Cahiers du Cinema: 1960-68: New Wave, New Cinema, Re-evaluating Hollywood v. 2 (Harvard Film Studies)

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9780674090651: Cahiers du Cinema: 1960-68: New Wave, New Cinema, Re-evaluating Hollywood v. 2 (Harvard Film Studies)
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New Wave, New Cinema, Reevaluating Hollywood

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Wonderfully intellectual and anti-academic at the same time, the articles are, more than anything else, supremely personal...These are immensely serious people, self-consciously bent on nothing less than changing the history of cinema. In important ways they first taught us how to look at movies, especially our own.

This isn't simply an anthology of interesting film criticism; it's something much more rare and intriguing--the documentary history of an important intellectual shift...The principles discovered by the "Cahiers" writers and developed by themselves and others irreversibly altered the way movies were seen...By treating movies as movies, not as poor relations to books or plays, the "Cahiers" critics helped introduce a new art form to the century that produced it.

Reseña del editor:

In the turbulent sixties, the provocative French film journal "Cahiers du Cinema" was at its most influential and controversial. The first successes of the New Wave by major "Cahiers" contributors such as Jean-Luc Godard, Francois Truffaut, Jacques Rivette, Eric Rohmer, and Claude Chabrol focused international attention on the revitalization of French cinema and its relation to film criticism; and in the early 1960s the journal's laudatory critiques of popular American moves were attaining the greatest notoriety. As the articles, interviews, and polemical discussions in this volume reveal, the 1960s saw the beginnings of significant new directions in film-making and film criticism - changes in which the New Wave itself was a major factor. The selections, translated under the supervision of the British Film Institute, are annotated by Jim Hillier, and context is provided in his general introduction and part introductions. The book provides an understanding of the important changes that took place in cinema and film criticism in the 1960s and beyond.

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Publicado por HARVARD UNIVERSITY PRESS, United States (1992)
ISBN 10: 0674090659 ISBN 13: 9780674090651
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Descripción HARVARD UNIVERSITY PRESS, United States, 1992. Paperback. Condición: New. Revised ed.. Language: English . Brand New Book. In the turbulent sixties, the provocative French film journal Cahiers du Cinema was at its most influential and controversial. The first successes of the New Wave by major Cahiers contributors such as Jean-Luc Godard, Francois Truffaut, Jacques Rivette, Eric Rohmer, and Claude Chabrol focused international attention on the revitalization of French cinema and its relation to film criticism; and in the early 1960s the journal s laudatory critiques of popular American moves were attaining the greatest notoriety. As the articles, interviews, and polemical discussions in this volume reveal, the 1960s saw the beginnings of significant new directions in film-making and film criticism - changes in which the New Wave itself was a major factor. The selections, translated under the supervision of the British Film Institute, are annotated by Jim Hillier, and context is provided in his general introduction and part introductions. The book provides an understanding of the important changes that took place in cinema and film criticism in the 1960s and beyond. Nº de ref. del artículo: AAZ9780674090651

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Publicado por HARVARD UNIVERSITY PRESS, United States (1992)
ISBN 10: 0674090659 ISBN 13: 9780674090651
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Descripción HARVARD UNIVERSITY PRESS, United States, 1992. Paperback. Condición: New. Revised ed.. Language: English . Brand New Book. In the turbulent sixties, the provocative French film journal Cahiers du Cinema was at its most influential and controversial. The first successes of the New Wave by major Cahiers contributors such as Jean-Luc Godard, Francois Truffaut, Jacques Rivette, Eric Rohmer, and Claude Chabrol focused international attention on the revitalization of French cinema and its relation to film criticism; and in the early 1960s the journal s laudatory critiques of popular American moves were attaining the greatest notoriety. As the articles, interviews, and polemical discussions in this volume reveal, the 1960s saw the beginnings of significant new directions in film-making and film criticism - changes in which the New Wave itself was a major factor. The selections, translated under the supervision of the British Film Institute, are annotated by Jim Hillier, and context is provided in his general introduction and part introductions. The book provides an understanding of the important changes that took place in cinema and film criticism in the 1960s and beyond. Nº de ref. del artículo: AAZ9780674090651

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Descripción 1992. Paperback. Condición: NEW. 9780674090651 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. For all enquiries, please contact Herb Tandree Philosophy Books directly - customer service is our primary goal. Nº de ref. del artículo: HTANDREE0807991

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Descripción Harvard University Press, 1992. Condición: New. Providing an understanding of the important changes that took place in cinema and film criticism in the 1960s and beyond, this book looks at the French film journal "Cahiers du Cinema" and its contribution to the new directions in film-making and film criticism which began in the 1960s. Series: Harvard Film Studies. Num Pages: 384 pages, index of names and film titles. BIC Classification: 1KBB; APFA. Category: (G) General (US: Trade); (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 235 x 156 x 24. Weight in Grams: 562. . 1992. New edition. Paperback. . . . . . Nº de ref. del artículo: V9780674090651

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