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Librería: Antiquariaat FORUM BV, Houten, Holanda
[5] ll. plus 153 engraved prints; [1], [3 blank], 595 [= 593], [5] pp.Natalis s famous print series for the gospels, depicting the life of Christ in an extensive series of 153 numbered large and detailed gospel illustrations , here bound together with his additional commentary to this work, here both in their first editions. The engravings, showing the life, death and resurrection of Christ, were made by some of the best Flemish engravers, including the Wierix brothers at Antwerp, Jan II and Adriaen Collaert, Charles de Mallery, after drawings by the Italian painter Bernardo Passari and a few after Maarten de Vos.The present famous print series of the life of Christ soon became a highly important work for Jesuit missionaries and, moreover, a masterpiece of Flemish engraving at the end of the 16th century, engraved by some of the best Flemish engravers of its time in exceptional quality. The present copy is outstanding because both title-pages are highlighted with gold, which is rarely seen.With an inscription in brown ink ("Bibliotheca") on the title-page of ad 2. Ad 2 lacks two preliminary leaves ( 2 and 3), but these seem likely to have been intentionally omitted when the two works were published or bound together, because they contain the same text, reset and reprinted almost line for line, of the corresponding preliminary leaves in ad 1. Binding slightly worn around the spine, especially at the head and foot, some margins of the plates slightly stained or foxed (not affecting the engraved images) and only a few plates with some minor stains (plates 67, 68, 72, 107 and 123), some leaves of ad 2 browned or slightly foxed. Overall in very good condition. Natalis's famous print series with his complementary text, here in their first editions and with their title-pages extensively decorated with gold.l Ad 1: Adams N56; Belgica typographica 8786 (cf. 2193 & 8787-8789: other variants of the 1st ed.); STCV 12922190. Ad 2: Belgica typographica 2191, 8780 & 8781 (8781 mistakenly treated as a variant issue?; cf. 2192 & 8782-8785, the 2nd ed.); STCV 7091386.
Librería: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgica
Miembro de asociación: ILAB
Original o primera edición
Antverpiae (Antwerpen), ex Officina Plantiniana, apud Ioannem Moretum, 1607, in-folio, 34 x 23,5 cm, engraved title page + (10) nn pp + 636 pp + (8)nn pp ( index, approbatio, printer's mark). Bound before the text part of the '' Adnotationes'' is the complete suite ( engraved title + 153 plates) of the '' Evangelicae Historiae Imagines''. Bound in 17th c. French red morocco, smooth spine, all edges gilt, boards with gilt floral fillets decoration . Binding with some restoration at the extremities and the joints. All pages ( text and engravings) are ruled. Some minor stains or thumbing at some pages but overall a very fine copy with large margins. Second edition ( first Plantin edition) of the commentary of Jerome Nadal ( Natalis ) with the bible illustrations by the Wierickx brothers. The first edition of this suite of engravings , a real masterpiece of Flemish bookillustration in the 16th century, appeared anonymously in Antwerp in 1593 and without the text. It was printed by Nutius. The publishers were the Antwerp Jesuits **. An explanatory text by Natalis together with the plates was published one year after the suite . (in 1594). The engavings were commissioned by the Headquarters of the Jesuit Order in Rome. From correspondance by Christophe Plantin we know that he was involved in this project from 1587 onwards. But he never published this suite. ( It was done by the Antwerp Jesuits). In 1605 Plantin's son in law Jan Moretus aquired the plates from Carolus Scribanus - the head of the Antwerp Jesuit College. Antoon Wiericx engraved 58 plates, 57 were done by Hieronymus Wiericx, 17 by Jan Wiericx , 11 by Adriaen Collaert, 9 by Karel de Mallery, 1 by Jan Collaert and 1 by the unkown engraver I.N. The drawings were made by the Roman draughtsman B.Passaro and are preserved in the Brussels Royal Library. In 1607 Moretus published the plates together with Nadal's commentary ( our copy here is from this edition). This is a very fine copy of one of the most outstanding illustrated books of the 16th century , the ultimate Jesuit counter-reformatory answer ; published in the most northern bastion of Roman Catholic Europe, against Protestant Northern Europe. ** See Manuel Insolara. La spiritualité en images aux Pays-Bas.Leuven, 1996, pp. 135-141. Also : P.A.Fabre on the illustrations in '' Les Jésuites à l'age baroque ''. Grenoble, 1996.
Año de publicación: 1593
Librería: Des Livres et la Plume, BAYONNE, Francia
Libro Original o primera edición
Couverture rigide. Condición: Très bon. Edition originale. Fort vol. gr. in-folio (22x33). Anvers, Martin Nut, 1593; de [5] ff., 153 ff et, à la suite, Ibid., id., 1594; [3] ff., 636 pp., [3] ff. Première édition, la seule mentionnant en pied de chaque gravure le nom du dessinateur (cf. « B. Pass » pour Passari), d où le très bel état des 153 gravures au burin. Pourtant référencée à l'index, la planche 96 (« Quomodo credendum docentibus Pharisis & Scribis ») est absente. Reliure au décor caractéristique des belles réalisations flamandes de la seconde moitié du XVIe siècle : grand fer central et fers d angles azurés, les plats au grand semé de fleurettes. Toutes tranches dorées Beau papier mettant particulièrement en valeur ce premier état des gravures. Ex-libris manuscrit en pied de page de titre et signature répétée 3p plus loin : Antoine de Balinghem (1571, Saint-Omer 1630, Lille), prêtre jésuite auteur d'une quarantaine d ouvrages de théologie et d'ascétique. Il fut professeur de philosophie et d'humanités à Douai puis à Louvain. Ordonné prêtre en 1598, il traduira de nombreux livres de l'italien et de l'espagnol. Belle restauration récente, succédant à une précédente intervention au 19ème siècle de Léon Lemardeley (son cachet en garde). Restauration en marge inférieure du titre, quelques traces d humidité en marge basse qui n atteignent pas la gravure, très rares rousseurs . Strong in-folio (22x33cms). Anvers, Martin Nut, 1593; de [5] ff., 153 ff and, following, Ibid., id., 1594; [3] ff., 636 pp., [3]. First edition, the only one mentioning the name of the engraver at the foot of each engraving (cf. "B. Pass" for Passari), hence the very good condition of the 153 engravings with burin. Although it is referenced in the index, plate 96 ("Quomodo credendum docentibus Pharisis & Scribis") is missing. Binding with a decoration characteristic of the beautiful Flemish creations of the second half of the sixteenth century: large central stamp and azure corner stamps, front and back covers with a large scattering of flowers. Beautiful paper particularly highlighting this first state of the engravings; all golden edges. Handwritten bookplate at the bottom of the title page and repeated signature 3 pages later: Antoine de Balinghem (1571, Saint-Omer 1630, Lille), a Jesuit priest and the author of some forty works on theology and ascetics. He was a professor of philosophy and humanities at Douai and then at Louvain. Ordained a priest in 1598, he translated many books from Italian and Spanish. Beautiful recent restoration, following a previous intervention in the 19th century by Léon Lemardeley (his stamp on guard). Restoration in the lower margin of the title, some traces of humidity in the lower margin that do not reach the engraving, very rare foxing . Peu de temps avant sa mort, Ignace de Loyola, fondateur en 1540 de la Compagnie de Jésus, commanda à son très proche collaborateur Nadal, prêtre jésuite espagnol, un guide illustré pour accompagner les novices jésuites dans leur méditation. Nadal rédige les textes en 1573 et 74 ; il meurt 6 ans plus tard laissant cette commande inachevée. Finalement, à Rome, Bernardino Passeri, Giovanni Battista de Benedetto Fiammeri réalisent les dessins originaux ; il y en aura également neuf de Martin de Vos et un de Hieronymus Wierix : ils sont notés au pied des gravures comme «inventeurs». En 1586 Christophe Plantin, imprimeur à Anvers, cherche des graveurs. Se chargeront de cette tâche : Anton II Wierix (58 gravures), Hieronymus Wierix (57), Johannes Wierix (17), Adriaen Collaert (11), Karel van Mallery (9), Nicolaes de Bruyn (1), Martin Nuytset (1) Jan Collaert (1). L'ouvrage ne fut ainsi publié de façon posthume que plus de 10 ans plus tard, en 1593, grâce au travail éditorial du père Diego Jiménez. L'éditeur, Martinus Nutius, reçut le privilège du pape Clément III, signé par Vestrius Barbianus le 14 août 1593 soit 37 ans après la mort du fondateur de la Compagnie Le recueil, éminemment directif, suit l'ordre des Contemplations du livret des Exercices spirituels d Ignace qui explique comment pratiquer quotidiennement l'oraison et la contemplation. Les légendes contiennent le titre de la scène évangélique, mais également une série d annotations qui expliquent, par des renvois de lettres insérés dans l image (A, B, C, etc.), telle ou telle partie de la scène représentée, ou plus exactement du lieu où elle se déroule, ce qu'Ignace appelle la «composition de lieu» dans les Exercices spirituels. Plus ancien recueil de ce type qui nous soit parvenu, cette entreprise gigantesque est considérée comme le chef-d oeuvre de la gravure flamande du XVIème siècle. Chef-d uvre révolutionnaire puisque, pour la première fois en gravure, on introduit la perspective comme c est l usage dans les fresques des églises jésuites.
Librería: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgica
Miembro de asociación: ILAB
Original o primera edición
10. [1]Antverpiae (Antwerpen), no printer ( Nutius ) , 1593, in-folio, 32,7 cm, engraved title + suite of 153 engravings. (the 6 text leaves which go with this edition are to be found in [ item 2] . Bound in later boards covered with marbled paper, leather title label on smooth spine. Printed on unwatermarked paper. With some marginal small stains and foxing spots at some pages. Plates 61, 73, and 78 have a restoration at the inner margin, not affecting the engraved image. Plates 81, 98, 104 and 145 have small restorations in the upper margin, also not affecting the engraved image. [Together with] [2] Adnotationes et meditationes in evangelia., Antwerpen, Martinus Nutius, 1594, in-folio, (8) nn pp ( engraved title, pp7/8 blank) + 595 pp + (7)nn pp ( ultimate and penulitmate pp. blank) . Bound in contemporary vellum, with gilt supra libro (canon view), vellum damaged with some loss of material, interior good. (copy from the library of the Friar Minor of Maastricht ( small stamp) Both books in first edition. The plate suite [1] , a real masterpiece of Flemish bookillustration in the 16th century, appeared anonymously in Antwerp in 1593. The publishers were the Antwerp Jesuits **. An explanatory text by Natalis [our item 2] was published one year after these suite was published (in 1594). The engavings were commissioned by the Headquarters of the Jesuit Order in Rome. From correspondance by Christophe Plantin we know that he was involved in this project from 1587 onwards. But he never published this suite. This was done by the Antwerp Jesuits, the printer was Nutius. Only in 1605 did Plantin's son in law Jan Moretus aquire the plates from Carolus Scribanus - the head of the Antwerp Jesuit College. Antoon Wiericx engraved 58 plates, 57 were done by Hieronymus Wiericx, 17 by Jan Wiericx , 11 by Adriaen Collaert, 9 by Karel de Mallery, 1 by Jan Collaert and 1 by the unkown engraver I.N. The plates in our copy carry also the name of the designer, which indicates a first edition . (In the Plantin edition of 1607 -Imhof N1- most designer names were removed). The drawings were made by the Roman draughtsman B.Passaro and are preserved in the Brussels Royal Library. ** See Manuel Insolara. La spiritualité en images aux Pays-Bas.Leuven, 1996, pp. 135-141. Biblio. ref. [1] USTC 402295 Pettegree 22113 . [2] USTC 403349 - Pettegree 22114 .
Publicado por Antwerpen Martinus Nutius / 1594, 1593
Librería: Klaus Schöneborn, Würzburg, Alemania
0. Folio. 5 Bll. 153 Tfn, 595 (5) S. Gepr. Leder d. Zt.mit dreiseit. Goldschnitt Verletztes erstes Titelblatt alt montiert, erste Seiten etwas fingerfleckig unten rechts. Die Tafeln durchweg in gutem, sauberen Zustand. Unt. Kap. und Kanten beschabt. Sprache: Deutsch 1.100 gr. Gepr. Leder d. Zt.mit dreiseit. Goldschnitt.
Año de publicación: 2023
Librería: True World of Books, Delhi, India
Libro Impresión bajo demanda
LeatherBound. Condición: New. LeatherBound edition. Condition: New. Reprinted from edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 1001.
Año de publicación: 2023
Librería: True World of Books, Delhi, India
Libro Impresión bajo demanda
LeatherBound. Condición: New. LeatherBound edition. Condition: New. Reprinted from edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 987.