This book-length conversation, interspersed with images, explores Michael Craig-Martin's fascination with fundamental questions regarding the nature of art, representation, authorship and the role of the viewer. Craig-Martin, born in Dublin and educated at Yale, was a key figure in the first generation of British Conceptual artists. He became known for bright, flat paintings not unlike Roy Lichtenstein's, which are in the collections of The Museum of Modern Art, New York and the Tate Modern, among other institutions. He also eventually began to teach at Goldsmiths College, where he helped to mold the minds of Tracey Emin and Damien Hirst, among other future Young British Artists. In discussing his style of detached Conceptualism, he reveals, among other things, his connections to Minimalism and the influence John Cage and Josef Albers on both his practice and his teaching.
Rachael Thomas, is the head of exhibitions at IMMA.
"Sobre este título" puede pertenecer a otra edición de este libro.
Gastos de envío:
EUR 12,77
De Reino Unido a Estados Unidos de America
Gastos de envío:
EUR 3,53
A Estados Unidos de America
Librería: Reilly Books, Richmond, VA, Estados Unidos de America
Soft cover. Condición: NEW. Softcover, 64 pgs. 6.25 x 0.25 x 8.5 inches. Sealed, new. This book-length conversation, interspersed with images, explores Michael Craig-Martin's fascination with fundamental questions regarding the nature of art, representation, authorship and the role of the viewer. Craig-Martin, born in Dublin and educated at Yale, was a key figure in the first generation of British Conceptual artists. He became known for bright, flat paintings not unlike Roy Lichtenstein's, which are in the collections of The Museum of Modern Art, New York and the Tate Modern, among other institutions. Nº de ref. del artículo: ABE-1720295764928
Cantidad disponible: 1 disponibles
Librería: Phatpocket Limited, Waltham Abbey, HERTS, Reino Unido
Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Nº de ref. del artículo: Z1-X-003-02794
Cantidad disponible: 1 disponibles
Librería: Hennessey + Ingalls, Los Angeles, CA, Estados Unidos de America
Trade Paperback. Condición: UNSPECIFIED. This book-length conversation, interspersed with images, explores Michael Craig-Martin's fascination with fundamental questions regarding the nature of art, representation, authorship and the role of the viewer. Craig-Martin, born in Dublin and educated at Yale, was a key figure in the first generation of British Conceptual artists. He became known for bright, flat paintings not unlike Roy Lichtenstein's, which are in the collections of The Museum of Modern Art, New York and the Tate Modern, among other institutions. He also eventually began to teach at Goldsmiths College, where he helped to mold the minds of Tracey Emin and Damien Hirst, among other future Young British Artists. In discussing his style of detached Conceptualism, he reveals, among other things, his connections to Minimalism and the influence John Cage and Josef Albers on both his practice and his teaching. MIld shelf wear. Overall bright, neat, and crisp. Tightly bound. Nº de ref. del artículo: 64071
Cantidad disponible: 1 disponibles
Librería: High Street Books, New Mills, Reino Unido
Paperback. Condición: Very Good. Light wear to cover, bookseller's pencil marks. Orders received by 3pm Sent from the UK that weekday. Nº de ref. del artículo: pb201-920-0982
Cantidad disponible: 1 disponibles
Librería: Il Salvalibro, Foligno, PG, Italia
Condición: As New. Mm 155x210 Brossura editoriale con bandelle, 63 pagine con illustrazioni a colori. Copia in condizioni pari al nuovo. Nº de ref. del artículo: 031662
Cantidad disponible: 1 disponibles
Librería: Libro Co. Italia Srl, San Casciano Val di Pesa, FI, Italia
Brossura. Condición: USED_FINE. Irish Museum of Moder Art, 7 October 2006 - 14 Jannuary 2007.Milano, 2006; br., pp. 63, ill., cm 15,5x21. The IMMA Series is the voice of the artist, through the various forms of statements, essays, interviews and illustrated works from the collection of the Irish Museum of Modern Art, Dublin. Rachael Thomas, the Head of Exhibitions at IMMA, explores Michael Craig-Martin's fascination with fundamental questions regarding the nature of art, representation, authorship and the role of the viewer. By discussing Craig-Martin's style of detached conceptualism, Thomas reveals his connections to minimalism and the influence John Cage and Josef Albers have had on his practice and teaching. The interview also investigates semiotics, and ultimately the function of language itself. Michael Craig-Martin was born in Dublin in 1941 and brought up in the United States, studying Fine Art at Yale University School of Art and Architecture in the early sixties, when the teaching legacy of Josef Albers (Yale, 1950-1958) was still extremely prominent.He returned to Britain in the mid-sixties where he became one of the key figures of the first generation of British conceptual artists. At Goldsmiths College he taught Tracey Emin and Damien Hirst, among other artists who would become known in the early nineties as the "Young British Artists". Libro. Nº de ref. del artículo: 1245500
Cantidad disponible: 1 disponibles
Librería: Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, Reino Unido
Condición: As New. Nº de ref. del artículo: 053520-15
Cantidad disponible: 1 disponibles