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Publicado por Vintage, 2001
ISBN 10: 0375703195ISBN 13: 9780375703195
Librería: Goodwill Books, Hillsboro, OR, Estados Unidos de America
Libro
Condición: Good. Signs of wear and consistent use.
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Nuevo desde EUR 15,51
Usado desde EUR 5,21
Encuentre también Tapa blanda
Publicado por Knopf Doubleday Publishing Group, 2000
ISBN 10: 0375403493ISBN 13: 9780375403491
Librería: Better World Books: West, Reno, NV, Estados Unidos de America
Libro Original o primera edición
Condición: Good. 1st ed. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Nuevo desde EUR 21,47
Usado desde EUR 6,43
Encuentre también Tapa dura Tapa blanda Original o primera edición Ejemplar firmado
Publicado por Bloomsbury, 2000
ISBN 10: 0747551774ISBN 13: 9780747551775
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Usado desde EUR 3,34
Publicado por Bloomsbury Publishing PLC, United Kingdom, London, 2000
ISBN 10: 074754977XISBN 13: 9780747549772
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. William Goldman's follow up to "Adventures in the Screen Trade" is a guide to the nuts and bolts of film making that can be found behind the glitzy facade of contemporary Hollywood. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Nuevo desde EUR 38,61
Usado desde EUR 5,31
Encuentre también Tapa dura Tapa blanda Original o primera edición
Publicado por Bloomsbury Publishing Plc, 2001
ISBN 10: 0747553173ISBN 13: 9780747553175
Librería: Better World Books Ltd, Dunfermline, Reino Unido
Libro
Condición: Good. New edition. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Usado desde EUR 5,21
Publicado por Pantheon Books, New York, 2000
ISBN 10: 0375403493ISBN 13: 9780375403491
Librería: W. Fraser Sandercombe, Burlington, ON, Canada
Libro Original o primera edición
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. (x) 485 pp. Quarter-bound in blackon yellow boards; decorated in gilt on the spine; headband. Lightly rubbed on the corners of the dustjacket; price intact; no interior markings. Size: 8vo. Book.
Publicado por Bloomsbury London 2000, 2000
Librería: Andrew Barnes Books / Military Melbourne, Melbourne, VIC, Australia
Original o primera edición
1st edition softback with stiff wrappers Fine octavo ix + 485pp., index,
Publicado por Bloomsbury, 2000
Librería: The Petersfield Bookshop, ABA, ILAB, Petersfield, Hampshire, Reino Unido
Original o primera edición
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Near Fine. First Edition. William Goldman was an American novelist, playwright, and screenwriter. He first came to prominence in the 1950s as a novelist before turning to screenwriting. He won Academy Awards for his screenplays Butch Cassidy and the Sundance Kid and All the President's Men. Category: Film, Radio & Television;
Publicado por The Frankin Library, 2000
Librería: Ted Brown, Toronto, ON, Canada
Libro Original o primera edición Ejemplar firmado
Hardcover. Condición: Fine. 1st Edition. Limited First Edition, signed by William Goldman. Bound in dark blue leather with gilt decoration and lettering. Three raised bands to spine, gilt edges, ribbon marker sewn in. Still in publisher's original packaging. Second volume of reminiscences and analysis of movie-making from the author of the novels MARATHON MAN and THE PRINCESS BRIDE, and Academy Award-winning screenplays for BUTCH CASSIDY AND THE SUNDANCE KID and ALL THE PRESIDENT'S MEN. Signed by Author(s).
Publicado por The Franklin Library, Franklin Center, PA, 2000
Librería: Cornerstone Books, Santa Ana, CA, Estados Unidos de America
Libro Original o primera edición Ejemplar firmado
Full-Leather; Raised Bands. Condición: New. No Jacket. First Edition. This is a wise, tart and very funny account of the filmmaking process, peppered with star-studded anecdotes. This is a Signed First Edition Society copy bound in full leather with raised bands; gilt page edges and lettering, and satin ribbon marker. This copy is SIGNED BY THE AUTHOR and is STILL IN SHRINKWRAP. Signed by Author(s).
Publicado por The Franklin Library, Franklin Center, PA, 2000
Librería: Back in Time Rare Books, ABAA, FABA, Jacksonville, FL, Estados Unidos de America
Original o primera edición Ejemplar firmado
Leather bound. Condición: Near Fine. Signed Limited Edition. 6 1/2 X 9 1/2 Inches. 489 PP. One of only 1200 copies signed by Goldman. One of the "Signed First Edition Society" books from Franklin. Bound in original publisher leather with 3 raised hubs to spine and 22 KT gold trim. AEG. Sealed in original publisher shrinkwrap. HOUSED IN ORIGINAL SHIPPING BOX! Tremendous biography from the author The Princess Bride!.
Publicado por Franklin Library, Franklin Center, 2000
Librería: WAVERLEY BOOKS ABAA, Santa Monica, CA, Estados Unidos de America
Original o primera edición Ejemplar firmado
Leather Binding. Condición: Fine. Estado de la sobrecubierta: No Dust Jacket. First Edition; First Printing. SIGNED limited edition. Fine in black leather binding with gold decorations & titles, without dust jacket as issued. (489pp. ) (6 1/2" X 9 1/2") ; 6 1/2" x 9 1/2"; 489 pages.
Publicado por New York Pantheon Books 2000, 2000
Librería: James Pepper Rare Books, Inc., ABAA, Santa Barbara, CA, Estados Unidos de America
Original o primera edición
First Edition. Second Printing. From the library of author William Goldman with his estate stamp which reads, Òfrom the library of William Goldman (1931 - 2018)Ó. Fine in a fine bright dust jacket. The second screenwriting memoir from William Goldman, preceded by his classic work Adventures in the Screentrade, in which he reveals more of the inner workings of movie making magic and what itÕs like to collaborate with some of HollywoodÕs major players, including Clint Eastwood, Mel Gibson, Rob Reiner, Michael Douglas, and more. He concludes the book with this: ÒGloria Steinem once said this to me: ÔStorytellers have been getting us through the night for centuries. Hollywood is the current campfire.Õ Keep the fires burning.Ó Goldman was a masterful storyteller with a great capacity for insight and relevance, making his entire body of work shine as much now as it ever did. Three of his scripts have been voted into the Writers Guild of America Hall-of-Fame's 101 Greatest Screenplays list; Butch Cassidy and the Sundance Kid, All the PresidentÕs Men - both of which won him an Oscar, and The Princess Bride which he adapted from his own novel. ÒYou can only write what you can make play,Ó Goldman says in the Writers Speak DVD. ÒItÕs all about the story. YouÕve gotta think, I can make this play.Ó His enormously successful film writing and script doctoring career includes so many other greats; Harper (1966), No Way to Treat a Lady (1968), The Stepford Wives (1975), A Bridge Too Far (1977), The Hot Rock (1972), Papillon (1973 - as an uncredited contributing writer), The Great Waldo Pepper (1975), The Ghost and the Darkness (1996) and Marathon Man (1976) and Magic (1978) which were both adapted from his own novels. Some of his other published works include the novels Boys and Girls Together (1964), Tinsel (1979), Control (1982), The Silent Gondoliers (1983), The Color of Light (1984), Heat (1985), and the memoirs Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting (1983), Which Lie Did I Tell?: More Adventures in the Screen Trade (2000), Wait Till Next Year (1988), and Hype and Glory (1990). William Goldman had this simple advice for would-be screenwriters: ÒGo and see a movie all day long.Ó His reasoning was that, by evening, utterly bored with the movie, one would start observing the audience and realize what makes people tick - the true source of and inspiration for all great storytelling.
Publicado por New York Pantheon Books 2000, 2000
Librería: James Pepper Rare Books, Inc., ABAA, Santa Barbara, CA, Estados Unidos de America
Original o primera edición
First Edition. First Printing. From the library of author William Goldman with his estate stamp which reads, Òfrom the library of William Goldman (1931 - 2018)Ó. Fine in a fine bright dust jacket. The second screenwriting memoir from William Goldman, preceded by his classic work Adventures in the Screentrade, in which he reveals more of the inner workings of movie making magic and what itÕs like to collaborate with some of HollywoodÕs major players, including Clint Eastwood, Mel Gibson, Rob Reiner, Michael Douglas, and more. He concludes the book with this: ÒGloria Steinem once said this to me: ÔStorytellers have been getting us through the night for centuries. Hollywood is the current campfire.Õ Keep the fires burning.Ó Goldman was a masterful storyteller with a great capacity for insight and relevance, making his entire body of work shine as much now as it ever did. Three of his scripts have been voted into the Writers Guild of America Hall-of-Fame's 101 Greatest Screenplays list; Butch Cassidy and the Sundance Kid, All the PresidentÕs Men - both of which won him an Oscar, and The Princess Bride which he adapted from his own novel. ÒYou can only write what you can make play,Ó Goldman says in the Writers Speak DVD. ÒItÕs all about the story. YouÕve gotta think, I can make this play.Ó His enormously successful film writing and script doctoring career includes so many other greats; Harper (1966), No Way to Treat a Lady (1968), The Stepford Wives (1975), A Bridge Too Far (1977), The Hot Rock (1972), Papillon (1973 - as an uncredited contributing writer), The Great Waldo Pepper (1975), The Ghost and the Darkness (1996) and Marathon Man (1976) and Magic (1978) which were both adapted from his own novels. Some of his other published works include the novels Boys and Girls Together (1964), Tinsel (1979), Control (1982), The Silent Gondoliers (1983), The Color of Light (1984), Heat (1985), and the memoirs Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting (1983), Which Lie Did I Tell?: More Adventures in the Screen Trade (2000), Wait Till Next Year (1988), and Hype and Glory (1990). William Goldman had this simple advice for would-be screenwriters: ÒGo and see a movie all day long.Ó His reasoning was that, by evening, utterly bored with the movie, one would start observing the audience and realize what makes people tick - the true source of and inspiration for all great storytelling.
Publicado por Pantheon Books, New York, 2000
Librería: Raptis Rare Books, Palm Beach, FL, Estados Unidos de America
Original o primera edición Ejemplar firmado
First edition of the sequel to Adventures in the Screen Trade. Octavo, original half cloth. Presentation copy, inscribed by William Goldman on the half-title page to George Christy, former reviewer and society columnist for the Hollywood Reporter. Review material laid in, fine in a fine dust jacket. "Bill Goldman has done it again with his highly entertaining and self-deprecating humor. He's one of the best writers I've ever had the pleasure of working with. He takes Hollywood apart -- which, in this case, is a very good thing" (Clint Eastwood).