Outlines From the Antients: Exhibiting Their Principles of Composition in Figures and Basso-Relievos Taken Chiefly From Inedited Monuments of Greek ... With an Introductory Essay (Classic Reprint) - Tapa blanda

Cumberland, George

 
9780243076123: Outlines From the Antients: Exhibiting Their Principles of Composition in Figures and Basso-Relievos Taken Chiefly From Inedited Monuments of Greek ... With an Introductory Essay (Classic Reprint)

Sinopsis

Excerpt from Outlines From the Antients: Exhibiting Their Principles of Composition in Figures and Basso-Relievos Taken Chiefly From Inedited Monuments of Greek and Roman Sculpture; With an Introductory Essay

It was the peculiar happiness of the writer on his first visit to Rome, about the year 1784, to find there what he ardently sought, in a diligent school of real students both in sculpture and painting. Thus situated, and earnestly devoted to the examnation of every excellent work of antiquity, partienlarly those of sculpture and the higher branches of painting and design, without the slightest intention of ever following it as a profession, he made it a point at his arrival, to mix with the society of the most intelligent and industrious artists of that city and, when disengaged from viewing the ancient monuments and marbles, such were his selected associates.

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Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Reseña del editor

Excerpt from Outlines From the Antients: Exhibiting Their Principles of Composition in Figures and Basso-Relievos Taken Chiefly From Inedited Monuments of Greek and Roman Sculpture; With an Introductory Essay

It was the peculiar happiness of the writer on his first visit to Rome, about the year 1784, to find there what he ardently sought, in a diligent school of real students both in sculpture and painting. Thus situated, and earnestly devoted to the examnation of every excellent work of antiquity, partienlarly those of sculpture and the higher branches of painting and design, without the slightest intention of ever following it as a profession, he made it a point at his arrival, to mix with the society of the most intelligent and industrious artists of that city and, when disengaged from viewing the ancient monuments and marbles, such were his selected associates.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Reseña del editor

Excerpt from Outlines From the Antients: Exhibiting Their Principles of Composition in Figures and Basso-Relievos Taken Chiefly From Inedited Monuments of Greek and Roman Sculpture; With an Introductory Essay

Were I now (said he) to begin the world again, I would tread in the steps of this great master: to kiss the hem of his garment, to catch the slightest of his perfections, would be glory and distinction enough for an ambitious he I fwl aself gratification in knowing myself capable of such sensations as he intended to excite; I reflect not without vanity, that these discourses bear testimony to my admiration of that truly. Divine man; and I. Should desire, that the last words which I should pronounce to this Academy, and from this place, might be the name of Michael Angelo.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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