The oral eye is a metaphor for the dominance of global designer capitalism. It refers to the consumerism of a designer aesthetic by the ’I’ of the neoliberalist subject, as well as the aural soundscapes that accompany the hegemony of the capturing attention through screen cultures. An attempt is made to articulate the historical emergence of such a synoptic machinic regime drawing on Badiou, Bellmer, Deleuze, Guattari, Lacan, Rancière, Virilio, Ziarek, and Žižek to explore contemporary art (post-Situationism) and visual cultural education. jagodzinski develops the concept of an ’avant-garde without authority,’ ’self-refleXion’ and ’in(design)’ to further the questions surrounding the posthuman as advanced by theorists such as Hansen, Stiegler and Ziarek’s ’force’ of art.
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Chester E. Finn, Jr. is President of the Thomas B. Fordham Institute, representing the Fordham Institute on the United States National Commission for UNESCO.
Terry Ryan is Vice President for Ohio Programs & Policy at the Thomas B. Fordham Institute.
Michael B. Lafferty is a freelance science and education writer and serves as a writer for the Thomas B. Fordham Institute’s Ohio Education Gadfly newsletter.
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