Contents Acknowledgments PART I: THE END OF EFFECT Introduction: Hedonism is a Bunker Incidents of Cutting and Chopping The End of the Story? Academic Scriptwriters and Bodily Affects PART II: PERFORMANCE AFFECTS Performance Affects: A Kind of Triumph The Call of Beauty: An Affective Invitation About Face: Disturbing the Fabric of the Sensible Conclusion: Let Them Slide Endnotes Bibliography Index
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JAMES THOMPSON Professor of Applied and Social Theatre at the University of Manchester, UK, Director of In Place of War and a Director of the Centre for Applied Theatre Research. He is author of Drama Workshops for Anger Management and Offending Behaviour (1999), Applied Theatre: Bewilderment and Beyond (2003), Digging Up Stories: Applied Theatre, Performance and War and with Jenny Hughes and Michael Balfour, Performance In Place of War (2009).
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