Publicado por University of Texas Press, 1992
ISBN 10: 0292729766 ISBN 13: 9780292729766
Librería: Lucky's Textbooks, Dallas, TX, Estados Unidos de America
Condición: New.
Publicado por University of Texas Press, 1992
ISBN 10: 029275129X ISBN 13: 9780292751293
Librería: Taos Books, Santa Fe, NM, Estados Unidos de America
Original o primera edición
Hardcover. Condición: Very Good. First Edition. Very Good Plus/Good Plus, text tight clean and unmarked, boards likewise clean and undamaged, NOT ex-library, stated first edition, dust jacket shows small closed tear on front bottom edge which has been taped on the inside, dj shows some light edge wear.
Publicado por Univ of Chicago Behalf of University of Texas, 1992
ISBN 10: 0292729766 ISBN 13: 9780292729766
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Publicado por University of Texas Press, 2011
ISBN 10: 0292729766 ISBN 13: 9780292729766
Librería: Revaluation Books, Exeter, Reino Unido
Paperback. Condición: Brand New. 196 pages. 8.90x6.00x0.60 inches. In Stock.
Publicado por University Of Texas Press, 1992
ISBN 10: 0292729766 ISBN 13: 9780292729766
Librería: AHA-BUCH GmbH, Einbeck, Alemania
Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Reading a play and watching it performed onstage are quite different experiences. Likewise, studying a country's theatrical tradition with reference only to playtexts overlooks the vital impact of a play's performance on the audience and on the whole artistic community. In this performance-centered approach to Brazilian theatre since the 1940s, David George explores a total theatrical language-the plays, the companies that produced them, and the performances that set a standard for all future stagings.George structures the discussion around several important companies. He begins with Os Comediantes, whose revolutionary 1943 staging of Nelson Rodrigues' Vestido de Noiva (Bridal Gown) broke with the outmoded comedy-of-manners formula that had dominated the national stage since the nineteenth century. He considers three companies of the 1950s and 1960s-Teatro Brasileiro de Comédia, Teatro de Arena, and Teatro Oficina-along with the 1967 production of O Rei da Vela (The Candle King) by Teatro Oficina.The 1970s represented a wasteland for Brazilian theatre, George finds, in which a repressive military dictatorship muzzled artistic expression. The Grupo Macunaíma brought theatre alive again in the 1980s, with its productions of Macunaíma and Nelson 2 Rodrigues.Common to all theatrical companies, George concludes, was the desire to establish a national aesthetic, free from European and United States models. The creative tension this generated and the successes of modern Brazilian theatre make lively reading for all students of Brazilian and world drama.
Publicado por University of Texas Press, 1992
ISBN 10: 0292729766 ISBN 13: 9780292729766
Librería: moluna, Greven, Alemania
Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. A performance-centered approach to Brazilian theatre from the 1940s to the 1980s.Über den AutorBy David GeorgeInhaltsverzeichnisAcknowledgmentsIntroduction1. Rio Theatre in t.
Publicado por University of Texas Press, 1992
ISBN 10: 0292729766 ISBN 13: 9780292729766
Librería: Mispah books, Redhill, SURRE, Reino Unido
Paperback. Condición: Like New. Like New. book.
Publicado por University of Texas Press, 1992
ISBN 10: 029275129X ISBN 13: 9780292751293
Librería: dsmbooks, Liverpool, Reino Unido
Hardcover. Condición: New. New. book.