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Publicado por MIT Press (MA), 1971
ISBN 10: 0262110369ISBN 13: 9780262110365
Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de America
Libro
Hardcover. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.95.
Publicado por MIT Press (MA), 1971
ISBN 10: 0262110369ISBN 13: 9780262110365
Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
Libro
Hardcover. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.95.
Publicado por MIT Press, 1971
ISBN 10: 0262110369ISBN 13: 9780262110365
Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
Libro
Condición: Good. 0th Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Publicado por Mit Pr, 1971
ISBN 10: 0262110369ISBN 13: 9780262110365
Librería: Lee Jones-Hubert, Richmond, VA, Estados Unidos de America
Libro
hardcover. Condición: Good. ships same or next day with tracking, former library copy.
Publicado por The MIT Press, 1971
ISBN 10: 0262110369ISBN 13: 9780262110365
Librería: Ergodebooks, Houston, TX, Estados Unidos de America
Libro
Hardcover. Condición: Good. I don't touch, I touch with the eyeDavid SmithRosalind Krauss believes that the body of work produced by David Smith over the past three decades constitutes the most important sculptural achievement of this century. This book characterizes his work in a way that will make the reader see it on the grounds of its own intense originality. Several arguments are developed simultaneously in the text: an historical description of Smith's career which shows how, from the beginning, his art departed from the conventional concepts and criticized the essential conservatism of modern sculpturewhether the welded work of Picasso and Gonzalez or the constructivism of Gabo or the surrealism of Giacometti; an explicit analysis of a few of Smith's greatest works indicating that his stylistic ambitions were consistent throughout his career; and an iconographic explanation of the nature of Smith's imagery (the cannon, the totem, the sacrifice) as he insistently repeated it. Documentary evidence garnered from the sculptor's archive of sketchbooks and personal records supports this last argument.Dr. Krauss tracks the content of Smith's style back through the labyrinth of his development and examines the formal alternatives he found to 20th century sculptureindicating that it was his ambition to completely restructure the relationship between the viewer and the single work of art. The book's basic supposition is that, by a variety of means, David Smith made sculpture that would defeat the viewer's attempt to possess it, either physically or intellectually; he created a sculptural language that arrogantly refuted possession, by touch or by theory of style. Indeed, the author asserts that a real understanding of Smith's sculpture will show that he did not, as his critics have said, predicate his work on a transformation of European art styles, or on characteristics of American abstract painting. His was a revolt from the historical community of ideas, from the concept of a volumetric core and a strict interpretation of media.The book acknowledges the man behind his self-created myth of vulcan, the welder-hero, to see how and at what level Smith's formal convictions intersected private sources of feeling. It covers his work from the first private, highly subjective pieces which lacked an organizing spine, to the large public sculptures which were formalized in related series (the Tanktotems, Zigs, and huge stainless steel cubes, discs, cylinders and bar that made up the Cubis).David Smith's work speaks for itself. Nearly 150 halftones complement Dr. Kreuss' compelling text: photographs of Smith's sculpture taken by the artist, illustrations of works that influenced him, and drawings from the Smith Archive.
Publicado por Mit Pr, 1971
ISBN 10: 0262110369ISBN 13: 9780262110365
Librería: Irish Booksellers, Portland, ME, Estados Unidos de America
Libro
Condición: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Publicado por Mit Pr, 1971
ISBN 10: 0262110369ISBN 13: 9780262110365
Librería: Books Unplugged, Amherst, NY, Estados Unidos de America
Libro
Condición: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 1.2.
Publicado por Mit Pr, 1971
ISBN 10: 0262110369ISBN 13: 9780262110365
Librería: Books Unplugged, Amherst, NY, Estados Unidos de America
Libro
Condición: Fair. Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within 1.2.
Publicado por MIT Press, 1971
Librería: ANARTIST, New York, NY, Estados Unidos de America
Hardcover with partial remnants of the torn printed plastic dustjacket, 200 pages, good condition, ex-library copy with library stamps on title page and a couple other pages; no other internal marks.
Publicado por Mit Pr, 1971
ISBN 10: 0262110369ISBN 13: 9780262110365
Librería: Byrd Books, Austin, TX, Estados Unidos de America
Libro
Hardcover. Condición: very good. In Used Condition.
Publicado por MIT Press, 1971
ISBN 10: 0262110369ISBN 13: 9780262110365
Librería: Brancamp Books, Batesville, IN, Estados Unidos de America
Miembro de asociación: IOBA
Libro
Hardcover. Condición: Very Good. Text is Very Clean. No writing or tears to text. Lightly tanned pages. Has minor cover wear.
Publicado por Mit Pr, 1971
ISBN 10: 0262110369ISBN 13: 9780262110365
Librería: GoldBooks, Denver, CO, Estados Unidos de America
Libro
Hardcover. Condición: very good. Very Good Copy. Customer Service Guaranteed.
Publicado por MIT Press (MA), 1971
ISBN 10: 0262110369ISBN 13: 9780262110365
Librería: ThriftBooksVintage, Tukwila, WA, Estados Unidos de America
Libro
Hardcover. Condición: Good. Estado de la sobrecubierta: Good. Ex-Library copy with typical library marks and stamps. Dust jacket in good condition. Shelf and handling wear to cover and binding, with general signs of previous use. The binding suffers minor loosening due to age and wear, but remains secure and in-tact; the pages are clean and unmarked. Secure packaging for safe delivery. 1.95.
Publicado por Mit Pr, 1971
ISBN 10: 0262110369ISBN 13: 9780262110365
Librería: Irish Booksellers, Portland, ME, Estados Unidos de America
Libro
Condición: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Publicado por Mit Pr, 1971
ISBN 10: 0262110369ISBN 13: 9780262110365
Librería: Wizard Books, Long Beach, CA, Estados Unidos de America
Libro
Hardcover. Condición: very good. Used.
Publicado por MIT Press, Cambridge, MA, 1979
Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Original o primera edición
Paperback. 1st MIT Press Paperback Edition. Grey wraps with light grey illustration and white lettering; 200 pp.; richly illustrated in b&w. David Smith died in the full bloom of his career when the truck that he used at his farmland studio at Bolton Landing in the mountains above Lake George overturned on an icy Vermont road. Three decades of his work, however, are preserved in this forceful and clearly written account which proposes that Smith's is the most important American sculptural achievement of this century." -- Rear cover. Good (Ex-Library from Visual Studies Workshop, with a sticker on lower front cover, colophon stamp and inside rear cover; wraps are moderately worn/scuffed/smudged; textblock edges are lightly edgeworn/scuffed/smudged; textblock is bumped at upper-left corner; interior is clean; binding is solid.).
Publicado por The MIT Press, Cambridge, MA, 1971
ISBN 10: 0262110369ISBN 13: 9780262110365
Librería: Lost Horizon Bookstore, Santa Barbara, CA, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Near fine. Estado de la sobrecubierta: Very good. First edition. First edition. Hardcover. 11 1/4'' X 8''. 200pp. with index. Nearly 150 halftones complement the text. with drawings from the Smith Archive. Previous owner's pen signature on fly-leaf.
Publicado por Cambridge, MA: M.I.T. Press. 1971., 1971
Librería: Olana Gallery, Brewster, NY, Estados Unidos de America
Libro
Hardcover. Condición: Good. ExCat. H/C,
Publicado por The MIT Press, Cambridge (MA), 1979
ISBN 10: 0262610329ISBN 13: 9780262610322
Librería: Paule Leon Bisson-Millet, Beilstein, Alemania
Libro
Softcover. Condición: Sehr gut. David Smith Ilustrador. Terminal Iron Works: The Sculpture of David Smith. Von Rosalind E. Krauss. Cambridge (MA), MIT Press, 1979. 280:190mm. 200S. 148 A. Or.-Brosch. 1st MIT Press Paperback Edition. "David Smith died in the full bloom of his career when the truck that he used at his farmland studio at Bolton Landing in the mountains above Lake George overturned on an icy Vermont road. Three decades of his work, however, are preserved in this forceful and clearly written account which proposes that Smith's is the most important American sculptural achievement of this century." "Terminal Iron Works opens with a historical discuss description of Smith's career showing that from the beginning his art departed from the conventional concepts and criticized the essential conservatism of modern sculpture. It then explicitly analyzes a few of Smith's greatest works, indicating that his stylistic ambitions were consistent throughout, and sets forth an iconographic explanation of the nature of his imagery (the cannon, the totem, the sacrifice) as he insistently repeated it.The illustrations include photographs of Smith´s sculpture taken by the artist, works by other artists that influenced him, and drawings from the Smith archive. Includes also an annotated bibliography of Smith´s statements, lectures, and essays." Mit Index. Einbandrücken geringfügig berieben. Inhalt wie neue.
Publicado por Mit Pr, 1971
ISBN 10: 0262110369ISBN 13: 9780262110365
Librería: GoldenWavesOfBooks, Fayetteville, TX, Estados Unidos de America
Libro
Hardcover. Condición: new. New. Fast Shipping and good customer service.
Publicado por MIT Press, 1971
ISBN 10: 0262110369ISBN 13: 9780262110365
Librería: Front Cover Books, Denver, CO, Estados Unidos de America
Libro
Condición: new.
Publicado por Mit Pr, 1971
ISBN 10: 0262110369ISBN 13: 9780262110365
Librería: Wizard Books, Long Beach, CA, Estados Unidos de America
Libro
Hardcover. Condición: new. New.
Publicado por Mit Pr, 1971
ISBN 10: 0262110369ISBN 13: 9780262110365
Librería: GoldBooks, Denver, CO, Estados Unidos de America
Libro
Hardcover. Condición: new. New Copy. Customer Service Guaranteed.
Publicado por The MIT Press, 1971
ISBN 10: 0262110369ISBN 13: 9780262110365
Librería: Save With Sam, North Miami, FL, Estados Unidos de America
Libro
Hardcover. Condición: New. Brand New!.