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Publicado por Thames & Hudson, 2001
ISBN 10: 0500271089ISBN 13: 9780500271087
Librería: RareCollectibleSignedBooks, West hills, CA, Estados Unidos de America
Libro
Condición: Used: Very Good. Clean Unmarked intact Pages, clean Cover and edges decent copy.
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Nuevo desde EUR 30,00
Usado desde EUR 7,51
Encuentre también Tapa blanda
Publicado por Pantheon, 1976
ISBN 10: 0394733843ISBN 13: 9780394733845
Librería: ANARTIST, New York, NY, Estados Unidos de America
Libro
Softcover, unpaginated, very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.
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Usado desde EUR 24,05
Encuentre también Original o primera edición
Publicado por PANTHEON, N.Y, 1976
Librería: ARD Books, Cleveland, OH, Estados Unidos de America
Libro
Soft cover. Condición: Fine. Estado de la sobrecubierta: NoNE. PHOTOS BY BRASSAI Ilustrador. FIRST AMERICAN. SLIGHT FOLD LINE ON BOTTOM OF COVER OTHERWISE BOOK IS FINE ALL AROUND A LOOK AT THE DECADENT PARIS BEFORE THE SECOND GREAT WAR.
Publicado por Pantheon Books, 1976
ISBN 10: 0394408411ISBN 13: 9780394408415
Librería: Sheapast Art and Books, Sherman Oaks, CA, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Brassai: The Secret Paris of the 30's Pantheon Books 1976 1st American edition One of the most evocative photographic memoirs every published. It was known that Brassai had taken a series of 'secret photographs' which could not be published because of their daring nature - the forbidden Paris, a sordid bas-monde where high society mingled with the underworld. some jacket wear and small tears, cloth wear, clean and tight.
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Usado desde EUR 33,66
Encuentre también Original o primera edición
Librería: Manuela-Charlott Tepper, Schulendorf Scharbeutz, Alemania
Translated from the French by Richard Miller. Pantheon Books, New York 1976. 4°. 96 (1 weisse) Blatt. OBroschur. Mit zahlreichen Abbildungen.
Publicado por Pantheon Books, 1976
ISBN 10: 0394408411ISBN 13: 9780394408415
Librería: The Old Print Shop, Inc., New York, NY, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Fair. 1st Edition. Translated from the French by Richard Miller, unpag., numerous photos throughout, Paris of the thirties, its brothels, its whores, its pimps, its opium dens, quarto (4to), hardcover black cloth, embossed title on cover, silver text on spine, dust jacket. Good condition, edges of dust- jacket have some wear, tear in top center.
Publicado por Thames and Hudson Ltd., London, 1977
ISBN 10: 0500540403ISBN 13: 9780500540404
Librería: Karen Jakobsen (Member of the PBFA), Sturminster Newton, Reino Unido
Miembro de asociación: PBFA
Libro
Hardcover. Condición: Good. Estado de la sobrecubierta: Good. 1977 reprint of the 1976 first UK edition. Black hardcover with titles in silver on spine. Condition: Good, with light shelfwear to covers. Binding sound, no inscriptions. Light sunning to edges of text. Dustjacket condition: Good, with light shelfwear. Not price-clipped. Unpaginated. 150 b/w photographic illustrations. The Secret Paris of the 30's is one of the most remarkable photographic memoirs ever published. His photographs reveal a milieu previously known only through books such as the novels of Henry Miller (a frequent companion on Brassai's nocturnal rambles). His images depict the hidden Paris of the 1930's, its brothels, its whores, its pimps, its opium dens - the sordid yet fascinating bas-monde where high society mingled with the underworld.
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Usado desde EUR 43,32
Condición: Fine. Number of books: 1.
Publicado por THAMES AND HUDSON, LONDON, 1976
Librería: ALAN HOPPEN BOOKS, ISLEWORTH, Reino Unido
Libro Original o primera edición
Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. This is the 1976 First Edition Thames and Hudson hardback, unclipped.192 pages with150 unique photographs. Hardcover in Fine Condition. Dust Jacket near fine with small nick at foot of spine. Translated from the French by Richard Miller.
Couverture rigide. Condición: bon. RO30367625: 1976. In-4. Relié toilé. Etat passable, Coins frottés, Dos satisfaisant, Papier jauni. Environ 150 pages. Texte en anglais. Mouillures. Jaquette correcte. Nombreuses photos en noir et blanc, in et hors texte, font frontispice. Avec Jaquette. . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.
Librería: DMBeeBookstore, Buenos Aires, BA, Argentina
Tapa Blanda. Condición: Bien. FOTOS: No dude en pedir mas imagenes. Es de segunda mano, como se ve en la foto, puede preguntar mas detalle del ejemplar.
Publicado por Pantheon Books, 1976
Librería: The Cary Collection, Bristol, CT, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Inscribed by Brassai on title page and dated New York 8 Oct 1976 Pantheon Books 1976 First American Edition MILLER, Richard [translated from the French by] 11" x 8.75" *pages rippled across bottom* Brassaï (1899 1984) was a Hungarian French photographer, sculptor, medalist, writer, and filmmaker who rose to international fame in France in the 20th century. He was one of the numerous Hungarian artists who flourished in Paris beginning between the world wars. He cited Henri de Toulouse-Lautrec as an artistic influence. Career In 1924, Halasz moved to Paris to live, where he would stay for the rest of his life. He began teaching himself the French language by reading the works of Marcel Proust. Living among the gathering of young artists in the Montparnasse quarter, he took a job as a journalist. He soon became friends with the American writer Henry Miller, and the French writers Léon-Paul Fargue and Jacques Prévert. In the late 1920s, he lived in the same hotel as Tihanyi. Miller later played down Brassai's claims of friendship. In 1976 he wrote of Brassai: "Fred [Perles] and I used to steer shy of him he bored us." Miller added that the biography Brassai had written of him was typically "padded", "full of factual errors, full of suppositions, rumors, documents he filched which are largely false or give a false impression." Halász's job and his love of the city, whose streets he often wandered late at night, led to photography. He first used it to supplement some of his articles for more money, but rapidly explored the city through this medium, in which he was tutored by his fellow Hungarian André Kertész. He later wrote that he used photography "to capture the beauty of streets and gardens in the rain and fog, and to capture Paris by night." Using the name of his birthplace, Halász went by the pseudonym "Brassaï," which means "from Brasso." Brassaï captured the essence of the city in his photographs, published as his first collection in the 1933 book entitled Paris de nuit (Paris by Night). His book gained great success, resulting in being called "the eye of Paris" in an essay by Henry Miller. In addition to photos of the seedier side of Paris, Brassai portrayed scenes from the life of the city's high society, its intellectuals, its ballet, and the grand operas. He had been befriended by a French family who gave him access to the upper classes. Brassai photographed many of his artist friends, including Salvador Dalí, Pablo Picasso, Henri Matisse, Alberto Giacometti, and several of the prominent writers of his time, such as Jean Genet and Henri Michaux. Young Hungarian artists continued to arrive in Paris through the 1930s and the Hungarian circle absorbed most of them. Kertèsz immigrated to New York City in 1936. Brassai befriended many of the new arrivals, including Ervin Marton, a nephew of Tihanyi, whom he had been friends with since 1920. Marton developed his own reputation in street photography in the 1940s and 1950s. Brassaï continued to earn a living with commercial work, also taking photographs for the U.S. magazine Harper's Bazaar. He was a founding member of the Rapho agency, created in Paris by Charles Rado in 1933. Brassaï's photographs brought him international fame. In 1948, he had a one-man show at the Museum of Modern Art (MoMA) in New York City, which travelled to George Eastman House in Rochester, New York; and the Art Institute of Chicago, Illinois. MoMA exhibited more of Brassai's works in 1953, 1956, and 1968. He was presented at the Rencontres d'Arles festival in France in 1970 (screening at the Théâtre Antique, Brassaï by Jean-Marie Drot), in 1972 (screening Brassaï si, Vominino by René Burri), and in 1974 (as guest of honour).