Publicado por Longman, Essex - England, 2003
Librería: Llibrenet, Sant Feliu del Raco, BARC, España
Ejemplar firmado
Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. Teatre Ilustrador. New Longman Shakespeare. Serie and Volume Editor: John O'Connor El servicio contrareembolso tiene un coste adicional de 3 euros. Sello del anterior propietario.
Publicado por The Composing Room, Inc., New York, 1974
Librería: gearbooks, The Bronx, NY, Estados Unidos de America
Ejemplar firmado
Decorative Hardcover Cloth. Condición: Like New. No Jacket. Daniel Haberman (Design); Isadore Seltzer (Illustrator) Ilustrador. Copyright © 1974. Page Numbers: N/A. SIGNED BY DESIGNER!!! (On seperate book marker). An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially flawless copy with very light shelf wear, crisp pages and clean text. Slip case shows minimal wear consistent with age. No dust jacket. ***SIGNED BY DESIGNER!!!***.
Publicado por G. Charpentier, 1882
Librería: Librairie du Cardinal, GRADIGNAN, Francia
Original o primera edición Ejemplar firmado
rigide. 1 vol. grand in-8 reliure bradel demi-percaline grise, couvertures conservées, G. Charpentier, Paris, 1882, XXII pp., 1 f., 183 pp. Envoi autographe signé de Jean Aicard, daté de 9bre 1881, à "Aurélien Scholl, cordial hommage". Rare exemplaire dédicacé par Jean Aicard à l'écrivain Aurélien Scholl, de cette adaptation de la grande pièce de Shakespeare. Bon état (reliure un peu frottée, coupes frottées). Langue: Français. signé par l'auteur.
Publicado por Composing Room & Graphic Arts Typographers (and variations such as Composing Room and Royal Composing Room), New York, 1982
Librería: McBlain Books, ABAA, Hamden, CT, Estados Unidos de America
Ejemplar firmado
Hardcover. Condición: Very Good. Original cloth-covered slipcases on all volume. 21-22 cm. No jackets, as published. The first six of these volumes are bound in cloth and backed in faux black leather (Skivertex); the last five are bound in full cloth. Cloth color changes from volume to volume. Slipcase color matches cover cloth. One side of slipcase discolored on Henry V volume. Several volumes have slips laid in which are signed or inscribed by Haberman, including one to both of his parents (1975) and one (1978) to his father. Some later volumes are inscribed to members of the Sendor family. Daniel Haberman's Wikipedia entry describes him as "an American poet, translator and graphic designer" and states that he was "instrumental in founding the American Poets' Corner at the Cathedral of St. John the Divine in New York City where he was that Cathedral's first Poet-in-Residence, from 1983 to 1986." Wikipedia also reports that he was the graphic designer on 16 Shakespeare volumes so this is not a complete collection of all of the annual Shakespeare volumes designed by him.
Publicado por Paris : H. Delloye, éditeur ; V. Lecou, éditeur, [Paris] : Imprimerie de Boulé et Comp Collection: Vigny, Alfred de. Oeuvres complètes. , VI. Théatre, 1839
Librería: PRISCA, Paris, Francia
Ejemplar firmado
Couverture rigide. Condición: Très bon. Nouvelle édition formant le sixième volume de la première édition collective des oeuvres d'Alfred de Vigny. Reliure en demi chagrin vert bouteille, dos légèrement éclairci à quatre nerfs sertis de pointillés dorés et orné de filets noirs et dorés, plats de papier marbré, gardes et contreplats de papier à la cuve, ENVOI AUTOGRAPHE DE VIGNY SUR LA PAGE DE GARDE (cf le scan). Signé par l'auteur.
Publicado por à l' Enseigne du Cha 1969-1974, Nice, 1969
Ejemplar firmado
6 volumes in-4, reliure peau brune, plats ornés d'un large décor compartimenté poussé à la plaque or et à froid; rappel du décor sur les dos à nerfs; doublures et gardes de papier marbré, non rognés. Etuis (reliures de l'éditeur).Très belle édition illustrée par Jean Gradassi de miniatures coloriées au pochoir et rehaussées à l'or et au palladium, dont 2 frontispices sur double page, 72 miniatures hors texte, 72 bandeaux, et de nombreux culs-de-lampe. Tirage limité à 3.530 exemplaires numérotés. Un des 420 exemplaires sur vélin de Lana, comprenant une aquarelle originale en couleurs signée par l'artiste et titrée Le Soir des rois (montée à la fin du dernier volume) et une suite de la grande planche et des hors-texte en vert anglais. Exemplaire bien complet du certificat d'authenticité de l'éditeur. Incomplet des 6 derniers volumes et de l'aquarelle originale. dos très très légèrement décolorés.
Publicado por Intima Press, New York, NY, 2023
Librería: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Estados Unidos de America
Original o primera edición Ejemplar firmado
Intima Press Ilustrador. miniature book (92 x 69 x 44 mm), the box is (165 x 102 x 69 mm). dos-à-dos binding with Suminagashi marbled edges. Letterpress printed cotton paper covers commissioned from Saint Armand Paperie, Canada. unpaginated. With 'The Tragedy of Desdemona' by Mindy Bellof. "I am the one whom they call Life, and you have called Death. I am the one whom you have pursued, and I am the one whom you have seized. I am the one whom you have reflected upon, and you have scorned me." - Thunder, Perfect Mind, Nag Hammadi, 4th-century First edition limited to 37 copies, of which this is one of 26 standard lettered copies signed by the printer / artist, Mindy Belloff. A fine copy in fine clamshell box. Designs, printing, drawings, typography, marbling, and binding by Mindy Belloff. Letterpress printed from photopolymer plates produced at Boxcar Press, NY. From the artist's website: "This new edition from Intima Press, four years in the making, is a double-bound miniature pairing of a classic 17th century Shakespearean story, The Tragedy of Othello, with commentary and quoted statistics compiled by the artist in The Tragedy of Desdemona. By magnifying the plight of abused women and enaging in dialogue with the text of Othello as cultural critique, the Desdemona tragedy highlights issues of patriarchy and gender bias throughout centuries, while giving voice to women who have been silenced. Though small in size, this edition is not less significant. The work continues to challenge traditional subject matter in fine press printing, with essential historic and contemporary viewpoints, helping to redefine contemporary artists' contributions to the history of the book. Voices: William Shakespeare's Othello, based on a 16th-century tale in Giraldi Cinthio's Gli Hecatommithi, was a popular play in Elizabethan England, which still resonates today. The story begins with devotional love, an elopement, and hope for the future, interrupted by the machinations of the villain Iago, and ends in tragedy within a few days. The character of Othello, a General in the military who marries the young Lady Desdemona, becomes intensely jealous and eventually murders her, parallels a modern Othello-the sports and television personality O.J. Simpson, who was accused of the double murders of his ex-wife Nicole Brown and her friend Ron Goldman in 1994. Both are tragic stories of jealous rage, domestic violence, male dominance, upper class privilege, and femicide. In The Tragedy of Desdemona, closing arguments of the legal case and diary entries of the victim are revisited, along with historic and contemporary poetry, writings from the 4th-century Nag Hammadi codices, excerpts of writings from Ovid, Dostoevsky, and Alice Walker, current news headlines, global statistics on femicide, the 2021 Supreme Court decision overturning Roe, the 1993 case of Lorena Bobbitt, and the myth of Medusa, among other information. Soft you. A word or two before you go. Speak of me as I am. Of one that loved not wisely, but too well. - Othello I loved her; always have and always will. If we had a problem, its because I loved her so much. - O.J. Dos-à-Dos Binding & video montage: The two volumes are paired, Othello on one side, Desdemona on the other, sharing the same spine-a parallel with Iago's description of marital conjugation of the beast with two backs-as the two texts and various voices are conjoined in dialogue and are inseparable. The layered narrative continues with a video component. When opened, one views a montage of images including short clips from film and theater productions of Othello (Orson Welles, Laurence Fishburne, Anthony Hopkins, Eamonn Walker, Laurence Olivier, and Placido Domingo), news headlines of sensational stories from the mid-1990's, recent women's marches around the #MeToo movement and Supreme Court rulings, and other poignant stories and global statistics. The video functions as a time capsule, of a generation coming of age in the 1970's-90's ( 8:44 minutes). Beaut.