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Publicado por Senac, 2000
ISBN 10: 8573591129ISBN 13: 9788573591125
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Nuevo desde EUR 27,50
Usado desde EUR 3,36
Encuentre también Tapa blanda
Publicado por Gustavo Gili (Punto y Línea), Barcelona, 1977
ISBN 10: 8425206464ISBN 13: 9788425206467
Librería: Vértigo Libros, Madrid, España
Libro
Encuadernación de tapa blanda. Condición: Muy bien. 98 pp.
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Usado desde EUR 6,80
Encuentre también Original o primera edición
Publicado por Imago, 1998
ISBN 10: 8531206448ISBN 13: 9788531206443
Librería: Luckymatrix, Lisboa, Portugal
Libro
Soft cover. Condición: New. Titulo: Cultura Pós-Nacionalista Autor: Pignatari, Décio ISBN: 9788531206443 Peso: 0 Kg. Páginas: 133 Edição: 1998/01 Nós encontramos a sua disposição. Qualquer dúvida ou consulta será respondida a la brevedad. 1998/01.
Soft cover. Condición: New. Titulo: SEMIÓTICA & LITERATURA Autor: Pignatari, Decio ISBN: Peso: 0 Kg. FALSEFALSENós encontramos a sua disposição. Qualquer dúvida ou consulta será respondida a la brevedad.
Rústica. figuras en el texto Ilustrador. 98 pp 13x20.
.- Barcelona . 1977. Gustavo Gili. 8º mayor. 1 tomos. 98 pgs. Rústica editorial . . . ISBN 10: 8425206464. Teoría de la Literatura.
Publicado por Ateliê, São Paulo, 2003
Librería: Caixa Baixa, Florianopolis, SC, Brasil
Libro
Encuadernación de tapa blanda. Condición: Muy Bien. Good conditions.
Publicado por Ciespal, Quito, 1971
Librería: Librería Hijazo, LOGROÑO, España
- LINGÜISTICA-COMUNICACIONES 91pg.26cm.
Publicado por Ateliê, 2004
ISBN 10: 8574802077ISBN 13: 9788574802077
Librería: Luckymatrix, Lisboa, Portugal
Libro
Soft cover. Condición: New. 3 Ilustrador. Titulo: Contracomunicação Autor: Pignatari, Décio ISBN: 9788574802077 Peso: 0.162 Kg. Páginas: 272 Edição: 2004/01 Nós encontramos a sua disposição. Qualquer dúvida ou consulta será respondida a la brevedad. 2004/01.
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Nuevo desde EUR 17,49
Tapa blanda. Condición: Buen estado. Estado de la sobrecubierta: Buen Estado.
Publicado por Brasiliense, São Paulo, 1986
Librería: Caixa Baixa, Florianopolis, SC, Brasil
Libro
Encuadernación de tapa blanda. Condición: Aceptable. Wears to front covers and general handling marks.
Publicado por Cultrix, 1980
Librería: Biblioteca de Babel, São Paulo, SP, Brasil
Libro
Soft cover. Condición: Good. 19x13cm, 118p. Foxing nos cortes.[ling].
Publicado por Gustavo Gili, Barcelona, 1977
Librería: Librería Alonso Quijano, Alcobendas, MADRI, España
#301.153.2#519.72() Gustavo Gili. Encuadernación en tapa Blanda. Pignatari, Décio. 21 cm. Información, lenguaje, comunicaciónTapa deslucida.Tapa ilustrada. Pags.98.Volúmenes. Libro usado.
Publicado por Fred Hunter c.1965, London, 1965
Librería: William Allen Word & Image, London, Reino Unido
Condición: Very good +. Printed foolscap sheet. Luis Ângelo Pinto, Décio Pignatari, Two Visual Poems, Fred Hunter, London, c.1965. 204x331 mm. Cream-coloured sheets printed offset-lithograph in black on rectos only, reproducing two visual poems. Both of these works have a Lexical Key, Pinto's poem involving shapes that say either 'yes' or 'no' and Pignatari's shapes say either 'now!' 'perhaps' or 'never!'. The work by these two Brazilian poets is reminiscent of the style of the Poemo Processo movement. Fred Hunter published the British Concrete poet's John Sharkey's first book and also was considering other Concrete Poetry publication, but in fact moved towards more sound poetry-based releases. These sample prints were never realised as a publication, no editiion size given, thought to be less than 50 copies printed. Condition: light creasing to top left corner, otherwise fine. Overall: Very good +.
Publicado por Gustavo Gili, Barcelona, 2000
ISBN 10: 8425206464ISBN 13: 9788425206467
Librería: MUNDUS LIBRI- ANA FORTES, Salamanca, España
Libro Original o primera edición
Rústica. Condición: Normal. Punto y Línea.------------------ Interior del libro en buen estado, ligeramente tostado. Localización: T4. Páginas: 98. Ilustrador: . Cubierta en buen estado, ligeramente deslucida y con leves roces. Libro.
Publicado por Ateliê, 2011
ISBN 10: 8574805610ISBN 13: 9788574805610
Librería: Livraria Ingá, Niterói, RJ, Brasil
Libro
Soft cover. Condición: New. Com o som e a forma das palavras, o poeta cria e recria a linguagem. Partindo desse princípio, é possível argumentar que a poesia está mais próxima das artes visuais e da música do que da prosa. Justamente por isso, a criação poética constitui uma fonte de imagens que são inesgotáveis produtoras de novas sensibilidades. Ao dar algumas chaves para ler esse tipo de literatura, o autor apresenta também questões para incentivar a criatividade e a competência poética do leitor.
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Nuevo desde EUR 26,89
Usado desde EUR 386,00
Encuentre también Tapa blanda
Publicado por Pinacoteca do Estado de São Paulo, São Paulo, 2014
Librería: Caixa Baixa, Florianopolis, SC, Brasil
Libro
Encuadernación de tapa blanda. Condición: Como Nuevo. Edição Facsimilar do catálogo da mostra Projeto Construtivo Brasileiro na Arte. 356 páginas. Acompanha uma pequena separata com textos de Aracy Amaral, Ivo Mesquita e Claudio Filus.
Publicado por Kingsland Prospect Press Ltd., London, 1964
Librería: William Allen Word & Image, London, Reino Unido
Paperback. Condición: Good only. Book. 265 x 210 mm, 64 pp. in printed stapled wraps. Front cover image ('Portrait of Andree Dantu by Richard Hardwick: three phases of a Dantu polaroid light mobile') in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. This particular issue is entirely dedicated to kinetic art and concrete poetry (as the title suggests), and the editorial (which is idiosyncratically placed in the middle of the publication) reads: 'This issue of IMAGE is largely devoted to Kinetic Art: art, that is, incorporating real movement as opposed to the painted or static illusion of movement.' It is illustrated with a photograph of the editors and contributors - Stephen Bann, Reg Gadney, Frank Popper, Phil Steadman and Citroen - strolling through Paris. The issue features an essay by the concrete poetry specialist Stephen Bann, entitled 'Communication and Structure in Concrete Poetry', which comes with a reprinted letter from Ian Hamilton Finlay to Pierre Garnier, dated September 17th 1963. Translated by Bann are extracts from 'Manifesto for a new poetry, visual and phonic' by the concrete poet Pierre Garnier: 'The word is an element. / The word is a material. / The word is an object.' Also included in this section is a manifesto by Eugen Gomringer, entitled 'from line to consideration', and translated by Mike Weaver. It was 'first printed in augenblick no 2 agis verlag baden-baden 1954'. Works by Augusto de Campos, Ronaldo Azeredo, Decio Pignatari and Haraldo de Campos are also reprinted here. The second academic essay featured is a text by Mike Weaver entitled 'Concrete and Kinetic: the poem as Functional Object', which is illustrated with reproduced typestracts by Dom Sylvester Houedard. Also featured is a text by the editor Philip Steadman, entitled 'Colour Music and the Art of Lumia, and an essay by Reg Gadney entitled 'An Introduction: Kinetic Art', which is illustrated with images of works by Alexander Calder and Alexander Schoffer's Chronus sculptures. There are artist profiles of Frank Malina (by Reg Gadney); Gregoria Vardanega (by Stephen Bann); Martha Boto (by R.G); J-M. Cruxent (by S.B); Andree Dantu (by R.G); Knud Hvidberg and William Soya (by R.G); Nino Calos (by R.G). Condition: some wear to covers, mark to back cover, 1 page (p.37/38) is loose from the binding though all pages are present, priced accordingly.
Softcover. Condición: Gut. 8 Seiten. Original-Kartoniert. - (Serielle Manifeste, III) - Erschien in einer limitierten und nummerierten Auflage von 1000 Exemplaren. - 8 pp. Original paperback. - (Serielle Manifeste, III) - Published in a limited and numbered edition of 1000 copies.
Publicado por Cosac Naify, São Paulo, 2002
Librería: Caixa Baixa, Florianopolis, SC, Brasil
Libro
Encuadernación de tapa dura. Condición: Bien.
Publicado por Martins Fontes, Sao Paulo, 1983
Librería: William Allen Word & Image, London, Reino Unido
Original o primera edición
Condición: Very good/Very good+. Decio Pignatari (ed.), Atraves 1, Martins Fontes, Sao Paulo, 1983. 259 x 178mm. 180pp. magazine printed black and white, invisible bound in black, red and green printed wraps. Text in Portuguese. Illustrated in black and white throughout. Contributors include Regis Bonvicino, Edgar Braga, Lourdes Gabrielli and P. Leminski. Also includes translations (by Aurora Bernardini) of Marina Tsvetaeva s poetry. Condition: minor bump to top of spine; minor spotting to edge of first three pages and last three pages; no writing or tears. Overall: Very good/Very good+.
Publicado por Faculdade de Filosofia, Ciências e Letras de Assis, 1963
Librería: Biblioteca de Babel, São Paulo, SP, Brasil
Libro Original o primera edición
Soft cover. Condición: Very Good. 1st Edition. 23x15cm, 666p. With the most important names of Brazilian literary scene. [corr].
Publicado por Museu de Arte Contemporanea da Universidade de Sao Paulo, Sao Paulo, 1985
Librería: Page 1 Books - Special Collection Room, Albuquerque, NM, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Waldemar Cordeiro Ilustrador. First Edition. First Edition, one of 2000 copies; Portuguese text only; vg (boards bowed and rubbed; spine ends bumped and worn; pages toned) in vg dj (scrape and light soiling to spine; spine toned; edgeworn) in good+ slipcase (soiled; creased; edges worn and torn; stain spots and 3inch tear to one panel starting at corner); 193pp.
Publicado por Martins Fontes, São Paulo, 1983
Librería: Caixa Baixa, Florianopolis, SC, Brasil
Libro
Encuadernación de tapa blanda. Condición: Bien. Wears to front covers and general handling marks. Toning age. Foxing spots on the edge of some pages. 180 pages.
Publicado por UIA-Artes de México, 1999
Librería: Datura, Ciudad de México, CDMX, México
Libro Original o primera edición
Encuadernación de tapa blanda. Condición: Muy bien. 1ª Edición. Una amplia antología del Movimiento de Poesía Concreta, profusamente ilustrada. Incluye: Poesía; Ensayos y manifiestos; Transcreaciones. 21.5 x 26 cms. 307 págs.
Publicado por Duas Cidades, São Paulo, 1975
Librería: Biblioteca de Babel, São Paulo, SP, Brasil
Libro
Soft cover. Condición: Good. 2nd Edition. In Portuguese. 2a. edição em parte original, contém dois textos não presentes na 1a. edição de 1965. Capa com leves desgastes. Manifestos do concretismo. [esq 3 3].
Publicado por Kingsland Prospect Press, 1964
Librería: Aeon Bookstore, New York, NY, Estados Unidos de America
Revista / Publicación Original o primera edición
Soft cover. Condición: Very Good. 1st Edition. Superb copy of a well done and thorough magazine on kinetic art and concrete poetry. One page dog-eared else excellent with slightest handling and shelfwear.
Publicado por Editora Brasiliense, Sao Paulo, 1987
Librería: William Allen Word & Image, London, Reino Unido
Condición: Good +. 155 x 225 mm. 205pp. Printed black and white in wraps printed black and pink. Handling and rubbing to covers, ding to top right and bottom right corners of recto.
Publicado por Codigo, Salvador, Bahia, Brazil, 1980
Librería: William Allen Word & Image, London, Reino Unido
Original o primera edición
Condición: Very good +. Erthos Albino de Souza (ed.), 'Codigo 4', Salvador, Bahia, 1980. 245 x 220 mm. 40pp unpaginated, invisible bound printed black and orange on cream, printed black on white stock. Front cover by Regina Silveira with Codigo emblem top left, back cover by Julio Plaza. Contributors include: Aldo Fortes, Alice Ruiz, Augusto de Campos, Antonio Riserio, Caetano Veloso, Decio Pignatari, Duda Machado, Haroldo de Campos, Ines Oseki-Depre, Jose Lino Grunewald, Nelson Ascher, Paulo Leminski, Pedro Xisto, Pericles Cavalcante, Regis Bonvicino, Vinicius Dantas, translation and note on Allen Ginsberg poem by Duda Machado and Regis Bonvicino, E.E. Cummings translated also by Machado, translation of Yoko Ono poems by Monica Costa. Edited by Erthos Albino de Souza in Salvador, Brazil, 'Codigo' can be considered as a significant South American concrete poetry periodical. It was also one of the most long-standing, remaining in circulation from the late 1970s until 1990. Though not widely known the quality and importance of this periodical is apparent from its contributors and content. Codigo, as a Noigandres-based periodical can be seen as a natural progression from the earlier Noigandres and Invenção publications. In total 12 issues were published. All of issues feature the circular Codigo logo designed by Augusto de Campos on cover or inside cover. Text in Portuguese. Condition: wear to spine, including 20mm closed tear(no paper missing), slight wear to edges of covers and minor toning to the edges of some pages. Very good+.
Publicado por Kingsland Prospect Press Ltd., London, 1964
Librería: William Allen Word & Image, London, Reino Unido
Paperback. Condición: Near fine. Book. 265 x 210 mm, 64 pp. in printed stapled wraps. Front cover image ('Portrait of Andree Dantu by Richard Hardwick: three phases of a Dantu polaroid light mobile') in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. This particular issue is entirely dedicated to kinetic art and concrete poetry (as the title suggests), and the editorial (which is idiosyncratically placed in the middle of the publication) reads: 'This issue of IMAGE is largely devoted to Kinetic Art: art, that is, incorporating real movement as opposed to the painted or static illusion of movement.' It is illustrated with a photograph of the editors and contributors - Stephen Bann, Reg Gadney, Frank Popper, Phil Steadman and Citroen - strolling through Paris. The issue features an essay by the concrete poetry specialist Stephen Bann, entitled 'Communication and Structure in Concrete Poetry', which comes with a reprinted letter from Ian Hamilton Finlay to Pierre Garnier, dated September 17th 1963. Translated by Bann are extracts from 'Manifesto for a new poetry, visual and phonic' by the concrete poet Pierre Garnier: 'The word is an element. / The word is a material. / The word is an object.' Also included in this section is a manifesto by Eugen Gomringer, entitled 'from line to consideration', and translated by Mike Weaver. It was 'first printed in augenblick no 2 agis verlag baden-baden 1954'. Works by Augusto de Campos, Ronaldo Azeredo, Decio Pignatari and Haraldo de Campos are also reprinted here. The second academic essay featured is a text by Mike Weaver entitled 'Concrete and Kinetic: the poem as Functional Object', which is illustrated with reproduced typestracts by Dom Sylvester Houedard. Also featured is a text by the editor Philip Steadman, entitled 'Colour Music and the Art of Lumia, and an essay by Reg Gadney entitled 'An Introduction: Kinetic Art', which is illustrated with images of works by Alexander Calder and Alexander Schoffer's Chronus sculptures. There are artist profiles of Frank Malina (by Reg Gadney); Gregoria Vardanega (by Stephen Bann); Martha Boto (by R.G); J-M. Cruxent (by S.B); Andree Dantu (by R.G); Knud Hvidberg and William Soya (by R.G); Nino Calos (by R.G). Condition: near fine (contents fine minor rubbing to covers).