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Publicado por Errata Editions, 2010
ISBN 10: 1935004085ISBN 13: 9781935004080
Librería: Saucony Book Shop, Kutztown, PA, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. Hardcover in dust jacket. Brand new, unopened in original publisher's shrinkwrap. Size: 4to - over 9¾" - 12" tall. Book.
Publicado por San Francisco Museum of Modern Art January 1995, 1995
ISBN 10: 0918471346ISBN 13: 9780918471345
Librería: Copperfield's Used and Rare Books, Petaluma, CA, Estados Unidos de America
Libro
Trade Paperback. Condición: Used - Very Good. Staplebound, VG. San Francisco Museum of Modern Art, 1995. Courtesy of the Howard Greenberg Gallery, New York. Bottom right of back cover shows signs of a sticker that was torn off. Otherwise, no real visible wear, and overall, the book is in excellent condition. Binding is solid.
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Usado desde EUR 191,84
Encuentre también Tapa blanda
Publicado por Editions du Seuil, 1956
Librería: ANARTIST, New York, NY, Estados Unidos de America
Hardcover missing dustjacket; unpaginated; in French and English at rear; poor condition; spine very shaken with pages starting to jut out at right edge; the first page (right side of aerial view of NYC) is loose but present with small tears at right edge; no internal marks. As is; reference copy. Foreign shipping may be extra.
Publicado por Feltrinelli,, Milano, 1956
Librería: Bergoglio Libri d'Epoca, RIVALBA, TO, Italia
Original o primera edición
(Codice FO/1442) In 4º (28,5x22.5 cm) 194 pp., 188 black and white photographs. First italian edition. Hardcover, black title to spine, dustjacket gently worn, foot of spine & corner tape-repaired: boards and spine lightly jellowed at the corresponding spots. See photos. Sturdy, unmarked copy. Inside: no foxing, fine condition. Euro 700.00 All books are in stock in fine condition or described meticulously. Very safe packaging.
Año de publicación: 1956
Librería: Libreria Piani, Monte San Pietro, BO, Italia
Libro
Milano, Feltrinelli (ma Gen?®ve, Imprimerie Roto-Sadag), 1956 (settembre), 4to cartonato editoriale con sovraccoperta illustrata a colori, pp. 194 interamente illustrate da splendide fotografie in bianco e nero. In fine, un breve testo (intitolato Manhadoes: antico nome di Manhattan) in tre lingue (inglese, italiano, francese). E' presente la brochure originale, in-4to stretto a punto metallico, pp. nn. (14), con le didascalie delle foto riprodotte nel volume, in lingua italiana. Minimi difetti ai margini della sovraccoperta, specie quella superiore, con piccole mancanze in corrispondenza della cuffia. Molto ben conservato. Eccezionale libro fotografico, anche per la qualit?? dell'impaginazione e della stampa, vincitore del premio Nadar del 1957 e inserito da Andrew Roth tra i principali libri di fotografia del secolo (cfr. The Book of 101 Books: Seminal Photographic Books of the Twentieth Century, pp. 140-142), qui presentato nella precocissima prima edizione italiana, dello stesso anno della prima assoluta di Londra e di quella di Parigi, rispetto alle quali ?® identico per formato e qualit?? di stampa.
Publicado por Milano/ Feltrinelli Editore, 1956
Librería: Eugen Küpper, Muenster, Alemania
1. gr. 8°. OLn. mit Umschlag in Kopie. Sprache: Italienisch, mit zahlreichen teils doppelseitigen s/w Abb. Mit Booklet "There is only one New York". Umschlag in Kopie, Einband und Inneres leicht berieben, sonst guter Zustand. Zustand insgesamt gut. 2200 Gramm.
Publicado por Editions du Seuil, 1956
Librería: Sunny Day Bookstore, SINGAPORE, Singapur
Condición: Fine. Number of pages: 191 p. Size: 29 cm Number of books: 1.
Publicado por Photography Magazine, 1956
Librería: Jackson Street Booksellers, Omaha, NE, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. First British Edition. Very good copy in hardcover with very good jacket. Tourist brochure still attached at spine has minor toning. Book has light shelf-wear with very faint fading along top edge of boards. Jacket has chipping at top of spine and along top, front edge. One inch tear from top edge of spine onto front cover. Now in mylar. We will send photos upon request.
Publicado por Paris. Editions du Seuil. Album Petite Plan?te. 1956., 1956
Librería: Buch + Foto Marie-Luise Platow, Hilden, Alemania
Leineneinband mit 194 Seiten, davon 188 s/w Fotoabbildungen. Format 22,5 x 28,2 cm. Beiliegend geheftete 16seitige Broschüre. Leinenrücken lichtrandig. Der Schutzumschlag fehlt. Sonst altersgemäß ziemlich gut erhaltenes Exemplar. Sunning to the spine. DJ is missing. Otherwise well preserved. New York der 50er Jahre. Bild an Bild, so führt uns der Fotograf durch die Menschenmassen in New York, meist ohne durch den Sucher geguckt zu haben. Siehe auch Parr/The Photobook/Volume I/Seite 243.
Publicado por Editions du Seuil, 1956
Librería: Sunny Day Bookstore, SINGAPORE, Singapur
Condición: Fine. Number of books: 1 book.
Publicado por Editions du Seuil, 1956
Librería: Sunny Day Bookstore, SINGAPORE, Singapur
Condición: Fine. Number of pages: 191 p. Size: 29 cm Number of books: 1.
Publicado por London, Photography Magazine (1956)., 1956
Librería: Antiquariat Haufe & Lutz, Karlsruhe, BW, Alemania
Original o primera edición Ejemplar firmado
4°. 192 S. mit 188 Abb. auf Tafeln u. Beiheft (Booklet), 16 S. ("Delay may be serious now free."). OLn. mit farbig illustr. OU. (Album Petite Planète, Vol. 1). Auer 365. The Open Book 165 f. Parr/Badger I, 243. Roth, The Book of 801 Books 140 ff. - Erste Ausgabe in England ("Imprimé en Suisse"). Der erste Druck der ersten Ausgabe erschien bei Editions du Seul in Paris. - Mit eigenhändiger Widmung von W. Klein "To Paul & his sister Bailly / Happy New York, William Klein". - "By virtue of its preface, written by Jack Kerouac, Robert Frank's The Americans is usually regarded as the epitome of the Beat photobook. But William Klein's magnum opus, Life is good for you and good in New York Trance witness Reveals: Trance Witness Revels, a book with Beat mantra for a title, surely has the edge in this regard. This is partly because it was the earlier model, partly because it is less political and more exuberant, and impotantly, because its conception is so complete - photographs, layout, design, topography, 'found' ephemera coalescing into what is in effect one of the first great 'Pop' books. . Klein's masterpiece reminds us that much great, serious art is often about play, archieved simply by experimenting with the possibilities of the material. Forget trance and witness - the revels are the thing" (Parr/Badger). - "With no interest from American publishers, Klein went back to Paris and set to work on a graphic design that was as aggressive and idiosyncratic as its photos. "I saw the book as a tabloid gone berserk, gross, over-inked, brutal layout, bull-horn headlines," he wrote in its radically revised 1995 edition. "This is what New York deserved and would get." Published in France, Italy, and England, but not in America, Life is good for you and good in New York was a sensation" (A. Roth). - Schutzumschlag am Kapital mit unauffällig restaurierter Fehlstelle, sehr gutes Exemplar. Sprache: französisch.
Publicado por Paris Éditions du Seuil Album Petite Planète 1, 1956
Librería: Shapero Rare Books, London, Reino Unido
Libro Original o primera edición
First edition; 4to (276 x 204 mm, 10¾ x 8 in); black-and-white photographs printed in gravure by Roto-Sadag, Geneva; photo-illustrated endpapers, black cloth-covered boards, titles stamped in white on spine, colour illustrated dust-jacket, light wear, laminate lifting at spine with light rubbing and creasing to head, 16pp stapled leaflet of illustrated captions laid in as issued, oxidation to staples, fine in a near-fine dust-jacket; 189, [3]pp. Life is Good & Good For You in New York changed the parameters of what a book of photographs could be, representing William Klein's attempt to capture the kinetic quality of 1950s New York. After serving in the army towards the end of the Second World War, Klein moved to Paris in 1949 on the G.I. Bill and spent six years living there after studying painting, including a brief time with Fernand Léger. In 1954, Alexander Lieberman invited him back to New York to join the Vogue art department as a design assistant. Klein returned to New York. He didn't take the role with Vogue but spent eight taking photographs whilst rediscovering New York. Rejecting traditional ideas of sharpness, brightness, and composition, Klein experimented with the layout using the Vogue darkrooms and Photostat, which allowed him to try many ideas, such as cutting, pasting, and playing with scale and sequencing, quickly and easily. Neither Vogue nor any American publisher was interested in these photographs. Klein returned to Paris, where he showed them to Chris Marker, then an editor at Éditions du Seuil. The publication of Life is Good & Good For You In New York was the first of several collaborations with Chris Marker. Six years later, Klein and his wife Janine appeared as 'men of the future' in Marker's seminal film La Jetée (1962), with Klein providing the English narration. [With:] KLEIN, William. William Klein Prix Nadar 1957. [Paris], [no publisher], [1957]. Klein designed this scarce publication to commemorate the 1957 Prix Nadar prize, awarded to him for his book Life is Good & Good for You in New York Trance Witness Revels (1956). Klein had considered the possibility of including coloured acetate sheets such as those present here in the original book, but the publisher refused, probably for financial reasons. Therefore, this publication would appear to give the only indication of Klein's original intentions for his ground-breaking first book. Aside from a reproduction of the cover of the original caption booklet, the only text is an edited version of the caption for the photograph on p.22-23 in Life is Good & Good for You in New York, which also appears here. Regards à travers Le Livre 117; The Book of 101 Books pp1402; The Photobook: A History I, p243; The Open Book pp1645; Errata Editions: Books on Books 5; New York in Photobooks pp6673.
Librería: Librairie Chat, Beijing, China
Condición: Fine. Number of pages: 191 p. Size: 29 cm Number of books: 1.
Publicado por Feltrinelli Editore, Milano, 1956
Librería: Raptis Rare Books, Palm Beach, FL, Estados Unidos de America
Original o primera edición Ejemplar firmado
First edition of one of the most celebrated of the photographic books of the second half of the 20th century. Quarto, original cloth, original pamphlet bookmark. Signed "Happy New York William Klein." The pamphlet bookmark is also signed by Klein, as well. An excellent example in the original dust jacket with a few small closed tears. "William Klein's magnum opus this greatest of 1950s photobooks by a native American was never published in the United States New York is a quintessential monument to the American cultural scene of the 1950s It is the upside to Robert Frank's downside" as captured in The Americans (Parr & Badger, 235-6, 243).
Publicado por Photography Magazine, London, 1956
Librería: Raptis Rare Books, Palm Beach, FL, Estados Unidos de America
Original o primera edición Ejemplar firmado
First edition. Quarto, original cloth, original pamphlet bookmark. Boldy signed by William Klein on the title page. The pamphlet bookmark is also signed by Klein. Fine in the original dust jacket with light rubbing. "William Klein's magnum opus this greatest of 1950s photobooks by a native American was never published in the United States New York is a quintessential monument to the American cultural scene of the 1950s It is the upside to Robert Frank's downside" as captured in The Americans (Parr & Badger, 235-6, 243).