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Publicado por London Jonathan Cape 1965, 1965
Condición: 2. in-8, cartonnage sous jaquette illustrée, XIII + 428 pp., photos en noir hors-texte, index. Première édition anglaise. Texte en anglais. Très bon exemplaire. Exemplaire provenant de la bibliothèque d'Alain Resnais.
Librería: Iridium_Books, DH, SE, España
Condición: Used - Good.
Librería: OM Books, Sevilla, SE, España
Condición: usado- bueno.
Librería: OM Books, Sevilla, SE, España
Condición: Usado - Bueno.
Librería: OM Books, Sevilla, SE, España
Condición: Usado - Bueno.
Librería: LibreriaElcosteño, Ciudad de Buenos Aires, BA, Argentina
Tapa Blanda. Condición: Bien. IMAGENES: En caso que no exista imagen de tapa. no dude en solicitarla. Ejemplar Usado, puede (o no) contener signos de uso como firma, anotaciones o subrayados, consultenos para mayor informacion del estado.
Publicado por Jonathan Cape, London, 1966
Librería: Ed Smith Books, ABAA, Bainbridge Island, WA, Estados Unidos de America
Original o primera edición
Hardcover. First edition (UK). This special copy has been finely bound for the publisher Tom Maschler bearing his personal bookplate especially designed for him by Quentin Blake. Original quarter leather patterned paper-covered boards with gilt titles in raised bands to spine and author's initials to the front cover, t.e.g. Lee Strasberg was the father of "Method acting" in America, he was also the artistic director of the Actors Studio, a stage director, a film actor and a major figure in world theater. As a master teacher, he guided several generations of actors, including Marlon Brando, James Dean, Marilyn Monroe, Al Pacino and Robert De Niro. He revolutionized the art of acting and had a profound influence on performance in American theater and movies. "The Method" a system of vocal, physical and emotional excercises, was initiated in Russia by Constantin Stanislavsky; it encouraged the actor to use his psyche and subconscious in preparing for a role. Mr. Strasberg adapted it to the American theater, imposing his refinements, but always crediting Stanislavsky as his source. 428 pages with epilogue, appendix and index. A near fine copy in a wonderful binding.