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Publicado por Princeton University Press, 2000
ISBN 10: 0691008736ISBN 13: 9780691008738
Librería: A Book By Its Cover, Louisville, KY, Estados Unidos de America
Libro
Soft cover. Condición: Very Good. 308 pages, with illustrations. Lightest wear only.
Publicado por Princeton University Press, 2000
ISBN 10: 0691008736ISBN 13: 9780691008738
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
Libro
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Publicado por Princeton University Press (2000), Princeton, 2000
Librería: Expatriate Bookshop of Denmark, Svendborg, Dinamarca
Condición: Minor rubbing. VG. orig.wrappers Minor rubbing. VG. 23x15cm, xviii,308 pp., PAPERBACK.
Publicado por Princeton Univ Pr, 2000
ISBN 10: 0691031932ISBN 13: 9780691031934
Librería: Libreria sottomarina - Studio Bibliografico, ROMA, Italia
Libro
rilegato. Condición: Ottimo (Fine). Book.
Publicado por Princeton University Press 2000-01-30, 2000
ISBN 10: 0691008736ISBN 13: 9780691008738
Librería: Chiron Media, Wallingford, Reino Unido
Libro
Paperback. Condición: New.
Publicado por Princeton University Press, 2000
ISBN 10: 0691008736ISBN 13: 9780691008738
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
Libro
Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days. Presents Liliana Cavani's work as a cinema of ideas, showing how it takes pleasure in the telling of a story and ultimately revolts against all binding ideological and commercial codes. This book explores the rich visual language in which Cavani expresses thought, and the cultural icons that constitute her style and images.
Publicado por Princeton University Press, 2021
ISBN 10: 0691008736ISBN 13: 9780691008738
Librería: Libreria sottomarina - Studio Bibliografico, ROMA, Italia
Libro
brossura paperback. Condición: Ottimo (Fine). Book.
Publicado por Princeton University Press, 2000
ISBN 10: 0691008736ISBN 13: 9780691008738
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
Libro
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Publicado por Princeton Univ Pr, 2000
ISBN 10: 0691008736ISBN 13: 9780691008738
Librería: Revaluation Books, Exeter, Reino Unido
Libro
Paperback. Condición: Brand New. illustrated edition. 328 pages. 9.25x6.25x0.75 inches. In Stock.
Publicado por Princeton Univ Pr, 2000
ISBN 10: 0691008736ISBN 13: 9780691008738
Librería: Revaluation Books, Exeter, Reino Unido
Libro
Paperback. Condición: Brand New. illustrated edition. 328 pages. 9.25x6.25x0.75 inches. In Stock.
Publicado por Princeton University Press, 2000
ISBN 10: 0691008736ISBN 13: 9780691008738
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
Libro Impresión bajo demanda
Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Publicado por Princeton University Press, 2000
ISBN 10: 0691008736ISBN 13: 9780691008738
Librería: AHA-BUCH GmbH, Einbeck, Alemania
Fotografía Impresión bajo demanda
Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In this, the first comprehensive book on Liliana Cavani, Gaetana Marrone redraws the map of postwar Italian cinema to make room for this extraordinary filmmaker, whose representations of transgressive eroticism, spiritual questing, and psychological extremes test the limits of the medium, pushing it into uncharted areas of discovery. Cavani's film The Night Porter (1974) created a sensation in the United States and Europe. But in many ways her critically renowned endeavors--which also include Francesco di Assisi, Galileo, I cannibali, Beyond Good and Evil, The Berlin Affair, and several operas and documentaries--remain enigmatic to audiences. Here Marrone presents Cavani's work as a cinema of ideas, showing how it takes pleasure in the telling of a story and ultimately revolts against all binding ideological and commercial codes.The author explores the rich visual language in which Cavani expresses thought, and the cultural icons that constitute her style and images. This approach affords powerful insights into the intricate interlacing of narrated events. We also come to understand the importance assigned to the gaze in the genesis of desire and the acquisition of knowledge. The films come to life in this book as the classical tragedies Cavani intended, where rebels and madmen experience conflict between historical and spiritual reality, the present and the past. Offering intertextual analyses within such fields as psychology, history, and cultural studies, along with production information gleaned from Cavani's personal archives, Marrone boldly advances our understanding of an intriguing, important body of cinematic work.