree with all of Thierry de Duve's premises and arguments (needless to say I don't) in order to recognize that he has written a remarkable book. The essays gathered in "Kant After Duchamp" mount the most formidable case yet made for Duchamp's importance, and what makes de Duve's achievement all the more unexpected is that this is done by way of an intense engagement with the writings of Duchamp's seeming opposite, the critic Clement Greenberg. A third constant presence in these pages is Kant's "Critique of Judgement," which at once governs de Duve's understanding of Greenberg's " formalism" and is itself brilliantly reinterpreted in the light of Duchamp's readymades. De Duve has always been an independent thinker. Now he has produced an indispensable book, a brilliant and learned " archaeology" of Duchampian modernism that is also a highly original contribution to philosophical aesthetics." -- Michael Fried, Herbert Boone Professor of Humanities, The Johns Hopkins University & quot; You don't have to agree with all of Thierry de Duve's premises and arguments (needless to say I don't) in order to recognize that he has written a remarkable book. The essays gathered in Kant After Duchamp mount the most formidable case yet made for Duchamp's importance, and what makes de Duve's achievement all the more unexpected is that this is done by way of an intense engagement with the writings of Duchamp's seeming opposite, the critic Clement Greenberg. A third constant presence in these pages is Kant's Critique of Judgement, which at once governs de Duve's understanding of Greenberg's & quot; formalism& quot; and is itself brilliantly reinterpreted in the light of Duchamp's readymades. De Duve has always been an independent thinker. Now he has produced an indispensable book, a brilliant and learned & quot; archaeology& quot; of Duchampian modernism that is also a highly original contribution to philosophical aesthetics.& quot; -- Michael Fried, Herbert Boone Professor of Humanities, The Johns Hopkins University "You don't have to agree with all of Thierry de Duve's premises and arguments (needless to say I don't) in order to recognize that he has written a remarkable book. The essays gathered in "Kant After Duchamp" mount the most formidable case yet made for Duchamp's importance, and what makes de Duve's achievement all the more unexpected is that this is done by way of an intense engagement with the writings of Duchamp's seeming opposite, the critic Clement Greenberg. A third constant presence in these pages is Kant's "Critique of Judgement," which at once governs de Duve's understanding of Greenberg's "formalism" and is itself brilliantly reinterpreted in the light of Duchamp's readymades. De Duve has always been an independent thinker. Now he has produced an indispensable book, a brilliant and learned "archaeology" of Duchampian modernism that is also a highly original contribution to philosophical aesthetics."--Michael Fried, Herbert Boone Professor of Humanities, The Johns Hopkins Unive
Reseña del editor
This volume brings together eight essays around a central thesis, with implications for the history of avant-gardes. Duchamp's alternative view of modern art is used as a perspective for a re-reading of Kant's "Critique of Judgement", revealing links between the Dadaists and mainstream modernism.
"Sobre este título" puede pertenecer a otra edición de este libro.
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Kant after Duchamp (October Books)
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MIT Press, 1996
ISBN 10: 0262041510
ISBN 13: 9780262041515
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Librería: South Congress Books, Austin, TX, Estados Unidos de America
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Hardcover. Condición: Very Good. Estado de la sobrecubierta: Near Fine. 1st Edition. Near fine jacket on very good book. Cloth covers worn at edges, especially along the bottom, as well as discoloration on front near top right. Interior clean and unmarked. Nº de ref. del artículo: 007072
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Kant After Duchamp An OCTOBER Book
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Massachusetts Institute of Technology Press (MIT Press) Cambridge, MA, 1996
ISBN 10: 0262041510
ISBN 13: 9780262041515
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484 pp.; 23.5 x 18.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed "Kant After Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Marcel Duchamp, Thierry de Duve observes, made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgement that replaced the classical "this is beautiful" with 'this is art.' De Duve employs this shift (replacing the word 'beauty' by the word 'art') in a rereading of Kant's 'Critique of Judgement' that reveals the hidden links between the radical experiments of Duchamp and the Dadaists and mainstream pictorial modernism." --publisher's statement. Includes index. Very Good. Discrete small rubber stamp logo inside rear endpapers, otherwise contents clean and unmarked. 3 mm. and 2.5 cm. pen marks to edge of text block. Due to size and weight additional shipping charges may be required. Nº de ref. del artículo: 8136
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KANT AFTER DUCHAMP
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The MIT Press, Cambridge, 1996
ISBN 10: 0262041510
ISBN 13: 9780262041515
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Librería: J. Wyatt Books, Ottawa, ON, Canada
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Hardcover. Condición: Very Good-. Hardcover; 484 pages. Black cloth hardcovers with silver titles on spine. Well preserved, save water stain along bottom of covers (and jacket), causing paper from jacket to stick to the cover. Ffep prev owner pen signature. Pages white, flat, unmarked. VERY GOOD- Size: 9 x 7. Book. Nº de ref. del artículo: 400942
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Kant after Duchamp
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Mit Press, 1996
ISBN 10: 0262041510
ISBN 13: 9780262041515
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Librería: Nicholas J. Certo, Newburgh, NY, Estados Unidos de America
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Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. NEAR FINE in dust wrapper with small wrinkle to lower rear panel. Kant after Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Although Duchamp's ready mades broke with all previously known styles, de Duve observes that he made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgment that replaced the classical "this is beautiful" with "this is art.". Nº de ref. del artículo: 24-1 huds art history blu/green
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Kant after Duchamp
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MIT Press, Cambridge, MA, 1996
ISBN 10: 0262041510
ISBN 13: 9780262041515
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Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
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Hardcover. Color-illustrated DJ with black, light green and white lettering; black cloth over boards with silver lettering; xv, 484 pp.; illustrations. Kant after Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Marcel Duchamp, Thierry de Duve observes, made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgment that replaced the classical "this is beautiful" with "this is art." De Duve employs this shift (replacing the word "beauty" by the word "art") in a rereading of Kant's Critique of Judgment that reveals the hidden links between the radical experiments of Duchamp and the Dadaists and mainstream pictorial modernism. The essays, all updated for this book, are divided into four parts. Part I revolves around Duchamp's famous/infamous Fountain. Part II explores Duchamp's passage from painting to the readymades, from art in particular to art in general. Part III looks at the aesthetic and ethical consequences of the replacement of "beauty" with "art" in Kant's Critique of Judgment. Finally, part IV attempts to reconstruct an "archaeology" of modernism that paves the way for a renewed understanding of our postmodern condition. -- DJ. Good DJ, VG+ book (Ex art library, indicated only by a sticker on DJ spine and on rear pastedown; DJ is sunned/toned with light edgewear and scuffing; boards have light edgewear and scuffing; interior is in excellent condition.). Nº de ref. del artículo: 200765
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Kant After Duchamp
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-MIT Press -, 1996
ISBN 10: 0262041510
ISBN 13: 9780262041515
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First edition first impression 1996. xvi+484 pages. Illustrated. Cloth, some little shelf wear to tail edge. Very good indeed in dustjacket with a little light sunning to spine and rear cover. Ask to see our other Marcel Duchamp titles. Nº de ref. del artículo: 31188
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Kant After Duchamp.
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Cambridge, MA & London: The MIT Press, [1996]., 1996
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Hardcover. Dust Jacket Included. 8vo. pp. xv, [1], 484. several illus. index. cloth. dw. First Edition. Nº de ref. del artículo: ADntDE D36
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