Known to have existed in Classical times and still being made for a mass market, globes represent the oldest continuous technique for picturing the Earth and heavens. Originally aids to philosophy, the Renaissance saw their development as compendia of rapidly expanding geographical and astronomical knowledge, and as instruments of navigation and cosmography. They have been produced as simple spheres and as sophisticated mechanical devices, as toys and as high -status furniture; used as classroom and other demonstrational tools and as a symbol in the art of many periods. Until the onset of modern industrial techniques, their manufacture as plaster, wood or metal spheres was complex and laborious, and the skills required for their graphic construction and publication no less so. The National Maritime Museum at Greenwich has one of the world's largest and finest collections of globes, comprising over 300 items including terrestrial and celestial examples, armillary spheres and planispheres. Many of these themselves derive from earlier holdings, such as the Barberini, Landau, and Gabb collections, which were acquired en bloc for the Museum in its formative years through the activities of its principal benefactor, Sir James Caird (1864-1954). The Greenwich collection has now been fully catalogued by one of the leading authorities on Western globes, Dr Elly Dekker, who undertook the task from 1993 to 1995 as the Museum's first Sackler Fellow in the History of Astronomy and Navigational Sciences. The catalogue includes full entries on all items in the Museum's collection, the overwhelming majority being illustrated. There are also nine introductory essays by Dr Dekker and other NMM specialists, and an integrated section on the Museum's Islamic globes, introduced and catalogued by Dr Silke Ackermann of the British Museum.
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... done to the very highest standards... Within its terms of reference...Globes at Greenwich is a superb work (Nature)
Known to have existed in Classical times and still being made for a mass market, globes represent the oldest continuous technique for picturing the Earth and heavens. Originally aids to philosophy, the Renaissance saw their development as compendia of rapidly expanding geographical and astronomical knowledge, and as instruments of navigation and cosmography. They have been produced as simple spheres and as sophisticated mechanical devices, as toys and as high -status furniture; used as classroom and other demonstrational tools and as a symbol in the art of many periods. Until the onset of modern industrial techniques, their manufacture as plaster, wood or metal spheres was complex and laborious, and the skills required for their graphic construction and publication no less so. The National Maritime Museum at Greenwich has one of the world's largest and finest collections of globes, comprising over 300 items including terrestrial and celestial examples, armillary spheres and planispheres. Many of these themselves derive from earlier holdings, such as the Barberini, Landau, and Gabb collections, which were acquired en bloc for the Museum in its formative years through the activities of its principal benefactor, Sir James Caird (1864-1954). The Greenwich collection has now been fully catalogued by one of the leading authorities on Western globes, Dr Elly Dekker, who undertook the task from 1993 to 1995 as the Museum's first Sackler Fellow in the History of Astronomy and Navigational Sciences. The catalogue includes full entries on all items in the Museum's collection, the overwhelming majority being illustrated. There are also nine introductory essays by Dr Dekker and other NMM specialists, and an integrated section on the Museum's Islamic globes, introduced and catalogued by Dr Silke Ackermann of the British Museum.
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Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First Edition. Near FINE hardback in Near FINE dustwrapper in Near FINE slipcase. 1999 Oxford University Press and the National Maritime Museum, First Edition. Wrapper has tiny scuff to laminate at top front hinge. Small, light crease to top corner of pages 357-362. Slipcase has small mark mid-front and small scuff bottom front corner. Wrapper has hint of sunning to spine. NO inscriptions, NOT price clipped. NB. UK delivery ONLY. Nº de ref. del artículo: 000771
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Librería: Don Kelly Books, London, Reino Unido
Hard Back in Slipcase. Condición: As New. Estado de la sobrecubierta: As New. 592pp 120 col & 700 b&w illus 315x240mm. Full catalogue entries for over 300 items in this, the largest and finest collection in the world. . The slipcase has some minor marks. Nº de ref. del artículo: 23595
Cantidad disponible: 1 disponibles
Librería: Don Kelly Books, London, Reino Unido
Hard Back in Slipcase. Condición: As New. Estado de la sobrecubierta: As New. 592pp 120 col & 700 b&w illus 315x240mm. Full catalogue entries for over 300 items in this, the largest and finest collection in the world. . The slipcase has some minor marks. Nº de ref. del artículo: 23595 *
Cantidad disponible: 1 disponibles
Librería: Biblion Antiquariat, Zürich, ZH, Suiza
1. publ. 4°. XI, 592 S. , zahlr. Ill. OLn., OU. O-Schuber. Standardwerk zum Thema. Sprache: englisch. Nº de ref. del artículo: 82840AB
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Librería: Bookcase, Carlisle, Reino Unido
Hard. Condición: Near Fine. Estado de la sobrecubierta: Very Good Plus. In maroon slipcase which has a few light scratches and some bumping to corners. Jacket has light edge wear and slightly sunned spine. Book very clean and solid. Size: Folio. Nº de ref. del artículo: 69098
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