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The Language of Poetry (Classic Reprint) - Tapa blanda

Wheelwright, Philip

 
9780243281640: The Language of Poetry (Classic Reprint)

Sinopsis

Explore how words shape poetry and how language itself becomes the subject of art.

This nonfiction work examines the role of words in poetry, asking what a word is and how it works within creative writing. It argues that poetry is a form of language where sounds and meanings shape our experience, not just ideas on the page. The author discusses the risks and pleasures of “make-believe” in art and why poets help us live our lives by forming vivid, sustainable visions of reality.

- Understand how poetry uses words as both sounds and meanings.
- See why the imagination is central to how poetry relates to real life.
- Explore the balance between truth, beauty, and belief in poetic language.
- Learn how the poet’s craft links language, thought, and perception.

Ideal for readers of literary criticism and anyone curious about how poetry communicates through word and sound, not just through plot or argument.

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Reseña del editor

Excerpt from The Language of Poetry

Language of Poetry were read to audiences at Prince ton University in the spring of 1941 under the auspices of the Creative Arts Program. The primary aim of the symposium was not a series of lectures but the present book. The contributors were invited to prepare essays which should not sacrifice the dith cult implications of the subject to the limited capacity of the ear of even the best audience.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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