Publicado por Arte Publico Press, 1992
ISBN 10: 1558850430 ISBN 13: 9781558850439
Librería: HPB-Ruby, Dallas, TX, Estados Unidos de America
paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Publicado por Arte Publico Pr, 1992
ISBN 10: 1558850430 ISBN 13: 9781558850439
Librería: Newsboy Books, Ontario, CA, Estados Unidos de America
PAPERBACK. Condición: Fine. 1558850430 Sticker residue. Otherwise, new.
Publicado por Houston: Arte Publico Press,, 1992
Librería: Jeff Maser, Bookseller - ABAA, Berkeley, CA, Estados Unidos de America
Original o primera edición
First edition. 124 pp. Fine in glossy illustrated wrappers; a trade paperback original. Dated (Miami, 1996) and INSCRIBED by Suarez, "For David / A great pleasure / meeting you in Miami / Help spread / the word." Suarez's fourth book, and first collection of short stories.
Publicado por Arte Publico Press, Houston, TX, 1991
ISBN 10: 1558850430 ISBN 13: 9781558850439
Librería: Mike Murray - Bookseller LLC, East Windsor, NJ, Estados Unidos de America
Original o primera edición
Soft cover. Condición: Fine. First Edition/First Printing. In "Welcome to the Oasis and Other Stories," brilliant portrayals of contemporary Hispanic-American life speak to what author Virgil Suarez coins as "our bicultural moment." This is a Review Copy with slip laid-in together with a stamp on the title page stating "Courtesy of Arte Publico Press." Suarez is the Cuban-born author of three novels: "The Cutter, Latin Jazz, and Sonny Manteca's Blues.".
Publicado por ARTE PUBLICO PR, 1992
ISBN 10: 1558850430 ISBN 13: 9781558850439
Librería: AHA-BUCH GmbH, Einbeck, Alemania
Taschenbuch. Condición: Gebraucht. Gebraucht - Sehr gut SG - leichte Beschädigungen oder Verschmutzungen, ungelesenes Mängelexemplar, gestempelt, Versand Büchersendung - Fiction. Latino/Latina Studies. '[Suarez's] portraits of characters falling between the bicultural cracks are both engaging and disturbing'--The Philadelphia Enquirer.