Public Lettering: Script, Power and Culture - Tapa dura

Petrucci, Armando

 
9780226663869: Public Lettering: Script, Power and Culture
Tapa dura
ISBN 10: 0226663868 ISBN 13: 9780226663869
Editorial: University of Chicago Press, 1993

Sinopsis

Public lettering in all its forms--official inscriptions on buildings, commercial graphics, signs, epitaphs on tombstones, graffiti--is a fixture of urban life. In Public Lettering, Armando Petrucci reconstructs the history of public writing in the West and traces its social functions from the eleventh century through the modern period. Taking the city of Rome as a case study, Petrucci begins with a consideration of the first civic inscriptions after ancient times. Substantial chapters on the uses of public writing in the industrial revolution and the early twentieth century prepare the way for his provocative discussions of public lettering in the the contexts of fascism, post-war radicalism, and the student revolutions of 1968 and 1977. Throughout, Petrucci is concerned with the relations between the functions and styles of letters and the places where they appear. Writing, he argues, is one of the instruments of public power; display lettering is often the image and mirror of power itself, making the social use of written forms a type of conquest. Because of Rome's role as a "World-City," Petrucci's interdisciplinary study has wide-ranging implications for our understanding of the social function of graphic design.

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Críticas

The Italian historian Armando Petrucci has done more than anyone else to revive interest in public writing. His groundbreaking "Public Lettering: Script, Power, and Culture" surveys the forms and uses of epigraphic writing from classical antiquity to the twentieth century. --Geoffrey Nunberg "Lingua Franca "" "The Italian historian Armando Petrucci has done more than anyone else to revive interest in public writing. His groundbreaking "Public Lettering: Script, Power, and Culture" surveys the forms and uses of epigraphic writing from classical antiquity to the twentieth century."--Geoffrey Nunberg "Lingua Franca "

Reseña del editor

Public lettering in all its forms--official inscriptions on buildings, commercial graphics, signs, epitaphs on tombstones, graffiti--is a fixture of urban life. In Public Lettering, Armando Petrucci reconstructs the history of public writing in the West and traces its social functions from the eleventh century through the modern period. Taking the city of Rome as a case study, Petrucci begins with a consideration of the first civic inscriptions after ancient times. Substantial chapters on the uses of public writing in the industrial revolution and the early twentieth century prepare the way for his provocative discussions of public lettering in the the contexts of fascism, post-war radicalism, and the student revolutions of 1968 and 1977. Throughout, Petrucci is concerned with the relations between the functions and styles of letters and the places where they appear. Writing, he argues, is one of the instruments of public power; display lettering is often the image and mirror of power itself, making the social use of written forms a type of conquest. Because of Rome's role as a "World-City," Petrucci's interdisciplinary study has wide-ranging implications for our understanding of the social function of graphic design.

"Sobre este título" puede pertenecer a otra edición de este libro.

Editorial
University of Chicago Press
Año de publicación
1993
Idioma
Inglés
ISBN 10 
0226663868
ISBN 13 
9780226663869
Encuadernación
Tapa dura
Número de páginas
256
Contacto del fabricante
no disponible
Persona responsable
no disponible