Dworkin, Craig No Medium

ISBN 13: 9780262018708

No Medium

3,7 valoración promedio
( 33 valoraciones por GoodReads )
 
9780262018708: No Medium
Review:

" No Medium is not only an admirable feat of painstaking research that puts into conversation an impressive range of artworks, both famous and obscure, but also a testament to the fact that for the industrious critic encountering an apparent absence there is always something interesting to say." -- Michael Leong, Hyperallergic "Dworkin's study of apparent anomalies that turn out to be representative exemplars rather than quirky curiosities is well worth attention." -- Johanna Drucker, Los Angeles Review of Books

From the Publisher:

In No Medium, Craig Dworkin looks at works that are blank, erased, clear, or silent, writing critically and substantively about works for which there would seem to be not only nothing to see but nothing to say. Examined closely, these ostensibly contentless works of art, literature, and music point to a new understanding of media and the limits of the artistic object. Dworkin considers works predicated on blank sheets of paper, from a fictional collection of poems in Jean Cocteau's Orphee to the actual publication of a ream of typing paper as a book of poetry; he compares Robert Rauschenberg's Erased De Kooning Drawing to the artist Nick Thurston's erased copy of Maurice Blanchot's The Space of Literature (in which only Thurston's marginalia were visible); and he scrutinizes the sexual politics of photographic representation and the implications of obscured or obliterated subjects of photographs. Reexamining the famous case of John Cage's 4'33", Dworkin links Cage's composition to Rauschenberg's White Paintings, Ken Friedman's Zen for Record (and Nam June Paik's Zen for Film), and other works, offering also a "guide to further listening" that surveys more than 100 scores and recordings of "silent" music. Dworkin argues that we should understand media not as blank, base things but as social events, and that there is no medium, understood in isolation, but only and always a plurality of media: interpretive activities taking place in socially inscribed space.

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Dworkin, Craig
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Dworkin, Craig
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Descripción MIT Press Ltd, United States, 2013. Hardback. Estado de conservación: New. New.. 229 x 152 mm. Language: English . Brand New Book. In No Medium, Craig Dworkin looks at works that are blank, erased, clear, or silent, writing critically and substantively about works for which there would seem to be not only nothing to see but nothing to say. Examined closely, these ostensibly contentless works of art, literature, and music point to a new understanding of media and the limits of the artistic object. Dworkin considers works predicated on blank sheets of paper, from a fictional collection of poems in Jean Cocteau s Orphee to the actual publication of a ream of typing paper as a book of poetry; he compares Robert Rauschenberg s Erased De Kooning Drawing to the artist Nick Thurston s erased copy of Maurice Blanchot s The Space of Literature (in which only Thurston s marginalia were visible); and he scrutinizes the sexual politics of photographic representation and the implications of obscured or obliterated subjects of photographs. Reexamining the famous case of John Cage s 4 33 , Dworkin links Cage s composition to Rauschenberg s White Paintings, Ken Friedman s Zen for Record (and Nam June Paik s Zen for Film), and other works, offering also a guide to further listening that surveys more than 100 scores and recordings of silent music. Dworkin argues that we should understand media not as blank, base things but as social events, and that there is no medium, understood in isolation, but only and always a plurality of media: interpretive activities taking place in socially inscribed space. Nº de ref. de la librería AAH9780262018708

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Dworkin, Craig
Editorial: MIT Press Ltd, United States (2013)
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Descripción MIT Press Ltd, United States, 2013. Hardback. Estado de conservación: New. New.. 229 x 152 mm. Language: English . Brand New Book. In No Medium, Craig Dworkin looks at works that are blank, erased, clear, or silent, writing critically and substantively about works for which there would seem to be not only nothing to see but nothing to say. Examined closely, these ostensibly contentless works of art, literature, and music point to a new understanding of media and the limits of the artistic object. Dworkin considers works predicated on blank sheets of paper, from a fictional collection of poems in Jean Cocteau s Orphee to the actual publication of a ream of typing paper as a book of poetry; he compares Robert Rauschenberg s Erased De Kooning Drawing to the artist Nick Thurston s erased copy of Maurice Blanchot s The Space of Literature (in which only Thurston s marginalia were visible); and he scrutinizes the sexual politics of photographic representation and the implications of obscured or obliterated subjects of photographs. Reexamining the famous case of John Cage s 4 33 , Dworkin links Cage s composition to Rauschenberg s White Paintings, Ken Friedman s Zen for Record (and Nam June Paik s Zen for Film), and other works, offering also a guide to further listening that surveys more than 100 scores and recordings of silent music. Dworkin argues that we should understand media not as blank, base things but as social events, and that there is no medium, understood in isolation, but only and always a plurality of media: interpretive activities taking place in socially inscribed space. Nº de ref. de la librería AAH9780262018708

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Descripción MIT Press, 2013. HRD. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería WM-9780262018708

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Descripción The MIT Press, 2013. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería 0262018705

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Descripción 2013. Hardback. Estado de conservación: NEW. 9780262018708 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Nº de ref. de la librería HTANDREE01143131

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Descripción The MIT Press, 2013. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service!. Nº de ref. de la librería ABE_book_new_0262018705

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Descripción 2013. Hardcover. Estado de conservación: New. 152mm x 229mm x 14mm. Hardcover. In No Medium, Craig Dworkin looks at works that are blank, erased, clear, or silent, writing critically and substantively about works for which there would seem to be not only nothing to .Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 224 pages. 0.494. Nº de ref. de la librería 9780262018708

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Descripción Mit Pr, 2013. Hardcover. Estado de conservación: Brand New. 224 pages. 9.00x6.00x0.70 inches. In Stock. Nº de ref. de la librería __0262018705

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Descripción The MIT Press, 2013. Hardcover. Estado de conservación: New. Nº de ref. de la librería P110262018705

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