Book by Wilkin Karen Belz Carl
"Sinopsis" puede pertenecer a otra edición de este libro.
." . . insightful . . . anyone interested in understanding contemporary abstract painting should consult [this] book . . ." -;i>The Art Book"--Alexander Adams"The Art Book" (02/01/2009)Críticas:
"... insightful ... anyone interested in understanding contemporary abstract painting should consult [this] book ..." - Alexander Adams, The Art Book -- Alexander Adams The Art Book
"Sobre este título" puede pertenecer a otra edición de este libro.
Descripción American Federation of Arts/Yale University Press, 2007. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería 0300120230
Descripción American Federation of Arts; Yale University Press, New York and New Haven, CT, 2007. Hardcover. Estado de conservación: NEW. Estado de la sobrecubierta: NEW. 1st. 127 pp., illus. (some col.), ports., biblio., index; 31 cm. Published in conjunction with the exhibition held at the Denver Art Museum November 9, 2007 to February 3, 2008; Smithsonian American Art Museum, Washington, D.C., February 29 to May 26, 2008; and Frist Center for the Visual Arts, Nashville, Tenn., June 20 to September 21, 2008. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. "Color field painting, which emerged in the United States in the 1950s, is based on radiant, uninflected hues. Exemplified by the work of Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski, Larry Poons, and Frank Stella, among others, these stunningly beautiful and impressively scaled paintings constitute one of the crowning achievements of postwar American abstract art. Color as Field offers a long-overdue reevaluation of this important aspect of American abstract painting. The authors examine how color field painting rejects the gestural, layered, and hyper-emotional approach typical of Willem de Kooning and his followers, yet at the same time develops and expands ideas about all-overness and the primacy of color posited by the work of other members of the abstract expressionist generation, such as Adolph Gottlieb, Hans Hofmann, Robert Motherwell, Jackson Pollock, and Mark Rothko. From the fresh historical standpoint of the 21st century, this fascinating reassessment ranges across the artists’ individual approaches and their commonalities, concluding with insights into the ongoing legacy of post-1970s color field painting among present-day artists. / Karen Wilkin is an independent curator and critic specializing in 20th-century modernism. Carl Belz is Director Emeritus of the Rose Art Museum, Brandeis University." - Publisher. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue. Nº de ref. de la librería 054934
Descripción American Federation of Arts/Ya, 2007. Hardcover. Estado de conservación: New. Nº de ref. de la librería P110300120230
Descripción American Federation of Arts/Yale University Press. Hardcover. Estado de conservación: New. 0300120230 New Condition. Nº de ref. de la librería NEW6.0123546
Descripción American Federation of Arts/Yale University Press, 2007. Hardcover. Estado de conservación: New. 1. Nº de ref. de la librería DADAX0300120230
Descripción Estado de conservación: Brand New. Book Condition: Brand New. Nº de ref. de la librería 97803001202331.0