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Publicado por McFarland, 2013
ISBN 10: 0786468637ISBN 13: 9780786468638
Librería: HPB-Ruby, Dallas, TX, Estados Unidos de America
Libro
paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Publicado por McFarland & Company, 2013
ISBN 10: 0786468637ISBN 13: 9780786468638
Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
Libro
Paperback. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.75.
Publicado por McFarland, 2013
ISBN 10: 0786468637ISBN 13: 9780786468638
Librería: Ergodebooks, Houston, TX, Estados Unidos de America
Libro
Softcover. Condición: Good. Product Description The stylistic remnants of cabaret music from Weimar-era Germany are all around us. During the 20th century, its most prominent American exponents were the Germans Marlene Dietrich and Lotte Lenya, whose careers extended through the 1970s. Because of them (and others), the words and music of such artists as Kurt Weill, Bertolt Brecht, Friedrich Hollaender, and Marcellus Schiffer continue to be heard and exert widespread influence. Major songwriters touched by cabaret include Lennon & McCartney, Bacharach & David, Kander & Ebb, Bob Dylan, Randy Newman, and Patti Smith, among many others. African-American artists, beginning with Louis Armstrong, have been sympathetic interpreters of cabaret music. Modern-day Las Vegas appears to be the fulfillment of a prophecy made in the late 1920s by Weill & Brecht in their Mahagonny stage works. And today, the German Kabarett tradition remains strong with such stars as Ute Lemper and Max Raabe packing international venues. Review Traces the impact of German cabaret music on American popular music-Reference & Research Book News. From the Back Cover The stylistic remnants of cabaret music from Weimar-era Germany are all around us. During the 20th century, its most prominent American exponents were the Germans Marlene Dietrich and Lotte Lenya, whose careers extended through the 1970s. Because of them (and others), the words and music of such artists as Kurt Weill, Bertolt Brecht, Friedrich Hollaender, and Marcellus Schiffer continue to be heard and exert widespread influence. Major songwriters touched by cabaret include Lennon & McCartney, Bacharach & David, Kander & Ebb, Bob Dylan, Randy Newman, and Patti Smith, among many others. African-American artists, beginning with Louis Armstrong, have been sympathetic interpreters of cabaret music. Modern-day Las Vegas appears to be the fulfillment of a prophecy made in the late 1920s by Weill & Brecht in their Mahagonny stage works. And today, the German Kabarett tradition remains strong with such stars as Ute Lemper and Max Raabe packing international venues. About the Author William Farina has written books on Arthurian legend, early Christianity, the American Civil War, Shakespeare and baseball. He lives in Chicago and works as a real estate consultant for the federal government.