Book by Rubin James
"Sinopsis" puede pertenecer a otra edición de este libro.
A densely argued investigation of Manet's work, seeking to reevaluate 19th/20th-century and contemporary reception of the artist's oeuvre. The influence and criticism of Baudelaire, Zola and Mallarme are assessed...The author considers literary and semiotic readings of art in order to frame the discussion with new ideas...The final chapter raises provocative questions regarding the notion of Realism's existence and purpose.
A sense of stillness and silence pervades Manet's painting. His flattened, sometimes fragmented forms appear to exist absentmindedly in a world removed from speech. It is this silence that James Rubin explores in a book that shows us Manet as we see him - naturally, in pictures that articulated their own purely visual terms. In such a sense, this book is about the restoration of the visual to its primacy in art through Manet's painting. While insisting that Manet's pictures must be given the first and final say in any interpretation, Rubin uses contradictory views of the painter's works - from the present and past - as a context for approaching them. Applying J. L. Austin's notion of the performative, which bridges the gap between language and action or between the painted image and its social effect, Rubin goes beyond past theorists to describe the curious ways in which Manet's paintings act upon us. With these ideas as his guide, he takes us through Manet's work, pointing out the elements that are distinctive and consistent, particularly the painter's reliance on a pattern of gazes and the "unique state of undecidability" that this strategy produces. Rubin also examines Manet's relationship to three of the leading critics of his day - Baudelaire, Zola, and Mallarme - giving special attention to Mallarme's appreciation, and eventual use in his own poetry, of the paradox between immersion and externality in Manet's oeuvre. Finally, the book uses the image of the bouquet to exemplify Manet's creative poetics through an exploration of his still life. Filled with revealing insights into Manet's achievement, this sensitive, informed, and clearly written book goes a long way towardexplaining why Manet's paintings continue to fascinate and elude us more than one hundred years after the artist's death.
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Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.4. Nº de ref. del artículo: G0674548035I3N00
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Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de America
Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.4. Nº de ref. del artículo: G0674548035I3N00
Cantidad disponible: 1 disponibles
Librería: Wonder Book, Frederick, MD, Estados Unidos de America
Condición: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Nº de ref. del artículo: X05H-00198
Cantidad disponible: 1 disponibles
Librería: Chaparral Books, Portland, OR, Estados Unidos de America
Paperback. Condición: Very Good. First Edition. Text and images unmarked. The wrapper shows some light handling. 8vo. 256pp. Nº de ref. del artículo: NOWrubMS
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Librería: A Cappella Books, Inc., Atlanta, GA, Estados Unidos de America
Paper Back. Condición: Very Good. Gently used; Covers mildly worn from handling; Spine un-creased; Pages free of markings; An excellent copy. Nº de ref. del artículo: 291980
Cantidad disponible: 1 disponibles
Librería: Murphy-Brookfield Books, Iowa City SE, IA, Estados Unidos de America
Trade Paperback. Condición: Very Good. Nº de ref. del artículo: 307133
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Librería: Monroe Street Books, Middlebury, VT, Estados Unidos de America
Condición: Very Good. Estado de la sobrecubierta: None. 256 pages, illustrated throughout in b&w. Light shelf-wear and scuffing to wrappers, else a clean, tight copy. Record # 463168. Nº de ref. del artículo: 463168
Cantidad disponible: 1 disponibles
Librería: LEFT COAST BOOKS, Santa Barbara, CA, Estados Unidos de America
Paperback. Condición: Fine. 256 pages, illustrations (some colour); 24 cm. Tight, clean copy. "A sense of stillness and silence pervades Manet's painting. His flattened, sometimes fragmented forms appear to exist absentmindedly in a world removed from speech. It is this silence that James Rubin explores in a book that shows us Manet as we see him--naturally, in pictures that articulated their own purely visual terms. In such a sense, this book is about the restoration of the visual to its primacy in art through Manet's painting. While insisting that Manet's pictures must be given the first and final say in any interpretation, Rubin uses contradictory views of the painter's works--from the present and past--as a context for approaching them. Applying J. L. Austin's notion of the performative, which bridges the gap between language and action or between the painted image and its social effect, Rubin goes beyond past theorists to describe the curious ways in which Manet's paintings act upon us. With these ideas as his guide, he takes us through Manet's work, pointing out the element that are distinctive and consistent, particularly the painter's reliance on a pattern of gazes and the 'unique state of undecidability' that this strategy produces. Rubin also examines Manet's relatioship to three of the leading critics of his day--Baudelaire, Zola, and Mallarm --giving special attention to Mallarm 's appreciation, and eventual use in his poetry, of the paradox between immersion and externality in Manet's oeuvre. Finally, the book uses the image of the bouquet to exemplify Manet's creative poetics through an exploration of his still life. Filled with revealing insights into Manet's achievevment, this sensitive, informed, and clearly written book goes a long way toward explaining why Manet's paintings continue to fascinate and elude us more than one hundred years after the artist's death. / James H. Rubin is Professor of Art History, State University of New York, Stony Brook." - Publisher. Size: 8vo. Nº de ref. del artículo: 124963
Cantidad disponible: 1 disponibles