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Sound Unseen
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Brian Kane is Associate Professor of Music at Yale University and a founding editor of the journal nonsite.org. His research specializes in contemporary music, sound art, sound studies/auditory culture, histories of listening, and intersections between music and philosophy
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Sound Unseen: Acousmatic Sound in Theory & Practice
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Oxford University Press, 2016
ISBN 10: 0190632216
ISBN 13: 9780190632212
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Sound Unseen: Acousmatic Sound in Theory and Practice
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Oxford University Press, 2016
ISBN 10: 0190632216
ISBN 13: 9780190632212
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Sound Unseen: Acousmatic Sound in Theory and Practice
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Oxford University Press, 2016
ISBN 10: 0190632216
ISBN 13: 9780190632212
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Sound Unseen: Acousmatic Sound in Theory and Practice (eng)
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Oxford University Press, 2016
ISBN 10: 0190632216
ISBN 13: 9780190632212
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Sound Unseen : Acousmatic Sound in Theory and Practice
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Oxford University Press, 2016
ISBN 10: 0190632216
ISBN 13: 9780190632212
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Sound Unseen: Acousmatic Sound in Theory and Practice (Paperback or Softback)
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Oxford University Press, USA 9/1/2016, 2016
ISBN 10: 0190632216
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Sound Unseen : Acousmatic Sound in Theory and Practice
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Oxford University Press, 2016
ISBN 10: 0190632216
ISBN 13: 9780190632212
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Sound Unseen (Paperback)
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Oxford University Press Inc, New York, 2016
ISBN 10: 0190632216
ISBN 13: 9780190632212
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Paperback. Condición: new. Paperback. Sound coming from outside the field of vision, from somewhere beyond, holds a privileged place in the Western imagination. When separated from their source, sounds seem to manifest transcendent realms, divine powers, or supernatural forces. According to legend, the philosopher Pythagoras lectured to his disciples from behind a veil, and two thousand years later, in the age of absolute music, listeners were similarly fascinated with disembodied sounds, employingvarious techniques to isolate sounds from their sources. With recording and radio came spatial and temporal separation of sounds from sources, and new ways of composing music.SoundUnseen: Acousmatic Sound in Theory and Practice explores the phenomenon of acousmatic sound. An unusual and neglected word, "acousmatic" was first introduced into modern parlance in the mid-1960s by avant garde composer of musique concrete Pierre Schaeffer to describe the experience of hearing a sound without seeing its cause. Working through, and often against, Schaeffer's ideas, Brian Kane presents a powerful argument for the central yet overlooked role of acousmatic sound inmusic aesthetics, sound studies, literature, philosophy and the history of the senses. Kane investigates acousmatic sound from a number of methodological perspectives -- historical, cultural, philosophical and musical-- and provides a framework that makes sense of the many surprising and paradoxical ways that unseen sound has been understood. Finely detailed and thoroughly researched, Sound Unseen pursues unseen sounds through a stunning array of cases -- from Bayreuth to Kafka's "Burrow," Apollinaire to %Zi%zek, music and metaphysics to architecture and automata, and from Pythagoras to the present-to offer the definitive account of acousmatic sound in theory and practice.Thefirst major study in English of Pierre Schaeffer's theory of "acousmatics," Sound Unseen is an essential text for scholars of philosophy of music, electronic music, sound studies, and the history of the senses. Sound Unseen explores the phenomenon of acousmatic sound -- a sound that one hears without seeing its source-and presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780190632212
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Sound Unseen
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PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. del artículo: L0-9780190632212
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Sound Unseen
Publicado por
Oxford University Press Inc, US, 2016
ISBN 10: 0190632216
ISBN 13: 9780190632212
Nuevo
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Librería: Rarewaves.com USA, London, LONDO, Reino Unido
Calificación del vendedor: 5 de 5 estrellas
Paperback. Condición: New. Sound coming from outside the field of vision, from somewhere beyond, holds a privileged place in the Western imagination. When separated from their source, sounds seem to manifest transcendent realms, divine powers, or supernatural forces. According to legend, the philosopher Pythagoras lectured to his disciples from behind a veil, and two thousand years later, in the age of absolute music, listeners were similarly fascinated with disembodied sounds, employing various techniques to isolate sounds from their sources. With recording and radio came spatial and temporal separation of sounds from sources, and new ways of composing music.Sound Unseen: Acousmatic Sound in Theory and Practice explores the phenomenon of acousmatic sound. An unusual and neglected word, "acousmatic" was first introduced into modern parlance in the mid-1960s by avant garde composer of musique concrète Pierre Schaeffer to describe the experience of hearing a sound without seeing its cause. Working through, and often against, Schaeffer's ideas, Brian Kane presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses. Kane investigates acousmatic sound from a number of methodological perspectives -- historical, cultural, philosophical and musical -- and provides a framework that makes sense of the many surprising and paradoxical ways that unseen sound has been understood. Finely detailed and thoroughly researched, Sound Unseen pursues unseen sounds through a stunning array of cases -- from Bayreuth to Kafka's "Burrow," Apollinaire to Zizek, music and metaphysics to architecture and automata, and from Pythagoras to the present-to offer the definitive account of acousmatic sound in theory and practice. The first major study in English of Pierre Schaeffer's theory of "acousmatics," Sound Unseen is an essential text for scholars of philosophy of music, electronic music, sound studies, and the history of the senses. Nº de ref. del artículo: LU-9780190632212
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