Peter Blood is a physician and an English gentleman who becomes a pirate out of a rankling sense of injustice. Barely escaping the gallows after his arrest for treating wounded rebels who were fighting the oppressive King James, Blood flees England and becomes enslaved on a Barbados plantation of buccaneers. When he escapes, no ship sailing the Spanish Main is safe from Blood and his companions. Abounding with adventure, color, romance, and strong social commentary on the evils of slavery and the dangers of intolerance, this classic adventure is a story about how oppression drives men to desperate actions, how fate plays a hand in everyone's life, and how love is ultimately the greatest power of all.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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Rafael Sabatini (1875-1950) was born in Italy to two opera singers, and often joined his parents on their professional tours of Europe. In 1918, he became a British subject and worked for the British Intelligence during World War I. He published his first novel, The Lovers of Yvonne, at the age of 27, and continued to produce numerous historical novels, short stories, plays, screenplays, and some biographies. Scaramouche was first published in 1921, followed by Captain Blood in 1922. Sabatini died in 1950 while vacationing at a Swiss ski resort.
Gary Hoppenstand is a professor in the Department of American Thought and Language at Michigan State University. He has researched and published widely in the areas of popular culture and popular fiction studies, and he edited the Penguin Classics editions of Anthony Hope's The Prisoner of Zenda/Rupert of Hentzau and A.E.W. Mason's The Four Feathers. He is the past president of the Popular Culture Association, and the current editor of The Journal of Popular Culture.
Gary Hoppenstand is a professor in the Department of American Thought and Language at Michigan State University. He has researched and published widely in the areas of popular culture and popular fiction studies, and he edited the Penguin Classics editions of Anthony Hope's The Prisoner of Zenda/Rupert of Hentzau and A.E.W. Mason's The Four Feathers. He is the past president of the Popular Culture Association, and the current editor of The Journal of Popular Culture.
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xxxii. + 332pp. + ads. xxxii. + 332pp. + ads. Stock Photo cover art of our copy as pictured (Howard Pyle's 'Walking the Plank'). Introduction by Gary Hoppenstand. 1st Printing of this edition per print number line. GOOD+. Gently read, covers scuffed but no spine creasing. No names or writings. a clean/tight VG reading copy. TRADE PAPERBACK (5 x 7.75 inches). Nº de ref. del artículo: 2610050621
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Paperback. Condición: Good. This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentionalunintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPY READING. Nº de ref. del artículo: CIN0142180106G
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