Bridges the gap between abstract film theory and the practical realities of feature film production.
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Bridges the gap between abstract film theory and the practical realities of feature film production.
This study attempts to bridge the gap between abstract film theory and the practical realities of feature film production. The author draws on his years of experience in the industry, to explain what is technically feasible for a filmmaker and how to further the viewer's involvement in the cinematic narrative. The work discusses principles, not as rules, but as a means of delivering substance and as an independent and dynamic process. The craft of film creation is analyzed, from the perspective of practice, rather than abstract theory. The author also attempts to place the filmmaker and the techniques of creating films in a cultural and historical context.
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