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Libanii Opera, Vol. 10 (Classic Reprint): Epistulae 1-839: Epistulae 1-839 (Classic Reprint) - Tapa blanda

Libanius, Libanius

 
9780243514953: Libanii Opera, Vol. 10 (Classic Reprint): Epistulae 1-839: Epistulae 1-839 (Classic Reprint)

Sinopsis

Explore Libanii Opera, Vol. 10: Epistulae 1-839 – a scholarly edition that gathers the letters of the ancient author, with careful text and notes to guide study and reflection. This volume presents Epistulae 1–839 in a single, accessible collection for students, researchers, and fans of classical rhetoric. This edition compiles long-apparatus and commentary alongside the epistles, helping readers see how critical editors approach text, variant readings, and historical context. It serves as a reference for understanding late antique letter writing, philosophy, and social life as reflected in these writings.

  • Full set of Libanius epistles numbered 1–839, with scholarly apparatus
  • Historical notes and editorial commentary to aid interpretation
  • Textual variants and philological guidance for serious study
  • A resource for students of classics, rhetoric, and late antique culture
Ideal for readers of classical studies, philology, and researchers needing a rigorously documented edition of Libanius’s letters.

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Reseña del editor

Excerpt from Libanii Opera, Vol. 10: Epistulae 1-839

Tandem post tot moras innumerasque difficultates belli procellis sedatis ad eam pervenit editio partem a. Qua. Olim id est ante plus quinquaginta annos exordium studiorum Libanianorum.sumpsi, epistulas. Atque harum partem prio rem quod prodit volumen X complectitur, quod sub prelo est XI alteram. Prolegomena, quae fata earum enarrant imaginemque viae qua. Per libros plus trecentos ad nos per venerunt proponunt, de testimonus reliquisque emendationis subsidiis exponunt, volumen IX efficient. Quorum chirogra phum cum characteribus epistolicis, si excipis numeros pa ginarum voluminum X et XI postea inserendos, est absolu tum aeque atque ceterarum reliquiarum Libanianarum et Pseudolibanianarum et operum Chorion Gazaei cui complura. Tribuenda sunt quae hucusque Libann ferebantur. Etiam Pro legomena sine mora proditura. Esse spero, sed conspectum et explicationem siglorum in codicibus editionibus commen tariis significandis adhibitorum non ns reservate, sed buio ipsi quod nunc prodit volumini praemittere necessarium vi sum est. In quo con8pectu numeri singulis codicibus in fine appositi iidem sunt quos in Prolegomenis gerunt. N u meri sub quibus epistulae citantur non Wolfianae sed huius ipsius editionis sunt, numeri autem editionis Wolfianae in margine singularum epistularum appositi sunt. Collatio nu merorum utriusque editionis in fine voluminis XI dabitur.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Reseña del editor

Excerpt from Libanii Opera, Vol. 10: Epistulae 1-839

Iam nihil restat nisi ut Theodoro Thalheim et Eber hardo Richtsteig qui in plagulis corrigendìs studio inde fesso me adiuverunt grates sinceras agam.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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