The Footnote: A Curious History

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9780674307605: The Footnote: A Curious History

Book by Grafton Anthony

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Críticas:

"The Footnote" tells how all those interesting tidbits migrated to the bottom of the page.

Anthony Grafton has written a fascinating book about this important, though often maligned, scholarly apparatus...Historians of all stripes will profit from reading Grafton's history of historical research and writing (often called historiography) and especially from his detective work tracing history of the footnote, this vital academic detail which so many take for granted.

ÝAn¨ excellent book..."The Footnote" is the study of an appealing, rather overlooked aspect of intellectual and cultural history. Yet it is also much more: an investigation into the historical imagination, a quick tour of 'the culture of erudition' and, not least, the most recent intellectual entertainment from one of the most learned and enjoyable scholars now at work. -- Michael Dirda "Washington Post"

ÝIt's¨ hard to imagine a defense of the footnote by any historian with the least sense of style. Yet here it is: " The Footnote"author, Anthony Grafton, is an anomaly in the American historical profession: a deeply learned scholar known for exacting work on the transformations of classical learning in early modern Europe and a sprightly writer capable of communicating his enthusiasm to anyone willing to listen. Mr. Grafton not only defends the footnote as a guarantee of the value of the historical currency. He also portrays it as a bulwark against tyranny. -- Mark Lilla "Wall Street Journal"

The Footnote tells how all those interesting tidbits migrated to the bottom of the page.

[An] excellent book... The Footnote is the study of an appealing, rather overlooked aspect of intellectual and cultural history. Yet it is also much more: an investigation into the historical imagination, a quick tour of 'the culture of erudition' and, not least, the most recent intellectual entertainment from one of the most learned and enjoyable scholars now at work.

A curious history, indeed. Few accoutrements of scholarship have been as denigrated as the lowly footnote, as this lively and fascinating narrative demonstrates...The footnote, as [Grafton] correctly and convincingly points out, is critical to the scientific nature of historical writing and therefore reflects both the ideology and technical practices of the craft. "The footnote" confers 'proof' that the historian has visited the appropriate archives, dusted off the necessary documents, and consulted and exhausted the secondary literature. It is, in short, a badge of legitimacy. The reader familiar with Grafton's work will recognize the author's extraordinary range and familiarity with German, French, English, and Italian historical writing from the early modern period to the late 20th century. Grafton has, in fact, written a sly work of historiography, a kind of celebration of the gritty details of scholarly exploration, and not merely a chronicle of the despised footnote.

A witty and characteristically erudite book...Grafton's subject, apparently so trivial in itself and yet potentially so enlivening, offers cause for somewhat uneasy mirth. We may recall the toilers of "Gulliver's Travels", who sought to make sunbeams from cucumbers. Not surprisingly, the pages of "The Footnote" are peppered with human folly.--David McKitterick "New York Times Book Review "

Mr. Grafton has produced a delightful gem of a book that will appeal to many tastes. He displays an extraordinary level of erudition, is extremely readable, frequently witty and provides a guided tour across almost two thousand years in the development of Western scholarship. Needless to say, his own footnotes are a model of their kind. Above all, the author is neither boring nor pedantic.--Keith Windschuttle "Washington Times "

[An] excellent book..."The Footnote" is the study of an appealing, rather overlooked aspect of intellectual and cultural history. Yet it is also much more: an investigation into the historical imagination, a quick tour of 'the culture of erudition' and, not least, the most recent intellectual entertainment from one of the most learned and enjoyable scholars now at work.--Michael Dirda "Washington Post "

[An] excellent book... "The Footnote" is the study of an appealing, rather overlooked aspect of intellectual and cultural history. Yet it is also much more: an investigation into the historical imagination, a quick tour of 'the culture of erudition' and, not least, the most recent intellectual entertainment from one of the most learned and enjoyable scholars now at work.--Michael Dirda "Washington Post "

We accept it as a given of scholarly writing that 'the text persuades, the notes prove.' But this form of narrative architecture was created at a particular time by particular men to fill particular needs. And this unlikely and lively book presents the story of its creation. Anthony Grafton tells when, where, and why historians adopted the two-tiered structure of writing.--Barbara Fisher "Boston Globe "

This is not a reference book to be consulted but an excursus to be savored, by a writer with a studied sense of style.--Cullen Murphy "Slate "

A witty and characteristically erudite book Grafton's subject, apparently so trivial in itself and yet potentially so enlivening, offers cause for somewhat uneasy mirth. We may recall the toilers of "Gulliver's Travels," who sought to make sunbeams from cucumbers. Not surprisingly, the pages of "The Footnote" are peppered with human folly.--David McKitterick "New York Times Book Review ""

[An] excellent book "The Footnote" is the study of an appealing, rather overlooked aspect of intellectual and cultural history. Yet it is also much more: an investigation into the historical imagination, a quick tour of 'the culture of erudition' and, not least, the most recent intellectual entertainment from one of the most learned and enjoyable scholars now at work.--Michael Dirda "Washington Post ""

A witty and characteristically erudite book... Grafton's subject, apparently so trivial in itself and yet potentially so enlivening, offers cause for somewhat uneasy mirth. We may recall the toilers of Gulliver's Travels, who sought to make sunbeams from cucumbers. Not surprisingly, the pages of The Footnote are peppered with human folly.--David McKitterick "New York Times Book Review "

[It's] hard to imagine a defense of the footnote by any historian with the least sense of style. Yet here it is: The Footnote's author, Anthony Grafton, is an anomaly in the American historical profession: a deeply learned scholar known for exacting work on the transformations of classical learning in early modern Europe and a sprightly writer capable of communicating his enthusiasm to anyone willing to listen. Mr. Grafton not only defends the footnote as a guarantee of the value of the historical currency. He also portrays it as a bulwark against tyranny.--Mark Lilla "Wall Street Journal "

[An] excellent book... The Footnote is the study of an appealing, rather overlooked aspect of intellectual and cultural history. Yet it is also much more: an investigation into the historical imagination, a quick tour of 'the culture of erudition' and, not least, the most recent intellectual entertainment from one of the most learned and enjoyable scholars now at work.--Michael Dirda "Washington Post "

The unwashed read the text, the learned check the footnotes. This, after all, is just what Grafton has taught us to expect. Grafton's footnotes, however, are short on polemic and long on accolades... They illustrate Grafton's generous spirit, and they call attention to the one use of footnotes that he conspicuously fails to discuss: praise instead of polemic. Grafton's own irenic practice is a model of decency. But if his footnotes are not so much fun as Gibbon's or Bayle's, his lively and searching text most assuredly is. For a pioneering discussion of these points, see A. Grafton.--G.W. Bowersock "New Republic "

A richly faceted story that interweaves the changes in the regard for and uses of the footnote with general developments in history writing... As Grafton traces his steps backward to the Renaissance with its admiration and imitation of ancient models, the world of the footnote emerges as one far more complex than expected... In the face of the seeming solidity of the text, the footnote serves as a reminder of the contingency of life as well as the precariousness of the text's construction.--Ernst A. Breisach "American Historical Review "

A charming, intelligent volume that traces the footnote's development as a literary and historical device... The Footnote is an astonishing piece of scholarly writing, not least because it allows us to reconsider a subject that might charitably be called idiosyncratic, or even obscure. What makes the book work is Anthony Grafton's ability to write for a lay audience, to merge the ephemera of historical research with an accessible, nearly anecdotal, style.--David L. Ulin "Chicago Tribune "

Grafton argues convincingly that the history of the footnote is also the history of how scholars through the ages have evaluated, organized and presented information... The Footnote vividly evokes what it was like to conduct serious research in an era before Lexis-Nexis, Who's Who or even daily newspapers.--Adam Goodheart "Civilization "

Reseña del editor:

The weapon of pedants, the scourge of undergraduates, the bEte noire of the "new" liberated scholar: the lowly footnote, long the refuge of the minor and the marginal, emerges in this book as a singular resource, with a surprising history that says volumes about the evolution of modern scholarship. In Anthony Grafton's engrossing account, footnotes to history give way to footnotes as history, recounting in their subtle way the curious story of the progress of knowledge in written form. Grafton treats the development of the footnote--the one form of proof normally supplied by historians in support of their assertions--as writers on science have long treated the development of laboratory equipment, statistical arguments, and reports on experiments: as a complex story, rich in human interest, that sheds light on the status of history as art, as science, and as an institution. The book starts in the Berlin of the brilliant nineteenth-century historian Leopold von Ranke, who is often credited with inventing documented history in its modern form. Casting back to antiquity and forward to the twentieth century, Grafton's investigation exposes Ranke's position as a far more ambiguous one and offers us a rich vision of the true origins and gradual triumph of the footnote. Among the protagonists of this story are Athanasius Kircher, who built numerous documents into his spectacularly speculative treatises on ancient Egypt and China; Pierre Bayle, who made the footnote a powerful tool in philosophical and historical polemics; and Edward Gibbon, who transformed it into a high form of literary artistry. Proceeding with the spirit of an intellectual mystery and peppered with intriguing and revealing remarks by those who "made" this history, The Footnote brings what is so often relegated to afterthought and marginalia to its rightful place in the center of the literary life of the mind.

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Descripción HARVARD UNIVERSITY PRESS, United States, 1999. Paperback. Estado de conservación: New. 206 x 140 mm. Language: English . Brand New Book. The weapon of pedants, the scourge of undergraduates, the bete noire of the new liberated scholar: the lowly footnote, long the refuge of the minor and the marginal, emerges in this book as a singular resource, with a surprising history that says volumes about the evolution of modern scholarship. In Anthony Grafton s engrossing account, footnotes to history give way to footnotes as history, recounting in their subtle way the curious story of the progress of knowledge in written form. Grafton treats the development of the footnote the one form of proof normally supplied by historians in support of their assertions as writers on science have long treated the development of laboratory equipment, statistical arguments, and reports on experiments: as a complex story, rich in human interest, that sheds light on the status of history as art, as science, and as an institution. The book starts in the Berlin of the brilliant nineteenth-century historian Leopold von Ranke, who is often credited with inventing documented history in its modern form. Casting back to antiquity and forward to the twentieth century, Grafton s investigation exposes Ranke s position as a far more ambiguous one and offers us a rich vision of the true origins and gradual triumph of the footnote. Among the protagonists of this story are Athanasius Kircher, who built numerous documents into his spectacularly speculative treatises on ancient Egypt and China; Pierre Bayle, who made the footnote a powerful tool in philosophical and historical polemics; and Edward Gibbon, who transformed it into a high form of literary artistry. Proceeding with the spirit of an intellectual mystery and peppered with intriguing and revealing remarks by those who made this history, The Footnote brings what is so often relegated to afterthought and marginalia to its rightful place in the center of the literary life of the mind. Nº de ref. de la librería AAC9780674307605

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Descripción HARVARD UNIVERSITY PRESS, United States, 1999. Paperback. Estado de conservación: New. 206 x 140 mm. Language: English . Brand New Book. The weapon of pedants, the scourge of undergraduates, the bete noire of the new liberated scholar: the lowly footnote, long the refuge of the minor and the marginal, emerges in this book as a singular resource, with a surprising history that says volumes about the evolution of modern scholarship. In Anthony Grafton s engrossing account, footnotes to history give way to footnotes as history, recounting in their subtle way the curious story of the progress of knowledge in written form. Grafton treats the development of the footnote the one form of proof normally supplied by historians in support of their assertions as writers on science have long treated the development of laboratory equipment, statistical arguments, and reports on experiments: as a complex story, rich in human interest, that sheds light on the status of history as art, as science, and as an institution. The book starts in the Berlin of the brilliant nineteenth-century historian Leopold von Ranke, who is often credited with inventing documented history in its modern form. Casting back to antiquity and forward to the twentieth century, Grafton s investigation exposes Ranke s position as a far more ambiguous one and offers us a rich vision of the true origins and gradual triumph of the footnote. Among the protagonists of this story are Athanasius Kircher, who built numerous documents into his spectacularly speculative treatises on ancient Egypt and China; Pierre Bayle, who made the footnote a powerful tool in philosophical and historical polemics; and Edward Gibbon, who transformed it into a high form of literary artistry. Proceeding with the spirit of an intellectual mystery and peppered with intriguing and revealing remarks by those who made this history, The Footnote brings what is so often relegated to afterthought and marginalia to its rightful place in the center of the literary life of the mind. Nº de ref. de la librería AAC9780674307605

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Descripción Paperback. Estado de conservación: New. 132mm x 18mm x 204mm. Paperback. The weapon of pedants, the scourge of undergraduates, the bete noire of the "new" liberated scholar: the lowly footnote, long the refuge of the minor and the marginal, emerges in.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 256 pages. 0.281. Nº de ref. de la librería 9780674307605

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Descripción Harvard University Press. Paperback. Estado de conservación: new. BRAND NEW, The Footnote: A Curious History, Anthony Grafton, The weapon of pedants, the scourge of undergraduates, the bete noire of the "new" liberated scholar: the lowly footnote, long the refuge of the minor and the marginal, emerges in this book as a singular resource, with a surprising history that says volumes about the evolution of modern scholarship. In Anthony Grafton's engrossing account, footnotes to history give way to footnotes "as" history, recounting in their subtle way the curious story of the progress of knowledge in written form. Grafton treats the development of the footnote--the one form of proof normally supplied by historians in support of their assertions--as writers on science have long treated the development of laboratory equipment, statistical arguments, and reports on experiments: as a complex story, rich in human interest, that sheds light on the status of history as art, as science, and as an institution. The book starts in the Berlin of the brilliant nineteenth-century historian Leopold von Ranke, who is often credited with inventing documented history in its modern form. Casting back to antiquity and forward to the twentieth century, Grafton's investigation exposes Ranke's position as a far more ambiguous one and offers us a rich vision of the true origins and gradual triumph of the footnote. Among the protagonists of this story are Athanasius Kircher, who built numerous documents into his spectacularly speculative treatises on ancient Egypt and China; Pierre Bayle, who made the footnote a powerful tool in philosophical and historical polemics; and Edward Gibbon, who transformed it into a high form of literary artistry. Proceeding with the spirit of an intellectual mystery and peppered with intriguing and revealing remarks by those who "made" this history, "The Footnote" brings what is so often relegated to afterthought and marginalia to its rightful place in the center of the literary life of the mind. Nº de ref. de la librería B9780674307605

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