As a pioneer of the French New Wave, Jacques Rivette was one of a group of directors who permanently altered the world's perception of cinema by taking the camera out of the studios and into the streets. His films, including Paris nous appartient, Out 1: Noli me tangere, CÉline et Julie vont en bateau--Phantom Ladies Over Paris, La belle noiseuse, Secret dÉfense, and Va savoir are extraordinary combinations of intellectual depth, playfulness, and sensuous beauty. In this study of Rivette, Mary M. Wiles provides a thorough account of the director's career from the burgeoning French New Wave to the present day, focusing on the theatricality of Rivette's films and his explorations of the relationship between cinema and fine arts such as painting, literature, music, and dance. Wiles also explores the intellectual interests that shaped Rivette's approach to film, including Sartre's existentialism, Barthes's structuralism, and the radical theater of the 1960s. The volume concludes with Wiles's insightful interview with Rivette.
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Mary M. Wiles is a lecturer in cinema studies at the University of Canterbury, Christchurch, New Zealand.
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Paperback. Condición: New. As a pioneer of the French New Wave, Jacques Rivette was one of a group of directors who permanently altered the world's perception of cinema by taking the camera out of the studios and into the streets. His films, including Paris nous appartient, Out 1: Noli me tangere, CÉline et Julie vont en bateau--Phantom Ladies Over Paris, La belle noiseuse, Secret dÉfense, and Va savoir are extraordinary combinations of intellectual depth, playfulness, and sensuous beauty. In this study of Rivette, Mary M. Wiles provides a thorough account of the director's career from the burgeoning French New Wave to the present day, focusing on the theatricality of Rivette's films and his explorations of the relationship between cinema and fine arts such as painting, literature, music, and dance. Wiles also explores the intellectual interests that shaped Rivette's approach to film, including Sartre's existentialism, Barthes's structuralism, and the radical theater of the 1960s. The volume concludes with Wiles's insightful interview with Rivette. Nº de ref. del artículo: LU-9780252078347
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Paperback. Condición: new. Paperback. As a pioneer of the French New Wave, Jacques Rivette was one of a group of directors who permanently altered the world's perception of cinema by taking the camera out of the studios and into the streets. His films, including Paris nous appartient, Out 1: Noli me tangere, CEline et Julie vont en bateau--Phantom Ladies Over Paris, La belle noiseuse, Secret dEfense, and Va savoir are extraordinary combinations of intellectual depth, playfulness, and sensuous beauty. In this study of Rivette, Mary M. Wiles provides a thorough account of the director's career from the burgeoning French New Wave to the present day, focusing on the theatricality of Rivette's films and his explorations of the relationship between cinema and fine arts such as painting, literature, music, and dance. Wiles also explores the intellectual interests that shaped Rivette's approach to film, including Sartre's existentialism, Barthes's structuralism, and the radical theater of the 1960s. The volume concludes with Wiles's insightful interview with Rivette. An extended take on the innovator of the French New Wave Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780252078347
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Condición: New. An extended take on the innovator of the French New Wave Series: Contemporary Film Directors. Num Pages: 200 pages, 16 black and white photographs, filmography. BIC Classification: APFB. Category: (P) Professional & Vocational. Dimension: 141 x 209 x 12. Weight in Grams: 280. . 2012. 1st Edition. Paperback. . . . . Nº de ref. del artículo: V9780252078347
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