EUR 4,24 gastos de envío desde Estados Unidos de America a España
Destinos, gastos y plazos de envíoLibrería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Nº de ref. del artículo: G0135563089I5N00
Cantidad disponible: 1 disponibles
Librería: Anybook.com, Lincoln, Reino Unido
Condición: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:0135563089. Nº de ref. del artículo: 9175076
Cantidad disponible: 1 disponibles
Librería: THE CROSS Art + Books, Sydney, NSW, Australia
22.5 x 15.0cms 184pp b/w illusts very good paperback & cover These 24 essays position Duchamp in relation to the Futurists anti-art emblematic realism the ready-made Rose Selavy counter avant-garde Robert Smithson Jasper Johns Hans Richter John Cage the theatre of the conceptual. Nº de ref. del artículo: 20965655
Cantidad disponible: 1 disponibles
Librería: Palimpsest Scholarly Books & Services, Brooktondale, NY, Estados Unidos de America
Soft cover. Condición: Very Good. 1st Edition. First printing. Softcover volume, measuring approximately 6" x 9.25", shows light shelfwear. Binding is sound. Pages are clean and bright. xi/184 pages. "With such works as "Nude Descending a Staircase" (1912) and the urinal which he presented as the ready-made "Fountain" (1917), Marcel Duchamp extended modern art while pretending to destroy it. The result, as the contributors to this volume show, was a new way of thinking that blurred the traditional distinction between life and art, providing inspiration for a variety of groups ranging from Pop to Conceptual Art. In this illustrated volume, such contributors as Clement Greenberg, Thomas Hess, Max Kozloff, and Claude Levi-Strauss trace the positive and negative reactions to Duchamp and his works, from the early Cubist paintings through the "ready-mades" to the ironic and chance constructions of his later career. In analyzing the artist who dismissed his works by saying "Nothing was intended," this volume shows that Marcel Duchamp is truly one of the most significant figures of 20th-century art.". Nº de ref. del artículo: ABE-1712067939738
Cantidad disponible: 1 disponibles
Librería: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, Estados Unidos de America
Softcover. Condición: Near Fine. First paperback edition. xi, 184pp. Illustrated. Pictorial wrappers. Wraps with just a bit of wear, near fine. Part of the "Artists In Perspective Series.". Nº de ref. del artículo: 577279
Cantidad disponible: 1 disponibles
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
paperback. Condición: Good. minor interior pen markings on cover Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized. Nº de ref. del artículo: mon0000168953
Cantidad disponible: 1 disponibles
Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de America
Condición: Good. 8vo. [circa 150 pp.] Soft Cover, Very Good. B&W Plates. Nº de ref. del artículo: 69-1980
Cantidad disponible: 1 disponibles
Librería: Shadow Books, Norwich, Reino Unido
Soft cover. Condición: Very Good. Unmarked And Unworn. Just On Fine. Nº de ref. del artículo: 141000-70
Cantidad disponible: 1 disponibles
Librería: Smith Family Bookstore Downtown, Eugene, OR, Estados Unidos de America
Trade Paperback. Condición: Good. 1st Edition. text clean and unmarked. binding tight. covers have some light wear along edges and some light sun fading along upper edge and spine. edges of pages have toning and light wear. Nº de ref. del artículo: 5043980
Cantidad disponible: 1 disponibles