Librería: GoldBooks, Denver, CO, Estados Unidos de America
Paperback. Condición: new. New Copy. Customer Service Guaranteed.
Publicado por Boston, 1923
Librería: Rose's Books IOBA, Harwich Port, MA, Estados Unidos de America
Miembro de asociación: IOBA
Original o primera edición
Folded pages. Condición: Fine. Illustrated Ilustrador. First Edition. Program for The Hunchback of Notre Dame is a 1923 American film directed by Wallace Worsley, starring Lon Chaney, and produced by Carl Laemmle and Irving Thalberg. One page, folded, printed in brown ink, decorated, with portrait of Lon Chaney. The supporting cast includes Patsy Ruth Miller, Norman Kerry, Nigel de Brulier, and Brandon Hurst. The film was Universal's "Super Jewel" of 1923 and was their most successful silent film, grossing over $3 million. The film is most notable for the grand sets that recall 15th century Paris as well as Lon Chaney's performance and spectacular make-up as the tortured bell-ringer of Notre Dame. The film elevated Chaney, already a well-known character actor, to full star status in Hollywood, and also helped set a standard for many later horror films, including Chaney's The Phantom of the Opera in 1925. In 1951, the film entered the public domain (in the USA) due to the claimants failure to renew its copyright registration in the 28th year after publication. Fine.
Publicado por New York Grosset & Dunlap 1923, 1923
Librería: James Pepper Rare Books, Inc., ABAA, Santa Barbara, CA, Estados Unidos de America
Ejemplar firmado
Photoplay edition issued to coincide with the release of the classic Universal Pictures silent film starring Lon Chaney Sr. and Patsy Ruth Miller. This copy is signed three times by Patsy Ruth Miller on individual photo plates from the motion picture. The film that made Chaney an international star in his role as the deformed hunchback Quasimodo. Patsy Ruth Miller came to acclaim as well. Some moisture staining to the outer margin of one plate, else very good in a dust jacket with some light chipping and small tears. The front panel depicts Miller sitting on a cart with her legs stretched out in a fetching pose.