While many people outside India find the images, sounds, and practices of Indian performing arts compelling and endeavor to incorporate them into the "global" repertoire, few are aware of the central role of religious belief and practice in Indian aesthetics. Completing the trilogy that includes Darsan: Seeing the Divine and Mantra: Hearing the Divine in India and America, this volume focuses on how rasa has been applied in a range of Indian performance traditions."Rasa" is taste, essence, flavor. How is it possible that a word used to describe a delicious masala can also be used to critique a Bharata Natyam performance? Rasa expresses the primary goals of performing arts in India in all the major literary, philosophical, and aesthetic texts, and it provides the cornerstone of the oral traditions of transmission. It is also essential to the study and production of sculpture, architecture, and painting. Yet its primary referent is cuisine. This book articulates the religious sensibility underlying the traditional performing arts as well as other applications of rasa and examines the relationships between the arts and religion in India today.
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Susan L. Schwartz is associate professor of religion and director of the Interdisciplinary Program in Asian Traditions at Muhlenberg College. She is the coauthor of The Religions of Star Trek.
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Librería: Row By Row Bookshop, Sugar Grove, NC, Estados Unidos de America
Hardcover. Condición: Good. Estado de la sobrecubierta: No Dust Jacket. First Edition. Hardcover. An ex-library copy in original purple and black hard covers. The usual ex-libris markings, clean within, with little cover wear. No dust jacket. No Dust. Book. Nº de ref. del artículo: 049784
Cantidad disponible: 1 disponibles
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. Nº de ref. del artículo: M0231079621Z3
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Librería: Revaluation Books, Exeter, Reino Unido
Hardcover. Condición: Brand New. 161 pages. 9.50x6.50x0.75 inches. In Stock. Nº de ref. del artículo: x-0231079621
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de America
Hardback. Condición: New. While many people outside India find the images, sounds, and practices of Indian performing arts compelling and endeavor to incorporate them into the "global" repertoire, few are aware of the central role of religious belief and practice in Indian aesthetics. Completing the trilogy that includes Darsan: Seeing the Divine and Mantra: Hearing the Divine in India and America, this volume focuses on how rasa has been applied in a range of Indian performance traditions."Rasa" is taste, essence, flavor. How is it possible that a word used to describe a delicious masala can also be used to critique a Bharata Natyam performance? Rasa expresses the primary goals of performing arts in India in all the major literary, philosophical, and aesthetic texts, and it provides the cornerstone of the oral traditions of transmission. It is also essential to the study and production of sculpture, architecture, and painting. Yet its primary referent is cuisine. This book articulates the religious sensibility underlying the traditional performing arts as well as other applications of rasa and examines the relationships between the arts and religion in India today. Nº de ref. del artículo: LU-9780231079624
Cantidad disponible: Más de 20 disponibles
Librería: moluna, Greven, Alemania
Condición: New. The third book in a trilogy that includes Seeing the Divine and Hearing the Divine, this book articulates the religious sensibility underlying the traditional performing arts and examines the relationships between the arts and religion in India today. Nº de ref. del artículo: 594455788
Cantidad disponible: Más de 20 disponibles
Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de America
Hardback. Condición: New. While many people outside India find the images, sounds, and practices of Indian performing arts compelling and endeavor to incorporate them into the "global" repertoire, few are aware of the central role of religious belief and practice in Indian aesthetics. Completing the trilogy that includes Darsan: Seeing the Divine and Mantra: Hearing the Divine in India and America, this volume focuses on how rasa has been applied in a range of Indian performance traditions."Rasa" is taste, essence, flavor. How is it possible that a word used to describe a delicious masala can also be used to critique a Bharata Natyam performance? Rasa expresses the primary goals of performing arts in India in all the major literary, philosophical, and aesthetic texts, and it provides the cornerstone of the oral traditions of transmission. It is also essential to the study and production of sculpture, architecture, and painting. Yet its primary referent is cuisine. This book articulates the religious sensibility underlying the traditional performing arts as well as other applications of rasa and examines the relationships between the arts and religion in India today. Nº de ref. del artículo: LU-9780231079624
Cantidad disponible: Más de 20 disponibles
Librería: AHA-BUCH GmbH, Einbeck, Alemania
Buch. Condición: Neu. Neuware - The third book in a trilogy that includes 'Seeing the Divine' and 'Hearing the Divine, ' this book articulates the religious sensibility underlying the traditional performing arts and examines the relationships between the arts and religion in India today. Nº de ref. del artículo: 9780231079624
Cantidad disponible: 2 disponibles