Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. "A rarity within its genre--an art-historical analysis of iconography which is itself iconoclastic...One of the most intellectually exciting and historically grounded interpretations of Christian iconography." --Graham Howes, Times Literary Supplement "Likeness and Presence offers the best source to survey the facts of what European Christians put in their churches...An impressively detailed contextual analysis of medieval objects." --Robin Cormack, New York Times Book Review "I cannot begin to describe the richness or the imaginative grandeur of Hans Belting's book...It is a work that anyone interested in art, or in the history of thought about art, should regard as urgent reading. It is a tremendous achievement."--Arthur C. Danto, New Republic
"Sinopsis" puede pertenecer a otra edición de este libro.
Hans Belting is professor of art history and media theory at the School for New Media at Karlsruhe.
"Sobre este título" puede pertenecer a otra edición de este libro.
EUR 19,95 gastos de envío desde Estados Unidos de America a España
Destinos, gastos y plazos de envíoEUR 25,97 gastos de envío desde Estados Unidos de America a España
Destinos, gastos y plazos de envíoLibrería: Better World Books, Mishawaka, IN, Estados Unidos de America
Condición: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Nº de ref. del artículo: 8181446-75
Cantidad disponible: 1 disponibles
Librería: Priceless Books, Urbana, IL, Estados Unidos de America
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. 651pp. Extremities book & Dj lightly rubbed; Dj covers slightly faded. Illus.; endnotes; biblio.; index. Trans. by Edmund Jephcott. Nº de ref. del artículo: 254122
Cantidad disponible: 1 disponibles
Librería: Second Story Books, ABAA, Rockville, MD, Estados Unidos de America
Hardcover. Octavo, xxiv, 651 pages. In Very Good minus condition with a Very Good minus dust jacket. Spine is yellow with green print. Dust jacket has slight shelf wear. Boards in green cloth. Text block has light smudges on rear flyleaf. Illustrated: b&w and color plates. NOTE: Shelved in Locked Annex Area, ND-HV Section. 1382863. FP New Rockville Stock. Nº de ref. del artículo: 1382863
Cantidad disponible: 1 disponibles
Librería: dsmbooks, Liverpool, Reino Unido
Hardcover. Condición: Very Good. Very Good. SHIPS FROM MULTIPLE LOCATIONS. book. Nº de ref. del artículo: D7S9-1-M-0226042146-4
Cantidad disponible: 1 disponibles
Librería: Argosy Book Store, ABAA, ILAB, New York, NY, Estados Unidos de America
hardcover. Condición: fine. Estado de la sobrecubierta: near fine. Translated by Edmund Jephcott. Illustrated with black and white photographs and paintings throughout. 651 pages. Thick 8vo, green boards, dust wrapper. Chicago: University of Chicago Press, (1994). A fine copy in a near fine dust wrapper, spine evenly sunned. Nº de ref. del artículo: 303538
Cantidad disponible: 1 disponibles
Librería: Toscana Books, AUSTIN, TX, Estados Unidos de America
Hardcover. Condición: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks. Nº de ref. del artículo: Scanned0226042146
Cantidad disponible: 1 disponibles