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Publicado por Thames & Hudson, 2022
ISBN 10: 0500296502ISBN 13: 9780500296509
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Nuevo desde EUR 24,96
Usado desde EUR 8,76
Encuentre también Tapa blanda Original o primera edición
Publicado por Thames and Hudson Ltd, 2006
ISBN 10: 0500286248ISBN 13: 9780500286241
Librería: WeBuyBooks, Rossendale, LANCS, Reino Unido
Libro
Condición: Good. Most items will be dispatched the same or the next working day. Ex library copy with usual stamps & stickers.
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Nuevo desde EUR 94,24
Usado desde EUR 13,16
Encuentre también Tapa blanda Original o primera edición
Publicado por Thames and Hudson Ltd 06 A, 2020
ISBN 10: 0500971064ISBN 13: 9780500971062
Librería: AwesomeBooks, Wallingford, Reino Unido
Libro
Paperback. Condición: Very Good. Inside Francis Bacon (Francis Bacon Studies) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
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Nuevo desde EUR 39,30
Usado desde EUR 14,36
Encuentre también Tapa blanda
Publicado por Thames & Hudson, 2009
ISBN 10: 050009344XISBN 13: 9780500093443
Librería: Better World Books: West, Reno, NV, Estados Unidos de America
Libro
Condición: Good. Used book that is in clean, average condition without any missing pages.
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Nuevo desde EUR 42,28
Usado desde EUR 21,83
Encuentre también Tapa dura Original o primera edición
Publicado por Heni Publishing, 2017
ISBN 10: 095687388XISBN 13: 9780956873880
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
Libro
hardcover. Condición: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.
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Nuevo desde EUR 36,20
Usado desde EUR 26,22
Encuentre también Tapa dura Original o primera edición Ejemplar firmado
Publicado por Gagosian / Rizzoli, 2020
ISBN 10: 0847868311ISBN 13: 9780847868315
Librería: Bellwetherbooks, McKeesport, PA, Estados Unidos de America
Libro
hardcover. Condición: As New. LIKE NEW/UNREAD!!! Text is Clean and Unmarked! Has a small black line or red dot on the bottom/exterior edge of pages.
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Nuevo desde EUR 63,02
Usado desde EUR 29,10
Encuentre también Tapa dura Original o primera edición
Publicado por Thames & Hudson, 2021
ISBN 10: 0500971153ISBN 13: 9780500971154
Librería: bookseller e.g.Wolfgang Risch, New York, NY, Estados Unidos de America
Libro
Soft cover. Condición: New. This book is still sealed!.
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Nuevo desde EUR 29,79
Usado desde EUR 42,27
Encuentre también Tapa blanda Original o primera edición
Publicado por Thames & Hudson, 2019
ISBN 10: 0500970971ISBN 13: 9780500970973
Librería: The Bookseller, Edmonton, AB, Canada
Libro
Soft cover. Condición: New. New in publisher's shrink wrap.
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Nuevo desde EUR 24,49
Usado desde EUR 18,29
Encuentre también Tapa blanda
Publicado por Oxford Woodbridge: Ashmolean Museum of Art and Archaeology, University of Oxford; Antique Collectors' Club, 2013
Librería: MW Books, New York, NY, Estados Unidos de America
Original o primera edición
1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 160 p.: ill. (chiefly col.), ports.; 28 cm. Notes; Text by Richard Calvocoressi, Martin Harrison, and Francis Warner. Colls. Catalogue of an exhibition held at Ashmolean Museum (Oxford), 12 Sept. 2013 - 5 Jan. 2014 [extended to 19th Jan.]. Includes bibliographical references. Summary; In their different mediums, Henry Moore (1898-1986) and Francis Bacon (1909-1992) created unforgettable images of the human figure. The distinctive visual languages that each artist developed over more than half a century were marked by a growing simplicity and monumentality of form. Their perspective differed: Moore clung to a belief in humanism, while Bacon espoused a post-humanist, nihilistic view of the world. In expressing their visions of humanity, the two artists had very different approaches: Bacon working from the outside in, disintegrating and dissolving form; Moore from the inside out, pushing anatomical structure to the surface. If Bacon's images suggest flux, chance, and the arbitrariness of existence, Moore's sculptures have been interpreted as universal symbols of strength and endurance. Bacon and Moore first exhibited together in a group exhibition at the Lefevre Gallery in London in which Bacon showed his Three Studies for Figures, at the Base of a Crucifixion (1944), propelling him into the limelight for the first time. Moore showed two sculptures from the 1930s and fourteen wartime drawings, some of which anticipate the theme (though not the savage imagery) of Bacon's triptych. Exhibiting together in a commercial gallery was repeated twice in the 1960s, when Moore and Bacon were both represented by Marlborough Fine Art. These joint shows, extensively reviewed in the press, gave critics a chance to compare the artists' radical approaches to the human figure, which were seen as complementary rather than conflicting. Fifty years later, this publication once again brings their work into direct comparison. Subjects; Bacon, Francis 1909-1992 - Exhibitions. Moore, Henry 1898-1986 - Exhibitions. Painting - Great Britain - 20th century - Exhibitions. Sculpture - Great Britain - 20th century - Exhibitions. Art, British - 20th century. Human figure in art. History of art & design styles: from c 1900 -. Individual artists; Painting & paintings; Sculpture. ART / Collections, Catalogs, Exhibitions / General. 1.1 Kg.
Publicado por Oxford Woodbridge: Ashmolean Museum of Art and Archaeology, University of Oxford; Antique Collectors' Club, 2013
Librería: MW Books Ltd., Galway, Irlanda
Original o primera edición
1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 160 p.: ill. (chiefly col.), ports.; 28 cm. Notes; Text by Richard Calvocoressi, Martin Harrison, and Francis Warner. Colls. Catalogue of an exhibition held at Ashmolean Museum (Oxford), 12 Sept. 2013 - 5 Jan. 2014 [extended to 19th Jan.]. Includes bibliographical references. Summary; In their different mediums, Henry Moore (1898-1986) and Francis Bacon (1909-1992) created unforgettable images of the human figure. The distinctive visual languages that each artist developed over more than half a century were marked by a growing simplicity and monumentality of form. Their perspective differed: Moore clung to a belief in humanism, while Bacon espoused a post-humanist, nihilistic view of the world. In expressing their visions of humanity, the two artists had very different approaches: Bacon working from the outside in, disintegrating and dissolving form; Moore from the inside out, pushing anatomical structure to the surface. If Bacon's images suggest flux, chance, and the arbitrariness of existence, Moore's sculptures have been interpreted as universal symbols of strength and endurance. Bacon and Moore first exhibited together in a group exhibition at the Lefevre Gallery in London in which Bacon showed his Three Studies for Figures, at the Base of a Crucifixion (1944), propelling him into the limelight for the first time. Moore showed two sculptures from the 1930s and fourteen wartime drawings, some of which anticipate the theme (though not the savage imagery) of Bacon's triptych. Exhibiting together in a commercial gallery was repeated twice in the 1960s, when Moore and Bacon were both represented by Marlborough Fine Art. These joint shows, extensively reviewed in the press, gave critics a chance to compare the artists' radical approaches to the human figure, which were seen as complementary rather than conflicting. Fifty years later, this publication once again brings their work into direct comparison. Subjects; Bacon, Francis 1909-1992 - Exhibitions. Moore, Henry 1898-1986 - Exhibitions. Painting - Great Britain - 20th century - Exhibitions. Sculpture - Great Britain - 20th century - Exhibitions. Art, British - 20th century. Human figure in art. History of art & design styles: from c 1900 -. Individual artists; Painting & paintings; Sculpture. ART / Collections, Catalogs, Exhibitions / General. 1.1 Kg.
Publicado por Thames & Hudson, 2008
Librería: HAUNTED BOOKSHOP P.B.F.A., CAMBRIDGE, CAMBS, Reino Unido
Miembro de asociación: PBFA
Libro Original o primera edición
Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 1st edition, a fine book n a fine dust jacket.
Publicado por Thames & Hudson, 2005
ISBN 10: 0500238200ISBN 13: 9780500238202
Librería: Snowden's Books, Santa Fe, NM, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Large hardcover in jacket, many full-color and b + w plates throughout. This is the 1st edition. Some rubbing to the jacket, light wear along edges and corners. Mild reference wear. Overall, very bright and solid. Would make an excellent gift - jacket comes in protective mylar sleeve.
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Nuevo desde EUR 89,32
Usado desde EUR 38,93
Encuentre también Tapa dura Original o primera edición
Publicado por Thames & Hudson, 2020
ISBN 10: 0500239983ISBN 13: 9780500239988
Librería: booksXpress, Bayonne, NJ, Estados Unidos de America
Libro
Hardcover. Condición: new.
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Nuevo desde EUR 44,08
Encuentre también Tapa dura
Publicado por Hirmer Verlag Gmbh, Munchen, 2006
ISBN 10: 3777432350ISBN 13: 9783777432359
Librería: Colin Martin Books, Near Hull, EY, Reino Unido
Libro
Hardcover. Condición: New. Qto., 255 pages, colour illustrated. A New copy in the shrink wrap as issued. Size: Qto. Book.
Publicado por Actes Sud, 2006
ISBN 10: 2742757287ISBN 13: 9782742757282
Librería: Ammareal, Morangis, Francia
Libro
No jacket. Condición: Très bon. Ancien livre de bibliothèque. Sans jaquette. Edition 2006. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. No dust jacket. Edition 2006. Ammareal gives back up to 15% of this item's net price to charity organizations.
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Nuevo desde EUR 72,80
Usado desde EUR 39,14
Encuentre también Tapa dura Tapa blanda
Publicado por Steidl, 2009
ISBN 10: 3869300272ISBN 13: 9783869300276
Librería: Chamblin Bookmine, Jacksonville, FL, Estados Unidos de America
Miembro de asociación: FABA
Libro Original o primera edición
8Vo Softcover. Condición: Good. 1st. 208pp. Text and artwork is clean on unmarked, uncreased pages. Hinges are secure, textblock is square with lightly bumped corners. Moderate overall shelf/timewear, coverwear, cover edge and cornerwear, sunning, (NOTE, the "torn" pattern of the front cover is designed as such), faint edgeblush throughout.
Publicado por Steidl & hugh Lane Art Gallery Dublin, Gottingen & Dublin, 2009
ISBN 10: 3869300272ISBN 13: 9783869300276
Librería: Colin Martin Books, Near Hull, EY, Reino Unido
Libro Original o primera edición
Soft cover. Condición: Fine. 1st Edition. Octavo, 208 pages, illustrated. A Fine copy.
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Usado desde EUR 48,06
Encuentre también Tapa blanda Original o primera edición
Publicado por Thames & Hudson, Inc. London, 2006
ISBN 10: 0500093350ISBN 13: 9780500093351
Librería: Exquisite Corpse Booksellers, Houston, TX, Estados Unidos de America
Libro
Cloth. Condición: Very Good. Estado de la sobrecubierta: Near Fine. 256 pages. Oblong format hardcover exhibition catalogue. Bound in illustrated paper covered boards and wrapped in an illustrated paper dustjacket. Withdrawn from an institutional library, but the only standard markings are a "withdrawn" stamp on the title page and pencilled call numbers on the Table of Contents page. Else, no further markings are to the interior, the corners are sharp, the dustjacket bright, and binding tight and solid. Text in English. Selected bibliography. Complete exhibition checklist for the Dusseldorf presentation from September 16, 2006-January 7, 2007.
Publicado por Albin Michel/Francis Bacon MB Art Foundation, 2016
Librería: Francis Edwards ABA ILAB, Hay on Wye, Reino Unido
4to. 240pp. Profusely illus. throughout mainly in colour. French/English text. Good in d/w. very lightly faded to spine. Additional postage may be necessary US$35.
Publicado por Thames & Hudson, New York, 2005
ISBN 10: 0500238200ISBN 13: 9780500238202
Librería: Fahrenheit's Books, Denver, CO, Estados Unidos de America
Miembro de asociación: RMABA
Libro Original o primera edición
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. First edition, hardcover, has a shallow lean to the binding, minor gapping starting between the text block and the case at the head of the binding, light bumps to the spine ends and cover corners, faint rubbing with mild edge wear to the covers, and some spots of soiling and smudging to the edges of the text block. Otherwise, this is a solid Very Good copy with a clean interior in a like, unclipped dust jacket, which has moderate bumps to the spine ends and corners with short tears to the head of the spine and upper corners, light rubbing with mild smudging to the covers, slight edge wear, and faint sunning to the spine. The jacket is wrapped in a Mylar cover.
Publicado por Editions Albin Michel, 2016
ISBN 10: 2226321446ISBN 13: 9782226321442
Librería: Revaluation Books, Exeter, Reino Unido
Libro
Hardcover. Condición: Brand New. 240 pages. French language. 10.47x8.90x1.18 inches. In Stock.
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Nuevo desde EUR 50,29
Usado desde EUR 90,00
Encuentre también Tapa dura Tapa blanda Original o primera edición
Publicado por Dublin City Gallery the Hugh Lane, Dublin, 2009
Librería: Dublin Bookbrowsers, Dublin, NONE, Irlanda
Libro Original o primera edición
Soft cover. Condición: Good. 1st Edition. Pp. 208. Illustrated. Covers creased, worn, lightly stained. Else good +.
Publicado por Museo Nacional del Prado, 2009
ISBN 10: 8484801691ISBN 13: 9788484801696
Librería: GF Books, Inc., Hawthorne, CA, Estados Unidos de America
Libro
Condición: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 3.48.
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Usado desde EUR 66,77
Encuentre también Tapa blanda
Publicado por Thames and Hudson Ltd 15 J, 2015
ISBN 10: 0500291950ISBN 13: 9780500291955
Librería: AwesomeBooks, Wallingford, Reino Unido
Libro
Paperback. Condición: Very Good. Francis Bacon: Five Decades This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
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Usado desde EUR 61,54
Encuentre también Tapa blanda
Publicado por Steidl Verlag, Göttingen, 2005
ISBN 10: 386521097XISBN 13: 9783865210975
Librería: Buchplatz.ch, Zürich, ZH, Suiza
Libro Original o primera edición
Hardcover. Condición: Wie neu. Estado de la sobrecubierta: Wie neu. 1. Auflage. Dieses Buch beschreibt erstmals Bacons Wege zum Bild. Es zeigt im Detail den Einfluß der Kunstgeschichte auf sein Schaffen, illustriert umfassend die oft komplexen Entstehungsprozesse und schildert entlang seiner Biographie, wie sich dieses große, scheinbar erratische Werk entwickelte. 256 Seiten, 23 x 28.5 cm, 1565 g.
Publicado por London: Thames and Hudson, 2012., 2012
Librería: Minster Gate Bookshop (est. 1970), YORK, Reino Unido
Miembro de asociación: PBFA
4to., pp.240, paperback, colour illustrations throughout; near-fine.
Publicado por Göttingen: Steidl., 2006
Librería: Antiquariat Tautenhahn, Lübeck, Alemania
256 Seiten, OPpbd., OU., 28,5 x 23 cm. "Dieses Buch beschreibt erstmals Bacons Wege zum Bild. Es zeigt im Detail den Einfluss von Werken der Kunstgeschichte auf sein Schaffen, illustriert umfassend die oft komplexen Entstehungsprozesse und schildert an Bacons Biographie entlang, wie sich dieses große, scheinbar so erratische Werk entwickelte. Auf eindrucksvolle Weise verschafft Martin Harrison dem Leser und Betrachter Zutritt in die Gedankenwelt von Francis Bacon, dem schwierigen, genialen Künstler" (Klappentext). - Aus dem Englischen von Uli Nickel und Holger Wölfle. - Der Schutzumschlag etwas berieben; gutes Exemplar.
Publicado por Ordovas, London, 2021
ISBN 10: 1999668170ISBN 13: 9781999668174
Librería: DIAMOND HOLLOW BOOKS / MILES BELLAMY, ANDES, NY, Estados Unidos de America
Libro Original o primera edición
Condición: Near Fine. First. Near Fine in boards with metal spiral binding, 96 pages. Uncommon.
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Usado desde EUR 72,09
Encuentre también Tapa dura Original o primera edición
Publicado por Faggionato Fine Arts, London, 1999
Librería: PsychoBabel & Skoob Books, Didcot, Oxfordshire, OXON, Reino Unido
Paperback. Condición: Very Good. Paperback in very good condition. 48pp. Light marks on the rear of cover. Pages are clean; all text and images are clear. CM. Used.
Publicado por Thames & Hudson 2006, 2006
Librería: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgica
Miembro de asociación: ILAB
Hardcover, 256 pages, ENG, 305 x 230 mm, in Good condition, dustjacket, illustrated in colour / b/w. ISBN 9780500093351. Dramatic depictions of human forms ? writhing painfully, dissolving, wrestling or engulfing one another, seated or in motion ? are ubiquitous in the work of Francis Bacon (1909-1992), one of the most eminent painters of the 20th century. Bacon portrayed the ordeal of the vulnerable, defencelessly exposed body like no other artist of his generation. His individuals are usually alone, isolated from their surroundings, trapped in empty, windowless rooms or behind the bars of cages. Bacon?s figures act on stage-like platforms, doubled over in torment, sliding into formlessness. By wiping, scratching and erasures, Bacon converted the picture surface into a field of perpetual activity ? and in the process, created images of great forcefulness, sensibility and beauty. Bacon found his models not only in the history of art, but also in photographs of athletes, soccer players, or boxers in combat. He also betrayed a strong interest in the photographic sequences through which Eadweard Muybridge, in the later 19th century, registered the phases of a path of animal movement. Such instinctively performed motions disclosed to Bacon actions of an original sensuality which he strove to capture in his pictures. 1660 g.