WRITING OF MELANCHOLY: Modes of Opposition in Early French Modernism - Tapa dura

Chambers, Ross

 
9780226100708: WRITING OF MELANCHOLY: Modes of Opposition in Early French Modernism
Tapa dura
ISBN 10: 0226100707 ISBN 13: 9780226100708
Editorial: UNIV OF CHICAGO PR, 1993

Sinopsis

Ross Chambers, an eminent critic of French literature, proposes an original theory of the development of French modernism. His work brings together practical criticism, textual theory, and historical analysis to fashion a new way of thinking about writing and reading as they intersect with history. Along the way, Chambers offers brilliant readings of texts from Madame Bovary to Les Fleurs du mal. After the failed revolution of 1848, the sense of disillusion that swept through France deeply affected the literature of the time. Chambers argues that literary melancholy and disorientation constituted a symptom of historical conditions rather than, as many other critics contend, a willful resistance to them. Enriched by careful readings of works by Flaubert, Nerval, Baudelaire, Gautier, and Hugo, this book is a subtle meditation on the powers of writing and reading and a suggestive contribution to current debates over the historical status of literary texts. Originally published in French, the book has been revised and expanded to include a new chapter on Gerard de Nerval's "Sylvie."

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Acerca del autor

Ross Chambers is the Marvin Felheim Distinguished University Professor of French and Comparative Literature at the University of Michigan. Mary Seidman Trouille is a lecturer in French and the humanities at the University of Chicago.

De la contraportada

Ross Chambers, an eminent critic of French literature, proposes an original theory of the development of French modernism. His bold rereading of mid-nineteenth-century texts, from Madame Bovary to Les Fleurs du mal, leads to a reconception of the workings of narrative - in themselves and in relation to history. Chambers makes a distinction between a text's formal mode of address (narrative function) and the reflexive devices by which it invites interpretation (textual function). The works he considers reveal a discontinuity or disjunction between these two functions and as a result seem uncentered, their manner of conveying meaning oddly blurred. In this they recall the general malaise that swept through French society in the wake of the failed revolution of 1848. Chambers shows how the internal opposition of narrative and textual function, often read as a willful resistance to this historical ennui, is actually its symptom. Pursuing this argument through works by Flaubert, Nerval, Baudelaire, Gautier, and Hugo, Chambers uses theoretical insights to illuminate textual details, which in turn clarify and advance his theory. The process yields a subtle and compelling meditation on the powers of writing and reading, which contributes significantly to the debate about the historical status of literary texts. At the heart of the book is the concept of oppositionality; in this respect The Writing of Melancholy is both a necessary complement to Chambers's previous work in Room for Maneuver and a discreet homage by a member of the post-1968 generation to those who were thirty-something in 1848. Originally published in French, the book has been revised and expanded to include an entirely newchapter on Gerard de Nerval's "Sylvie".

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Editorial
UNIV OF CHICAGO PR
Año de publicación
1993
Idioma
Inglés
ISBN 10 
0226100707
ISBN 13 
9780226100708
Encuadernación
Tapa dura
Número de páginas
256
Contacto del fabricante
no disponible
Persona responsable
no disponible