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Sinopsis
Photography might be called the lost cause of cinema, gone in projection and too soon forgotten. But what is the mysterious region between photography and narrative cinema, between the photogram - a single film frame - and the illusion of motion one recognizes as the movies? In this study, Garrett Stewart discusses the photogram not only as the undertext of screen images but also in its unexpected links to the early modernist writings of James, Conrad, Forster, Joyce and others. Engaging the work of such media theorists as Eisenstein, Benjamin, Kracauer, Bazin, Baudry, Cavell, Deleuze and Jameson, this study pursues the suppressed photogram as it ripples the narrative surface of several dozen films from Lang and Chaplin through Bergman, Coppola and beyond. To locate the exact repercussions of such effects, Stewart includes over 300 frame enlargements drawn from genres as different as science fiction, film noir and recent Victorian costume drama.
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Acerca del autor
Garrett Stewart is the James O. Freedman Professor of Letters in the Department of English at the University of Iowa and the author of numerous books on fiction and film.
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Between Film and Screen: Modernism's Photo Synthesis
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The University of Chicago Press, 2000
ISBN 10: 0226774120
ISBN 13: 9780226774121
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Paperback. Condición: Very Good. Photography might be called the lost cause of cinema, gone in projection and too soon forgotten. But what is the mysterious region between photography and narrative cinema, between the photogram - a single film frame - and the illusion of motion one recognizes as the movies? In this study, Garrett Stewart discusses the photogram not only as the undertext of screen images but also in its unexpected links to the early modernist writings of James, Conrad, Forster, Joyce and others. Engaging the work of such media theorists as Eisenstein, Benjamin, Kracauer, Bazin, Baudry, Cavell, Deleuze and Jameson, this study pursues the suppressed photogram as it ripples the narrative surface of several dozen films from Lang and Chaplin through Bergman, Coppola and beyond. To locate the exact repercussions of such effects, Stewart includes over 300 frame enlargements drawn from genres as different as science fiction, film noir and recent Victorian costume drama. Nº de ref. del artículo: 00108524706
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Between Film and Screen: Modernism's Photo Synthesis
Publicado por
The University of Chicago Press, 2000
ISBN 10: 0226774120
ISBN 13: 9780226774121
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Paperback. Condición: Very Good. Photography might be called the lost cause of cinema, gone in projection and too soon forgotten. But what is the mysterious region between photography and narrative cinema, between the photogram - a single film frame - and the illusion of motion one recognizes as the movies? In this study, Garrett Stewart discusses the photogram not only as the undertext of screen images but also in its unexpected links to the early modernist writings of James, Conrad, Forster, Joyce and others. Engaging the work of such media theorists as Eisenstein, Benjamin, Kracauer, Bazin, Baudry, Cavell, Deleuze and Jameson, this study pursues the suppressed photogram as it ripples the narrative surface of several dozen films from Lang and Chaplin through Bergman, Coppola and beyond. To locate the exact repercussions of such effects, Stewart includes over 300 frame enlargements drawn from genres as different as science fiction, film noir and recent Victorian costume drama. Nº de ref. del artículo: CIN0226774120VG
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Between Film and Screen: Modernism's Photo Synthesis
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ISBN 13: 9780226774121
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Between Film and Screen: Modernism's Photo Synthesis
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Between Film and Screen: Modernism's Photo Synthesis
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ISBN 10: 0226774120
ISBN 13: 9780226774121
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Between Film and Screen: Modernism's Photo Synthesis
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ISBN 13: 9780226774121
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Soft cover. Condición: Fine. No Jacket. 1st Edition. Between Film and Screen: Modernism's Photo Synthesis. Stewart, Garrett. Published by University of Chicago Press (1999) 386p. trade paperback, covers clean/square, binding tight, text clean/unmarked, fine condition--ISBN 10: 0226774120ISBN 13: 9780226774121--13.00. Nº de ref. del artículo: ABE-1619565675112
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Between Film and Screen: Modernism's Photo Synthesis
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Between Film & Screen Modernism?s Photo Synthesis
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ISBN 13: 9780226774121
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