Publicado por Madrid 2020, 2020
Librería: Dedalus-Libros, Madrid, MAD, España
31 cm Encuadernación editorial en cartoné. Estado de conservación: Como nuevo.
Publicado por FUNDACIÓN MAPFRE, MADRID, 2020
ISBN 10: 8498447593 ISBN 13: 9788498447590
Librería: Antártica, Madrid, MAD, España
Cartoné (tapa dura cartón). Condición: New. Estado de la sobrecubierta: Nuevo. 01. LIBRO.
Publicado por Fundación Mapfre, 2020
ISBN 10: 8498447593 ISBN 13: 9788498447590
Librería: AG Library, Malaga, España
Condición: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.
Publicado por Fraenkel Gallery, 2009
ISBN 10: 188133726X ISBN 13: 9781881337263
Librería: GF Books, Inc., Hawthorne, CA, Estados Unidos de America
Condición: Good. Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 2.35.
Publicado por Fraenkel Gallery, San Francisco, 2011
ISBN 10: 1881337316 ISBN 13: 9781881337317
Librería: Vincent Borrelli, Bookseller, Albuquerque, NM, Estados Unidos de America
Original o primera edición Ejemplar firmado
Hardcover. Condición: New. 1st Edition. Please inquire. Pricing and availability are subject to change (price is net to all; promotional discounts do not apply). First edition, first printing. Signed by Friedlander. Hardcover. Full blue leatherette-covered boards with offset reproduction mounted on the front cover; with title in silver and gold on cover and spine; no dust jacket as issued. Photographs by Friedlander. Introduction by Jeffrey Fraenkel. Includes an illustrated list of plates. Designed by Katy Homans. Unpaginated (72 pp.), with 33 plates, plus 3 four-color reproductions and 32 additional black-and-white reproductions for the list of plates, printed by Meridian Printing, East Greenwich, Rhode Island, from separations made by Thomas Palmer. 9-3/4 x 12 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New (from Friedlander's personal archive). From the publisher: "In 1964, two young art directors at Harper's Bazaar named Ruth Ansel and Bea Feitler hired the then up-and-coming photographer Lee Friedlander to photograph the much-anticipated new car models of that year. Friedlander's jazz album covers had proven he knew how to work on assignment, and Ansel and Feitler realized that if Bazaarwas to obtain the photographer's best work he should be let alone to make it. It's difficult now to comprehend how anticipated next year's cars were to Americans of the 1960s, but if Friedlander was aware of this, the photographs he delivered (on time) don't betray it. Rather than depicting the cars in seductive locales, he had them delivered to parking lots near burger joints, cheap furniture stores, downscale beauty parlors and--most ignominiously of all--a used-car lot. As Friedlander says, "I just put the cars out in the world, instead of on a pedestal." The magazine's editor-in-chief was unamused, fearing that the photographs would deter car manufacturers from advertising in Harper's, so Friedlander was paid for his work and the photographs were soon forgotten--until he stumbled across them in 2010. Even a cursory study of this project reveals a compendium of strategies that would soon bring Friedlander acclaim and wreak havoc with widely accepted notions of what constituted a good photograph. Now, the Continentals, Eldorados and Mercury Meteors of 1964 have their day in this beautifully produced volume." Signed by Author.
Publicado por Fraenkel Gallery, San Francisco, 2009
ISBN 10: 188133726X ISBN 13: 9781881337263
Librería: William Chrisant & Sons, ABAA, ILAB. IOBA, ABA, Ephemera Society, Fort Lauderdale, FL, Estados Unidos de America
Original o primera edición
Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First Edition. Burnt orange cloth covered boards with a pictorial dustjacket and an orange wraparound band as published with. A nice clean copy with no previous owners' names or other defacements. 10.5 x 10.5 in.
Publicado por Fraenkel Gallery, San Francisco, CA, 2009
ISBN 10: 188133726X ISBN 13: 9781881337263
Librería: Lost Books, AUSTIN, TX, Estados Unidos de America
Hard cover. Sewn binding. Cloth over boards. 120 p. Audience: General/trade. Very good in very good dust jacket.
Publicado por FUNDACION MAPFRE, 2020
ISBN 10: 8498447593 ISBN 13: 9788498447590
Librería: OM Books, Sevilla, SE, España
Condición: usado- bueno.
Publicado por Editorial RM & Fundación MAPFRE, México City and Madrid, 2020
ISBN 10: 8417975446 ISBN 13: 9788417975449
Librería: Vincent Borrelli, Bookseller, Albuquerque, NM, Estados Unidos de America
Original o primera edición Ejemplar firmado
Hardcover. Condición: New. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed in ink on the half-title page by Friedlander. Hardcover. Full red cloth-covered boards, with offset reproduction mounted on the front cover; title stamped in blue and white on cover and spine; no dust jacket as issued. Photographs by Friedlander. Introduction [all texts in English] by Ignacio Baeza. Essay by Carlos Gollonet. Additional text "How He Sees" by Nicholas Nixon. An interview with Maria Friedlander by Jeffrey Fraenkel. Also includes a chronology compiled by Giancarlo T. Roma. Design and typography by Katy Homans. Binding by Superior Bindery. 384 pp., with numerous duotone plates, printed by Brizzolis, from separations made by Museoteca. 12 x 10 inches. Published on the occasion of the exhibition "Lee Friedlander" at Fundación MAPFRE, Madrid, October 1, 2020 to January 10, 2021 (traveled to C/O Berlin and Centro de Cultura Antiguo Instituto, Gijón). New (from Friedlander's personal archive). From the publisher: "One of the masters of contemporary photography, Lee Friedlander has dedicated his career to the documentation of everyday life in the United States. His images are characterized by a composition that utilizes the urban geometry of storefronts and street signs and later car windows and telephone poles as a framing technique. This catalog, published in conjunction with a retrospective organized by the Fundación MAPFRE in Madrid, surveys the wide scope of Friedlander's career from the 1960s to today. High-quality reproductions of all of the exhibited works are supplemented by text written by curator Carlos Gollonet and photographer Nicholas Nixon. The volume serves as a comprehensive guide to Friedlander's body of work, with personal insight provided through an interview between Maria Friedlander and gallery director Jeffrey Fraenkel, as well as a chronology of the artist's life by his grandson Giancarlo T. Roma. Lee Friedlander was born in Aberdeen, Washington, in 1934, and studied photography at the Art Center College of Design in Pasadena, California. In 1956 he moved to New York City, which quickly became both the setting and subject of the majority of his work. Friedlander was represented alongside Diane Arbus and Garry Winogrand in the 1967 New Documents exhibition at the Museum of Modern Art, now understood as a landmark event in American documentary photography. Friedlander still lives and works in New York, and is represented by the Fraenkel Gallery." Signed by Author.
Publicado por Fraenkel Gallery, 2009
ISBN 10: 188133726X ISBN 13: 9781881337263
Librería: Save With Sam, North Miami, FL, Estados Unidos de America
hardcover. Condición: New.
Publicado por Fraenkel Gallery, 2009
ISBN 10: 188133726X ISBN 13: 9781881337263
Librería: rareviewbooks, Kensington, MD, Estados Unidos de America
Original o primera edición
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Oversized hardback book (120 pages) beautifully illustrated in black and white and color. Dust jacket and paper band show light rubbing/scuffing. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-13-Top) rareviewbooks.