Fevered Lives: Tuberculosis in American Culture Since 1870 - Tapa blanda

Ott tells a fascinating story in describing the technology associated with medical advances, how these were interwoven with changing responses to and perceptions of disease, and how physicians' authority increased as they cornered the market in interventional expertise and microbiological understanding. -- Richard J. Coker "British Medical Journal" remains the most lethal disease worldwide. developing consumer society...[An] exhilarating book. of contagion itself...[Ott] weaves a compelling narrative. and listened to its resonances, and her analysis has a poignancy, an authenticity. as they cornered the market in interventional expertise and microbiological understanding. book for social historians who seek to incorporate medical history into their understanding of nineteenth- and twentieth-century life. in doing this very well, and her book constitutes a major contribution not only to the history of tuberculosis but to the history of medicine in general. Victorian era gradually gave way to the impoverished, coughing wretches of this century, disenfranchised in part by germ theory and the hysteria that followed it. and approaches to, pulmonary tuberculosis...Ott's integrated, well-drawn picture offers food for thought to those interested in history and--one dearly hopes--medicine. " A riveting account of the changing face of tuberculosis in American culture since 1870. With an ease that belies the depth of her research, Ott reveals how the glamorous middle-class consumptives of the late Victorian era gradually gave way to the impoverished, coughing wretches of this century, disenfranchised in part by germ theory and the hysteria that followed it." --"New Scientist" " An interesting sociocultural history of tuberculosis from the 1870s to the 1930s...Ott's history reminds us that tuberculosis is foremost a disease of poverty. Today's narrow emphasis on its medical aspects may indeed prove to be myopic." --Barron H. Lerner, "New England Journal of Medicine" "Ott brilliantly analyzes the material culture of tuberculosis... and clarifies the intertwined effects of medical theory, political ideology, and cultural symbols on the lives of those who became ill, those who cared for them, and those who feared them...Ott has mastered her material and written a thoroughly engaging narrative. In blending cultural history and medical history, she explains disease in a manner that denies neither its corporeal reality nor its cultural construction, concepts that disciplinary adherents in each of these subspecialties sometimes seem dangerously close to suggesting are mutually exclusive. Her writing is eloquent and accessible, even when she is forced by her subject matter to employ unfamiliar medical terms and to discuss medical practices that can only be described as gruesome. The book is well illustrated and the illustrations well captioned. In short, this is a terrific book for social historians who seek to incorporate medicalhistory into their understanding of nineteenth- and twentieth-century life." --Janet Golden, "Reviews in American History" "Historians have sometimes held that the new 'scientific' model put an end to the old habit of passing moral judgements on the sick. But Ott argues the contrary. The idea that TB was an infection, spread by invisible particles, heightened fear of the disease, and led to a battery of measures--like laws against spitting--which, while well-intentioned and perhaps moderately effective, served to isolate the tubercular as a sure source of danger...Lest we allow ourselves to be complacent, Dr. Ott ends this excellent--and well-illustrated--book on a sombre note. Tuberculosis has never shown any sign of being vanquished throughout the third world. Alongside malaria, it remains the most lethal disease worldwide." --Roy Porter, "History Today" "Should you read Katherine Ott's "Fevered Lives" from your cultural moment in this age of AIDS, you will find telling comparisons and informative disjunctions in the public perception of contagion itself... Ott weaves a compelling narrative." --Tamise Van Pelt, "Southern Humanities Review" " The thrust of Katherine Ott's account is to advocate an awareness of the cultural complexities and limitations of epidemiological tools and the pluralistic cultural meanings of disease. Indeed, she has succeeded in doing this very well, and her book constitutes a major contribution not only to the history of tuberculosis but to the history of medicine in general." --Linda Bryder, "Medical History" UK "A splendid survey of the multiple sites and practicesin the social construction of tuberculosis...Ott shows the ways various therapies and diagnostic practices shaped a political economy of health care in which patients evolved various needs as they were instructed by mail-order catalogues or the dictates of fashion...This book evokes a sort of fetish of instruments and techniques which returns medicine to the broader social context of a developing consumer society... An exhilarating book." --Gerry Kearns, "Social History of Medicine" UK "Ott uses her knowledge of the past to uncover the multiple realities of historical tuberculosis, to express and interpret the changing perceptions of the disease among patients, carers, and clinicians. Beginning with middle-class American sickbeds in the 1870s, Ott traces the ways in which new medical knowledge and new social concerns transformed tuberculosis from a culturally respectable, romantic affliction to a disease of urban social outcasts, of the poor, the drug users, and those infected with HIV. Her concern is not to paint a vivid picture of the disease and its history, but to show it in the context of everyday patients' experience. She has lived in that past and listened to its resonances, and her analysis has a poignancy, an authenticity." --Anne Hardy, "The Lancet""An enlightening interdisciplinary look at how genteel consumptives have evolved into medicalized tuberculosis 'cases.' Viewing illness as both a cultural and a physical phenomenon, Ott...considers perceptions of, and approaches to, pulmonary tuberculosis...Ott's integrated, well-drawn picture offers food for thought to those interested in history and--one dearly hopes--medicine."--"Kirkus Reviews" "A rewarding medical history." --"Library Journal" "Katherine Ott sets...a very ambitious goal: to illuminate the multilayered meanings of tuberculosis as they have evolved over more than a century...Her book is short, well illustrated, and liberally documented. While medical ideas predominate in her content, most readers will appreciate the additional topics that she finds relevant to her themes, eg, migration and Western expansion, industrial capitalism, ideas about race and ethnicity, chest expanders and other gadgets promoted for consumptives, mind cures, psychiatric understandings of the disease, and governments' bureaucratization during the Progressive era along with their attempts to regulate poor consumptives who seemed to endanger the rest of society." --Barbara Bates, "Journal of the American Medical Association" "[A] riveting account of the changing face of tuberculosis in American culture since 1870. With an ease that belies the depth of her research, Ott reveals how the glamorous middle-class consumptives of the late Victorian era gradually gave way to the impoverished, coughing wretches of this century, disenfranchised in part by germ theory and the hysteria that followed it." --"New Scientist" "[An] interesting sociocultural history of tuberculosis from the 1870s to the 1930s...Ott's history reminds us that tuberculosis is foremost a disease of poverty. Today's narrow emphasis on its medical aspects may indeed prove to be myopic." --Barron H. Lerner, "New England Journal of Medicine" "Ott brilliantly analyzes the material culture of tuberculosis...[and] clarifies the intertwined effects of medical theory, political ideology, and cultural symbols on the lives of those who became ill, those who cared for them, and those who feared them...Ott has mastered her material and written a thoroughly engaging narrative. In blending cultural history and medical history, she explains disease in a manner that denies neither its corporeal reality nor its cultural construction, concepts that disciplinary adherents in each of these subspecialties sometimes seem dangerously close to suggesting are mutually exclusive. Her writing is eloquent and accessible, even when she is forced by her subject matter to employ unfamiliar medical terms and to discuss medical practices that can only be described as gruesome. The book is well illustrated and the illustrations well captioned. In short, this is a terrific book for social historians who seek to incorporate medical history into their understanding ofnineteenth- and twentieth-century life." --Janet Golden, "Reviews in American History" "Historians have sometimes held that [the] new 'scientific' model put an end to the old habit of passing moral judgements on the sick. But Ott argues the contrary. The idea that TB was an infection, spread by invisible particles, heightened fear of the disease, and led to a battery of measures--like laws against spitting--which, while well-intentioned and perhaps moderately effective, served to isolate the tubercular as a sure source of danger...Lest we allow ourselves to be complacent, Dr. Ott ends this excellent--and well-illustrated--book on a sombre note. Tuberculosis has never shown any sign of being vanquished throughout the third world. Alongside malaria, it remains the most lethal disease worldwide." --Roy Porter, "History Today" "Should you read Katherine Ott's "Fevered Lives" from your cultural moment in this age of AIDS, you will find telling comparisons and informative disjunctions in the public perception of contagion itself...[Ott] weaves a compelling narrative." --Tamise Van Pelt, "Southern Humanities Review" "[The] thrust of [Katherine Ott's] account is to advocate an awareness of the cultural complexities and limitations of epidemiological tools and the pluralistic cultural meanings of disease. Indeed, she has succeeded in doing this very well, and her book constitutes a major contribution not only to the history of tuberculosis but to the history of medicine in general." --Linda Bryder, "Medical History" [UK] "A splendid survey of the multiple sites and practices in the social construction of tuberculosis...Ott shows the ways various therapies and diagnostic practicesshaped a political economy of health care in which patients evolved various needs as they were instructed by mail-order catalogues or the dictates of fashion...This book evokes a sort of fetish of instruments and techniques which returns medicine to the broader social context of a developing consumer society...[An] exhilarating book." --Gerry Kearns, "Social History of Medicine" [UK] "Ott uses her knowledge of the past to uncover the multiple realities of historical tuberculosis, to express and interpret the changing perceptions of the disease among patients, carers, and clinicians. Beginning with middle-class American sickbeds in the 1870s, Ott traces the ways in which new medical knowledge and new social concerns transformed tuberculosis from a culturally respectable, romantic affliction to a disease of urban social outcasts, of the poor, the drug users, and those infected with HIV. Her concern is not to paint a vivid picture of the disease and its history, but to show it in the context of everyday patients' experience. She has lived in that past and listened to its resonances, and her analysis has a poignancy, an authenticity." --Anne Hardy, "The Lancet""An enlightening interdisciplinary look at how genteel consumptives have evolved into medicalized tuberculosis 'cases.' Viewing illness as both a cultural and a physical phenomenon, Ott...considers perceptions of, and approaches to, pulmonary tuberculosis...Ott's integrated, well-drawn picture offers food for thought to those interested in history and--one dearly hopes--medicine." --"Kirkus Reviews" "A rewarding medical history." --"Library Journal" "Katherine Ott sets...a very ambitious goal: to illuminate themultilayered meanings of tuberculosis as they have evolved over more than a century...Her book is short, well illustrated, and liberally documented. While medical ideas predominate in her content, most readers will appreciate the additional topics that she finds relevant to her themes, eg, migration and Western expansion, industrial capitalism, ideas about race and ethnicity, chest expanders and other gadgets promoted for consumptives, mind cures, psychiatric understandings of the disease, and governments' bureaucratization during the Progressive era along with their attempts to regulate poor consumptives who seemed to endanger the rest of society." --Barbara Bates, "Journal of the American Medical Association"

Consider two polar images of the same medical condition: the pale and fragile Camille ensconced on a chaise in a Victorian parlour, daintily coughing a small spot of blood onto her white lace pillow, and a wretched poor man in a Bowery flophouse spreading a dread and deadly infection. Now Katherine Ott chronicles how in one century a romantic, ambiguous affliction of the spirit was transformed into a disease that threatened public health and civic order. She argues that there was no constant identity to the disease over time, no "core" tuberculosis. What we understand today as pulmonary tuberculosis would have been largely unintelligible to a physician or patient in the late-19th century. Although medically the two terms described the same disease of the lungs, Ott shows that "tuberculosis" and "consumption" were diagnozed, defined and treated distinctively by both lay and professional health workers. Ott traces the shift from the pre-industrial world of 1870, in which consumption was conceived of primarily as a middle-class malaise that conferred virtue, heightened spirituality and gentility on the sufferer, to the post-industrial world of today, in which tuberculosis is viewed as a microscopic enemy, fought on an urban battleground and attacking primarily the outcast poor and AIDS patients. Ott's focus is the changing definition of the disease in different historical eras and environments. She explores its eternal trappings, from the symptoms doctors chose to notice (whether a pale complexion or a tubercle in a dish) to the significance of the economic and social circumstances of the patient. Emphasizing the material culture of disease - medical supplies, advertisements for faraway rest cures, outdoor sick porches, and invalid hammocks - Ott privides insight into people's understanding of illness and how to combat it. "Fevered Lives" underscores the shifting meanings of consumption/tuberculosis in this cultural history.