Designed as a companion volume to the author's earlier study, The Piano Trio, this book surveys the development of the piano quarlet and quintet from their relatively modest beginnings in the mid-eighteenth century to the present day. Developments during the first four decades of the nineteenth century resulted not only in Schubert's renowned `Trout' Quintet, but also in works of much brilliance by Dussek, Hummel, Weber, and others in which the piano predominates in a concerto-like role. Subsequently, Schumann's epoch-making quintet of 1842 initiated a broadly `symphonic' style, with large-scale structures and closely integrated textures, which was taken up by many later composers, including Brahms, Dvorák, César Frank, Fauré, and Elgar. The author also examines the numberous changes in the nature of the genres which have occurred in recent times, and gives special consideration to a number of works by leading 20th-century composers, in which `mixed' media are formed by combining wind instruments with the normal strings-and-piano ensembles.
Within his broad historical narrative Professor Smallman provides descriptive analyses of key works, many with music examples, and also comments perceptively on local trends and developments. His book is likely to be of interest to all those who are fascinated by this important repertoire - performers, students, and listeners, as well as the general reader.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
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