Through the experiences of performers, composers, and ethnomusicologists working in Africa, Europe, the Middle East, and North America, Music and Gender explores how the uses and descriptions of music shift in response to rapid political, economic, or technological change.
A cross-section of case studies from the Central African Republic, Finland, and Turkey addresses issues of how performance reflects gender and furthers other social goals, such as negotiating identity and transforming consciousness. Articles on Croatian and Serbian popular music and on the changing circumstances of women musicians in war-torn Ethiopia and post-Soviet Estonia consider the fate of fragile constructions of gender and nationhood in times of war or crisis. Other essays consider the relationship of gender to digital sound technology--in terms of access to the field, interactions among musicians, and aesthetic decisions--and gender issues in writing the musical lives of women composers and performers.
Articulating a theoretical agenda that encompasses perspectives from vastly different musical cultures, this important collection shows how music can help bridge the radical transformations of individuals, groups, and nations.
"Sinopsis" puede pertenecer a otra edición de este libro.
Through the experiences of performers, composers, and ethnomusicologists working in Africa, Europe, the Middle East, and North America, Music and Gender explores how the uses and descriptions of music shift in response to rapid political, economic, or technological change.
A cross-section of case studies from the Central African Republic, Finland, and Turkey address issues of how performance reflects gender and furthers other social goals, such as negotiating identity and transforming consciousness. Articles on Croatian and Serbian popular music and on the changing circumstances of women musicians in Ethiopia, Eritrea, and post-Soviet Estonia consider the fate of fragile constructions of gender and nationhood in times of war or crisis. Other essays discuss the relationship of gender to digital sound technology -- in terms of access to the field, interactions among musicians, and aesthetic decisions -- and gender issues in writing the musical lives of women composers and performers.
Articulating a theoretical agenda that encompasses perspectives from vastly different musical cultures, this important collection shows how music can help bridge the radical transformations of individuals, groups, and nations.
"Sobre este título" puede pertenecer a otra edición de este libro.
Librería: HPB-Diamond, Dallas, TX, Estados Unidos de America
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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
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Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
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Librería: Brook Bookstore On Demand, Napoli, NA, Italia
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condición: New. Through the experiences of performers, composers, and ethnomusicologists working in Africa, Europe, the Middle East, and North America, this title explores how the uses and descriptions of music shift in response to rapid political, economic, or technological change. Editor(s): Moisala, Pirkko; Diamond, Beverley. Num Pages: 392 pages, Illustrations. BIC Classification: AV; JFSJ; JHM. Category: (P) Professional & Vocational. Dimension: 226 x 153 x 31. Weight in Grams: 582. . 2000. Paperback. . . . . Nº de ref. del artículo: V9780252068652
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Librería: Joseph Burridge Books, Dagenham, Reino Unido
Soft cover. Condición: New. Summary:International scholars engage in a conversation about music and gender in various cross-culture case studies in an effort to determine how music can help individuals, groups, and nations bridge difficult times of changing values. Nº de ref. del artículo: BGETH30
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Librería: Majestic Books, Hounslow, Reino Unido
Condición: New. pp. 392. Nº de ref. del artículo: 5487015
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