Publicado por University of Evansville Press, 1978
ISBN 10: 0930982010 ISBN 13: 9780930982010
Librería: Parrot Books, Hemel Hempstead, HERT, Reino Unido
Paperback. Condición: Very Good. Actual photo of book. Please ignore the following text relating to stock photos.
Publicado por Boston 1874, 1874
Librería: Garwood & Voigt, Sevenoaks, Reino Unido
Arte / Grabado / Póster
17 x 12 cm. Heliotype. A photomechanically produced plate for pictures or type made by exposing a gelatin film under a negative, hardening it with chrome alum, and printing directly from it. Haydn was born in Austria, he learned the harp at an early age and became a boy singer in a choir in Vienna. He became one of the most important, prolific and prominent composers of the classical period and spent much of his career as a court musician for the wealthy Hungarian aristocratic Esterházy family. He was also a close friend of Wolfgang Amadeus Mozart and a teacher of Ludwig van Beethoven.
Publicado por Boston 1874, 1874
Librería: Garwood & Voigt, Sevenoaks, Reino Unido
Arte / Grabado / Póster
17 x 12 cm. Heliotype. A photomechanically produced plate for pictures or type made by exposing a gelatin film under a negative, hardening it with chrome alum, and printing directly from it.
Publicado por Boston 1874, 1874
Librería: Garwood & Voigt, Sevenoaks, Reino Unido
Arte / Grabado / Póster
17 x 12 cm. Heliotype. A photomechanically produced plate for pictures or type made by exposing a gelatin film under a negative, hardening it with chrome alum, and printing directly from it.
Publicado por Boston 1874, 1874
Librería: Garwood & Voigt, Sevenoaks, Reino Unido
Arte / Grabado / Póster
17 x 12 cm. Heliotype. A photomechanically produced plate for pictures or type made by exposing a gelatin film under a negative, hardening it with chrome alum, and printing directly from it.
Publicado por Boston 1874, 1874
Librería: Garwood & Voigt, Sevenoaks, Reino Unido
Arte / Grabado / Póster
17 x 12 cm. Heliotype. A photomechanically produced plate for pictures or type made by exposing a gelatin film under a negative, hardening it with chrome alum, and printing directly from it.
Publicado por Boston 1874, 1874
Librería: Garwood & Voigt, Sevenoaks, Reino Unido
Arte / Grabado / Póster
17 x 12 cm. Heliotype. A photomechanically produced plate for pictures or type made by exposing a gelatin film under a negative, hardening it with chrome alum, and printing directly from it.
Publicado por Boston 1874, 1874
Librería: Garwood & Voigt, Sevenoaks, Reino Unido
Arte / Grabado / Póster
17 x 12 cm. Heliotype. A photomechanically produced plate for pictures or type made by exposing a gelatin film under a negative, hardening it with chrome alum, and printing directly from it.
Publicado por Boston 1874, 1874
Librería: Garwood & Voigt, Sevenoaks, Reino Unido
Arte / Grabado / Póster
17 x 12 cm. Heliotype. A photomechanically produced plate for pictures or type made by exposing a gelatin film under a negative, hardening it with chrome alum, and printing directly from it.
Publicado por Boston 1874, 1874
Librería: Garwood & Voigt, Sevenoaks, Reino Unido
Arte / Grabado / Póster
17 x 12 cm. Heliotype. A photomechanically produced plate for pictures or type made by exposing a gelatin film under a negative, hardening it with chrome alum, and printing directly from it.
Publicado por Boston 1874, 1874
Librería: Garwood & Voigt, Sevenoaks, Reino Unido
Arte / Grabado / Póster
17 x 12 cm. Heliotype. A photomechanically produced plate for pictures or type made by exposing a gelatin film under a negative, hardening it with chrome alum, and printing directly from it.
Publicado por Boston 1874, 1874
Librería: Garwood & Voigt, Sevenoaks, Reino Unido
Arte / Grabado / Póster
17 x 12 cm. Heliotype. A photomechanically produced plate for pictures or type made by exposing a gelatin film under a negative, hardening it with chrome alum, and printing directly from it.
Publicado por Saunders, 2011
ISBN 10: 1437709222 ISBN 13: 9781437709223
Librería: HPB-Red, Dallas, TX, Estados Unidos de America
Hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!.
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Publicado por Military publishing house of the ministry of defence of the RSFSR. 1985, 1985
Librería: PROCTOR / THE ANTIQUE MAP & BOOKSHOP, DORCHESTER, Reino Unido
Miembro de asociación: PBFA
In very good condition. Very lightly tanned. Size 22.5 x 17.5 inches.
Librería: ASHER Rare Books, T Goy Houten, Holanda
62 pp.A rare and wonderful Dutch early nineteenth-century children's book, complete with the moveable dolls of it's protagonist Louize. The book comes with the paper doll model of Louize, printed on cardstock plate with slits above the left shoulder and below her feet, into which tabs on six outfits printed on cardstock plates can be placed. Both the paper doll and her outfits are beautifully hand-coloured. The doll's costume follow and augment the storyline of the book. Louize who grows up in a wealthy family of traders in Amsterdam enjoys nothing more than dressing up. We first encounter her in her ball gown with her friends and family in presence to admire the young girl. Next she appears as an old woman, immediately recognised as a dear motherly friend of her parents. Louize undergoes more costume changes, dressed up as a farmer's girl, a busy housewife, a nun, and finally as a Turkish woman in traditional attire. She displays all the good traits associated with the characters she embodies on stage, all done for the entertainment of her guests. Children could pin the separate outfits of Louize to the cardstock plate and visualise her change through the chapters. The book appears to be modelled after Isabellens Verwandlungen, oder das Mädchen in sechs Gestalten. Ein unterhaltendes Kinderbuch für Mädchen mit sieben beweglichen Kupfern (Vienna, Heinrich Friedrich Müller, c. 1820).Very good conditions, dolls complete and intact, binding slightly rubbed and some leaves slightly loose. Light water damage to back endpapers.l Buijnsters, Papertoys, p. 331; Huiskamp W50; Ki.la.ki.le. 506A; Lust en Leering p. 393; Saakes 8 (1828), p. 392; WorldCat 63937436 (11 copies).
Librería: ASHER Rare Books, T Goy Houten, Holanda
[8], 170, [26]; [14], 168 pp.Two beautiful colonial imprints from Lima, Peru, bound together in one volume, containing interesting accounts of two synods held in Santiago, the capital of Chile, in 1688 and 1763. The Synod of 1688 was organized by the Bishop of Santiago, Don Bernardo Carrasco y Saavedra, and that of 1763 by Bishop Dr Don Manuel de Alday y Aspee. The description of the Synod of 1688 was first printed in Lima in 1690. That of 1763 is printed here for the first time and the two works were apparently designed for publication together, though they name different printing offices (they are often found bound together).The accounts give detailed information on both ecclesiastical matters and daily life in colonial Chile, including the text of the constitution outlining the rules of the Catholic Church. The accounts also describe a variety of cultural events such as dances, bullfights and games.With a manuscript note by the notary Nicolas Herrera on the first half-title. With the first leaf of the first work nearly detached from the book block and attached to the pastedown, but otherwise in very good condition, with only some marginal water stains on the first few leaves and four leaves somewhat browned. The parchment cover appears to have been taken from an older book. The parchment is wrinkled and shows various holes and folds from its use for the older binding. Accounts of synods, containing information on the church and daily life in colonial Chile in the 17th and 18th century.l Leclerq 1946; Medina 1210; Palau 325995-325996; Sabin 11036 (2nd work only).
Librería: ASHER Rare Books, T Goy Houten, Holanda
[31], [1 blank] pp.Quentell's second quarto edition of the well-known manual on the art of dying, in the original Latin, matching his ca. 1493 quarto edition almost line for line and using the same woodcut, quite different from any used with this text before that date. Quentell's quarto editions contain the original long version of the text, known as Speculum artis bene moriendi, often attributed to Matthaeus de Cracovia or Albertus Magnus (editions in Italian are often attributed to Dominicus de Capranica, Cardinal of Fermo). The Ars moriendi was one of the earliest incunabula printed and consists of two related Latin texts written around 1415 and 1450, offering guidance on how to have a good death according to Christian beliefs of the late Middle Ages. The texts were written in response to the Black Death and social upheavals of the 15th century, with the earliest versions likely composed in southern Germany. The highly populafr Ars moriendi was translated into many West European languages, and was the first in a tradition of guides to death and dying. The first edition in the original Latin appeared ca. 1474, but was preceded by a German edition in 1473 and perhaps by an edition in Italian described as ca. 1471/75. Quentell published the Latin text together with other works in a folio edition described as ca. 1484/89, but he published four quarto editions of the Ars moriendi alone, described as ca. 1493, the present ca. 1495, ca. 1498 and another probably after 1500. He published no Ars moriendi editions in vernacular languages. His first three quarto editions have the same collation, but the present edition matches the ca. 1493 edition almost line for line and uses the same woodcut, while the ca. 1498 edition differs considerably and uses a different woodcut.Heinrich Quentell, one of the greatest early Cologne printer-publishers, issued many theological and philosophical texts for university use, but also liturgical texts, working both alone and with Johann Helman, who may have also jointly employed contract printers and dispatched servants to sell books. Quentell was one of the first printers to consistently provide his books with title-pages, with approximately 91% of his over 380 publications including one.Quentell used the present "Magister cum discipulis"-woodcut in several other editions, including the Heymericus de Campo, Promptuarium argumentorum (1492, GW 12406) and Jacobus van Gruitrode, Speculum aureum animae peccatricis (1493, GW M10728). Wynkyn de Worde used a copy in his Parabolarum Alani cum commento (1508, STC 254.3), and other printers copied it as well.All Quentell's Ars moriendi editions are undated and the present one used his types 7 and 10 and initials e, which all apeared in his books in the period 1488 to 1500. The present edition is probably dated ca. 1495 in the literature because it appears to fall between the two quarto editions thought to date from ca. 1493 and ca. 1498.The bookbinder Jean-Luc Honegger, still active today, is best known for his bindings for the Bibliothèque Nationale de France in Paris and the Bodmer Foundation near Geneva. With the bookplate of the Bibliotheca Philosophia Hermetica (Joost Ritman) in Amsterdam and probably bound for them. Slightly browned, water stains at the foot of a few leaves (not approaching the text), some smudges in the margins and on the blank final page. The binding slightly worn at the extremities and with a few unobtrusive scratches on the back board. Otherwise in very good condition and only slightly trimmed (about 5 mm at the head and probably no more at the fore-edge and foot), giving generous margins (about 2, 3 and 4 cm at the head, fore-edge and foot respectively) and some leaves with tranchefiles at the foot.l Bibliothèque Nationale. Catalogue des incunables A-598; BMC I 294.IA 4902; Bod-inc A-449; Bohonos Szandorowska Incunabula quae in bibliothecis Poloniae asservantur 562; Pell 1339; Polain 972; Proctor 1425; Voulliéme Die Buhdrucker Kölns.