Críticas:
'Ben Saunders sets the bar high for himself when he says at the outset that a book about pop superheroes must be a book about spirituality and therefore about love. That might seem to place an unsupportable weight on the shoulders of Superman, Wonderwoman, Spiderman, and Iron man, but in this learned yet entirely accessible essay, Saunders makes both his thesis and his heroes stand up.' - Stanley Fish, Davidson-Kahn Distinguished University Professor of Humanities and Law, Florida International University, USA
Transpositions
'Ben Saunders has done for comics analysis what Alan Moore did for comics literature. Do the Gods Wear Capes? is a provocative, intelligent, and thought-provoking work, and Saunders' insights rise from the page with the same power and grace as those iconic characters he examines. Certainly the best critical work on the meaning and impact of those marquee super-heroes that define the genre and that we encounter in myriad ways every day as has ever been written.' - Greg Rucka, novelist and author of Batwoman: Elegy, Whiteout, and Wonder Woman: The Hiketeia
Religious Studies Review
... my summaries here do not begin to do justice to the depth of Saunders' own work. His reading and analysis of William Marston's professional writings in psychology-and the subsequent light they shed on Wonder Woman-are unprecedented; and he then goes on to bring in feminist theologians such as Rosemary Radford Reuther, Daphne Hampson, and Sarah Coakley. Although this is only one example, it is indicative of the quality of work found throughout the entire book.
TOPIA
Reseña del editor:
Brash, bold, and sometimes brutal, superheroes might seem to epitomize modern pop-culture at its most melodramatic and mindless. But according to Ben Saunders, the appeal of the superhero is fundamentally metaphysical - even spiritual - in nature. In chapter-length analyses of the early comic book adventures of Superman, Wonder Woman, Spider-Man, and Iron-Man, Saunders explores a number of complex philosophical and theological issues, including: the problem of evil; the will-to-power; the tension between intimacy and vulnerability; and the challenge of love, in the face of mortality. He concludes that comic book fantasies of the superhuman ironically reveal more than we might care to admit about our human limitations, even as they expose the falsehood of the characteristically modern opposition between religion and science. Clearly and passionately written, this insightful and at times exhilarating book should delight all readers who believe in the redemptive capacity of the imagination, regardless of whether they consider themselves comic book fans.
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