Publicado por Ediciones Zona, Argentina, 1965
Librería: Federico Burki, Buenos Aires, CABA, Argentina
Original o primera edición
Rústica. Condición: Buen estado. Primera edición. Colección de Poesía. Esta antología representa la tarea desarrollada, entre 1950 y 1965 (libros publicados e inéditos) por los siete poetas que integraron la dirección de la revista Zona. Ordenada por César Fernández Moreno, Noé Jitrik y Francisco Urondo. Pequeñas roturas y señales de uso en tapas y lomo.
Condición: Bueno. Ediciones Zona, 1965. Ordenada por César Fernández Moreno, Noé Jitrik y Francisco Urondo. Pág, 154. Med, 20x13. Rústica. Abr/16/27.
Publicado por EDICIONES ZONA .ARGENTINA, 1965
Librería: DEL SUBURBIO LIBROS- VENTA PARTICULAR, C.AB.A, CAP, Argentina
Miembro de asociación: ALADA
Original o primera edición
Encuadernación de tapa blanda. Condición: Muy bien. 1ª Edición. Bayley, Edgar - Brascó, Miguel - Fernandez Moreno, César - Jitrik, Noé - De Casasbellas, Ramiro - Urondo, Francisco - Vanasco, Alberto. ANTOLOGÍA INTERNA. EDICIONES ZONA Ediciones Zona, Argentina, 1965. Rústica. Muy Buen estado. Primera edición. 20x13 cm.; 154 pp. Colección de Poesía. Esta antología representa la tarea desarrollada, entre 1950 y 1965 -libros publicados e inéditos- por los siete poetas que integraron la dirección de la Revista Zona. Ordenada por César Fernández Moreno, Noé Jitrik y Francisco Urondo. Joyita literaria. VID.3.2°.
Publicado por Buenos Aires Talleres Lumen, 1963
Librería: Chaco 4ever Books, Montevideo, MO, Uruguay
Revista / Publicación
Encuadernación de tapa blanda. Condición: Muy bien. In-4. #1 Jul 1963 - #4 Nov 1964. (Lacks #2). Wrappers. Collaborators : Octavio Paz, Enrique Molina, Enrique Lihn, Francisco Madariaga, Noe Jitrik, Francisco "Paco" Urondo, Alberto Girri, Enrique Molina, Alberto Vanasco, Oliverio Girondo, Albero Lores, Among others. Noe Jitrik tells us about the Magazine: It was César Fernández Moreno who had the idea of ??making a poetry magazine. During his life as a lawyer had not stopped writing, a parental mandate had led him to that, but suddenly he felt something like the revelation of boredom, even with regard to his poetry preceding. From the contact with Brascó, in his own studio, but then with the bubbling porteño poetic of those years (Trejo, Vanasco, Urondo, Bayley, Madariaga, Vasco) was discovered "conversational"; poems like "Airports" date back then, "Argentine until death" and many others. His idea, or proposal, also supported by the strong ties of affection that bound everyone those poets, was quickly picked up, in particular by Urondo and myself (who was in Córdoba), as well as by Vanasco and Bayley, although not necessarily around a poetic program since each one went their own way; one could be a poet of "experience" but also inherited-surreal, as well as that each one conserved, without the need for announce it, his own poetics but we all agreed that we should organize each number from proposals. But above all, everyone believed in poetry in their own way. Tarcus p61. F1.