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Publicado por New York/New Haven (American Federation of Arts/ Yale University Press), 2006
Librería: Ars Libri, Ltd. (ABAA), Charlestown, MA, Estados Unidos de America
136pp. 71 color plates. 4to. Boards. D.j. Published in conjunction with exhibitions at the Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, Sept. 2006-Jan. 2007, and three other venues.
Publicado por American Federation of Arts, Yale University Press
Librería: Wonder Book, Frederick, MD, Estados Unidos de America
Condición: Very Good. Very Good condition. (James Tissot, Victorian paintings, British painters, exhibitions).
Publicado por American Federation of Arts; Yale University Press, New York and New Haven, CT, 2006
ISBN 10: 1885444338ISBN 13: 9781885444332
Librería: LEFT COAST BOOKS, Santa Barbara, CA, Estados Unidos de America
Libro Original o primera edición
Paperback. Condición: Fine. 1st. 136 pages, colour illustrations; 30 cm. Published in conjuction with an exhibition at the Addison Gallery of American Art, Andover, Massachusetts, and at other venues beginning in 2006. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "From the 1850s to the 1950s, American art and culture progressed from provincial status to international prominence, and American art transitioned from figurative depictions of the particular to abstract interpretations of universal ideals. This beautiful book chronicles this complex century of maturation through a selection of paintings from the extraordinary collection of the Addison Gallery of American Art. Coming of Age begins with Albert Bierstadt, Frederic Church, and the Hudson River School landscapes that embody the new nationalism of mid-nineteenth-century America. Their successors, Luminists like Jasper Cropsey and Fitz H. Lane, infused their immediate surroundings with glowing light and crystalline clarity, while contemporary Barbizon-influenced tonalists, such as George Inness, sought to capture the American ethos through an emotional, atmospheric landscape language. In the later 19th century, Winslow Homer, Thomas Eakins, and Eastman Johnson depicted native subjects through the lens of realism. Childe Hassam and Maurice Prendergast brought Impressionist aesthetics to America, while expatriates including John Singer Sargent and James McNeil Whistler established themselves in European art capitals. In New York, turn-of-the-century Ashcan school painters captured the gritty cityscape that would later host champions of modernism Alfred Stieglitz, Man Ray, and Marsden Hartley. In the 1930s, European-trained artist Josef Albers introduced a generation of American painters to new theories of color and space from which emerged the breakthrough Abstract Expressionists. By the 1950s, American art had come of age, as Americans securely held the vanguard position in the international art world. / William C. Agee is Evelyn Kranes Kossak Professor of Art History at Hunter College, City University of New York. Susan C. Faxon is Associate Director and Curator of Art Before 1950 at the Addison Gallery of American Art." - Publisher. Size: 4to. Collectible.
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Usado desde EUR 18,75
Encuentre también Original o primera edición
Publicado por American Federation of Arts / Yale University Press, 2006
ISBN 10: 0300115237ISBN 13: 9780300115239
Librería: J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, Estados Unidos de America
Libro
Hardcover. Size: 9.75"x11.75", 136pp., 71 colour plates. Would be brand new except for owner's address label and inked date / bright and crisp dust jacket.
Publicado por American Federation of Arts, Yale University Press, New York and New Haven, CT, 1999
Librería: LEFT COAST BOOKS, Santa Barbara, CA, Estados Unidos de America
Paperback. Condición: Very Good. 207 pages, colour illustrations; 26 cm. Exhibition held at the Yale Center for British Art, New Haven, Conn., September 22 to November 28, 1999, and other venues. Near fine. Firm binding, clean inside copy. Age toning. "James Tissot (1836-1902), the wry and urbane observer of manners and fashions, painted scenes from the life of "society" that simmer with undercurrents of sexual drama. This book presents nearly a hundred paintings, prints, and watercolors from every phase of Tissot's career, including such signature paintings as The Ball on Shipboard, Hush! (The Concert), and London Visitors." "Nancy Rose Marshall and Malcolm Warner explore Tissot's themes and interests and consider the influence on his work of Charles Baudelaite's brilliant essay on the aesthetics of modernity, Le Peintre de la vie moderne. They examine how Tissot dealt with the ways of modern love in Paris and London in the later nineteenth century." - Publisher. Size: 4to.
Publicado por New York and New Haven American Federation of Arts/Yale University Press, 2017
Librería: Jeff Jeremias Fine Arts, RMABA, Aurora, CO, Estados Unidos de America
Miembro de asociación: RMABA
Libro Original o primera edición
Soft cover. Condición: Fine. No Jacket. 1st Edition. First edition. Softcover. 276 pages. Profusely illustrated. Fine condition. (ART9).
Publicado por American Federation of Arts and the National Academy of Design; Yale University Press, New York and New Haven, CT, 2019
ISBN 10: 0300244282ISBN 13: 9780300244281
Librería: LEFT COAST BOOKS, Santa Barbara, CA, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Fine. 1st. Pictorial boards, 303 pages, colour illustrations; 29 cm. Published on the occassion of the traveling exhibition For America: Paintings from the National Academy of Design, organized by the American Federation for the Arts for the National Academy of Design, Dayton Art Institute, OH, February 20 to June 2, 2019 and six other locations. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. " This stunning book provides an unprecedented glimpse into the past two centuries of American art, tracing artistic tradition and innovation at the National Academy of Design from its 19th-century founding to the present. The nation's oldest artist honorary society has maintained a unique collecting principle: each member gives a self-portrait (or, until 1994, a portrait by a contemporary Academician) as well as an example of their work. By presenting artists' portraits in tandem with their self-selected representative works, this book offers a unique opportunity to explore how American artists have viewed both themselves and the worlds they depicted. The diverse selection of artists whose work is showcased here includes Frederic Edwin Church, Eastman Johnson, Winslow Homer, John Singer Sargent, Thomas Eakins, Cecilia Beaux, Isabel Bishop, Andrew Wyeth, Charles White, Wayne Thiebaud, Louisa Matthiasdottir, David Diao, Jaune Quick-to-See Smith, and Peter Saul. Essays by a stellar roster of distinguished historians and art historians, curators, artists, and architects delve into single artworks or pairs of paintings, while others explore themes such the representation of landscapes and the figurative tradition in American art. Additionally, 17 current Academicians-visual artists and architects including Walter Chatham, Catherine Opie and Fred Wilson-contribute personal responses to individual artworks." - Publisher. CONTENTS: For America: An introduction, by Jeremiah William McCarthy and Diana Thompson; A first teacher and the resonance of miniature paintings: Samuel F.B. Morse, by Susan Rather; A nation on display: Albert Bierstadt, Frederic Edwin Church, and Asher B. Durand, by Elizabeth A. Spear; Stephen Westfall on John Frederick Kensett; Jaune Quick-to-See Smith on Albert Bierstadt; Awakened dream: Images of reading and beholding in the work of Daniel Huntington and his contemporaries, by Kenneth Haltman; Anthony Panzera on George Inness; Artistic friendship in the gilded age: William Marritt Chase, Thomas Eakins, and Henry Ossawa Tanner, by Akela Reason; Robert Kushner on Cecilia Beaux; David Humphrey on William J. Whittemore; Illustration beside painting: Kenyon Cox and Maxfield Parrish, by Jennifer A. Greenhill; John Moore on Maxfield Parrish; Place and painting on Monhegan Island: George Bellows, Robert Henri, and Reuben Tam, by Kimia Shahi; Leslie Wayne on Ernest L. Blumenschein; Past and present in the 1920s: Ellen Emmet Rand, by Jonathan Frederick Walz; Judith Shea on Ellen Emmet Rand; Glenn Goldberg on Peter Hurd; Beyond the surface: Hughie Lee-Smith, by AlonaCooper Wilson; Self-portraiture in a time of outrage: Jane Freilicher, by Alexander Nemerov; Barbara Grossman on Gretna Campbell; The subject is politics: Benny Andrews and May Stevens, by Patricia Hills; Fred Wilson on Benny Andrews; Walter Chatham on Richard Estes; To paint a figure, by Jeremiah William McCarthy; Catherine Opie on George Henry Hall; Alexi Worth on Philip Pearlstein; Four Americans: David Diao, Louisa Matthiasdo ttir, Peter Saul, and Jaune Quick-to-See Smith, by Jarrett Earnest; Joyce Kozloff on Jaune Quick-to-See Smith; Mira Schor on David Diao; Tom Burckhardt on Peter Saul; Catalogue and selected bibliography, by Jeremiah William McCarthy with Pavla Berghen-Wolf. Size: 4to. Collectible.
Publicado por The American Federation of Arts, Yale University Press, 2006
ISBN 10: 1885444338ISBN 13: 9781885444332
Librería: Stella & Rose's Books, PBFA, Tintern, MON, Reino Unido
Miembro de asociación: PBFA
Libro Original o primera edición
Softcover. Condición: Fine. No Jacket. First edition. 1st 2006. Fine condition. Published in conjunction with an exhibition organized by the American Federation of Arts and the Addison Gallery of American Art, Massachusetts. Large format. Pictorial cardwraps. Colour illustrations. 136 pages. Packaged with care and promptly dispatched!.
Publicado por American Federation of Art / Yale University Press, New Haven - London, 2006
Librería: L'ivre d'Histoires, Merbes Sainte Marie, Belgica
Libro
Couverture Illustrée Rempliée. Condición: Bon.
Publicado por American Federation of Arts/Yale University Press, 2007
ISBN 10: 0300120230ISBN 13: 9780300120233
Librería: Abyssbooks, Crestone, CO, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Fine. 1st Edition. Previous owner's name neatly inked to front fly leaf else fine in every way. A little extra postage required.
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Nuevo desde EUR 91,32
Usado desde EUR 62,44
Encuentre también Tapa dura Original o primera edición
Publicado por American Federation of Arts in Association with Yale University Press, New Haven and London, 2006
Librería: Olana Gallery, Brewster, NY, Estados Unidos de America
Libro
Paper. Condición: Good. Good paper copy ex. cat., 2135 pp, 3 pp preface by W.C. Agee, 2 pp ack, Julia Brown, text and 4/C illus., pages 16 through page 127, two essays, 4 pp checklist, 3001 per pages, 2 pp selected biblio.
Publicado por American Federation of the Arts and Yale University Press, 2007
ISBN 10: 1885444362ISBN 13: 9781885444363
Librería: ANARTIST, New York, NY, Estados Unidos de America
Libro
Softcover exhibition catalog, 128 pages; very good condition except 1/2-inch crease to all pages at lower right corner; 1 page dog-eared; no internal marks. Foreign shipping may be extra.
Publicado por American Federation of Arts, Yale University Press, New Haven, 1999
ISBN 10: 0300081731ISBN 13: 9780300081732
Librería: Books to Give ~ Books to Love®, Alexandria, VA, Estados Unidos de America
Libro
Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. A catalog for an exhibition organized by the Yale Center for British Art and the American Federation of Arts, James Tissot: Victorian Life/Modern Love features nearly a hundred paintings, prints, and watercolors, mostly in color, from nearly every phase of the artist's career in the last half of the nineteenth century. Tissot, himself known as a dandy, documented the vanities and flirtations, not to mention the fashions and foibles, of the monied classes of his times, mostly in Paris and London, and usually with a sense of humor about it all. Susan P. Casteras, professor of art history at the University of Washington, said in her review that this book was "intended for various audiences, and as such is definitely an admirable general source to add to library shelves." "The catalogue is divided into useful thematic sections.The entries are full of interesting asides, details, and implications,"she continued. Our copy is without blemish, without any marks or creases on the pages or any flaws to the binding. The dust jacket is in very good condition, showing some slight signs of rubbing and shelf wear. 208 pages, including notes, chronology, and bibliography.