Reseña del editor:
Honoré Daumier (1808–1879) is perhaps best known for his political and social caricatures, precise and witty observations of life in nineteenth-century France. This authoritative new study provides a long-overdue assessment of his entire oeuvre, bringing together his paintings, sculptures, watercolours, drawings and lithographs, all of which were greatly admired in his lifetime. Later fêted by Van Gogh and Picasso, Daumier’s art continues to be appreciated by such contemporary artists as Paula Rego and Peter Doig. Lavishly illustrated with works from throughout Daumier’s career, including the satirical lithographs that made his name, the book focuses on the innovative paintings and drawings that formed his more private output. These lesser-known works reveal the artist’s ambitious range of subject-matter, from Cervantes’s Don Quixote to the complete spectrum of Parisian street society, and confirm Daumier’s unique place in nineteenth-century French art.
Biografía del autor:
John Berger is a well-known art critic, novelist, painter, and poet. T. J. Clark is an art historian. Peter Doig is a Scottish-born painter. Catherine Lampert is former director of the Whitechapel Gallery. Michael Pantazzi is former chief curator at the National Gallery of Canada. Edouard Papet is chief curator at the Musee d'Orsay. Judith Weschler is an art historian. Sarah Lea is curatorial assistant at the Royal Academy of Arts, London.
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