Publicado por Kunsthaus, Dumont, Zurich,, 2005
ISBN 10: 3832175938 ISBN 13: 9783832175931
Librería: Design Books, New York, NY, Estados Unidos de America
Hard Cover. Condición: Near Fine. This is a near fine hardcover copy with almost no wear. No dust jacket. Completely clean. Bound in red and gray photo-illustrated boards: the front board and the dust jacket front panel are identical. Text in GERMAN. This monograph was prepared to accompany the exhibitiion in Zurich at the Kunsthaus from July 15 to September 18, 2005. Essays by Tobia Bezzola and Roman Buxbaum. Illustrated in both color and black & white or sepia. Checklist. 11" high X 9" wide, 171 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Publicado por (DuMont Literatur und Kunst Verlag / Kunsthaus Zurich), 2005
ISBN 10: 3832175938 ISBN 13: 9783832175931
Librería: medimops, Berlin, Alemania
Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Publicado por Kunsthaus, Zurich, 2005
ISBN 10: 3832175938 ISBN 13: 9783832175931
Librería: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, Estados Unidos de America
Hardcover. Condición: Fine. Quarto (11" x 9"). 171, (1)pp. Text in German. Photo illustrated orange boards with orange spine lettered in black. Illustrated throughout, some in color. A fine, as new copy still in publisher's shrinkwrap. Note: Catalog of an exhibition held July 15-September 18, 2005, Kunsthaus Zürich./ Includes bibliographical references. Note: Participants: Camera: Martin Vadas, ThomáÅ¡ Schafer, Roman Buxbaum; cut: Kathrin Plüss and Rosa Albrecht; music: Mich Gerber, Cimbálová muzika Pavla RŠžiÄky a Tetky z Kyjova. (OCLC).
Publicado por (DuMont Literatur und Kunst Verlag / Kunsthaus Zurich), Zürich, 2005
ISBN 10: 3832175938 ISBN 13: 9783832175931
Librería: Brian Cassidy Books at Type Punch Matrix, Silver Spring, MD, Estados Unidos de America
Original o primera edición
Condición: Fine in a fine jacket. First Edition. Monograph on the Czech outsider photographer Miroslav Tichy, who took thousands of clandestine photographs of women in his hometown of Kjov using homemade cameras fashioned from cardboard and other diverse materials. Prints over 160 of Tichy's photographs, reproducing them in facsimile, many with the artist's hand-drawn borders. Hardcover. 4to. Text in German. Gray printed boards in photographic dust jacket. Fine in like DJ. Sharp, clean, and fresh. 171pp.
Publicado por Independently Published, 2020
ISBN 10: 3832175938 ISBN 13: 9783832175931
Librería: Collectors Bookstore, Antwerpen, Belgica
Paperback. Condición: Fine. Tichy by Various Authors. Published by Independently Published in 2020. Paperback ISBN:9783832175931. Collectible item in very fine condition.
Publicado por DuMont Literatur- & Kunstverlag, Köln, 2005
ISBN 10: 3832175938 ISBN 13: 9783832175931
Librería: Buchhandlung Klaus Bittner GmbH, Köln, Alemania
Miembro de asociación: BOEV
Pappe. Condición: Sehr gut. Estado de la sobrecubierta: Sehr gut. "Mit einfachsten, aber virtuos eingesetzten Mitteln entstand ein fotografisches Werk von einzigartiger Originalität und höchster formaler Qualität" ---------- Ausstellungskatalog; 1. Auflage; Grauer Pappband, mit schwarzem Rückentitel, Original-Schutzumschlag; 4°; Farbiges Vor- und Nachsatzpapier; 171 S.; Mit zahlreichen Fotos und teils farbigen Abbildungen; Unterseite des Buchblocks minimal bestoßen, insgesamt sehr guter Zustand.
Publicado por DuMont Literatur und Kunst Verlag, Köln (Cologne), 2005
ISBN 10: 3832175938 ISBN 13: 9783832175931
Librería: Vincent Borrelli, Bookseller, Albuquerque, NM, Estados Unidos de America
Original o primera edición
Hardcover. Condición: New. 1st Edition. First edition, first printing. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Photographs by Miroslav Tichy. Essays (in German) by Tobia Bezzola and Roman Buxbaum. Foreword (in German) by Christoph Becker. Includes a biography and a list of plates. Designed by Neil Holt, Köln. 172 pp., with 106 four-color plates and additional black-and-white illustrations. 11 x 9 inches. Published on the occasion of a 2005 exhibition at Kunsthaus Zürich. New in publisher's shrink-wrap. A flawless Mint copy. From Kunsthaus Zürich: "With cameras that he himself skillfully and imaginatively cobbled together from old tins, spectacle lenses, toilet rolls and cigarette boxes, in the 1970s and 80s Miroslav Tichy took over a hundred shots a day of women in his small hometown in Moravia.The results of those forays are shots of women at the market, in the swimming pool, at work, in pubs, in the streets and public squares.The shots are taken using cameras without viewfinders, and Tichy systematically ignores the principles of skilled photography, which insists on the fine-tuning of the relationship of the gaze and the world, the gaze through the viewfinder and the gaze of the cold glass eye of the camera. Instead Tichy largely shifts the processes of considered creativity into the darkroom and post-production. The contact sheets show how he lets chance guide his perambulations, in the first instance simply collecting vast amounts of material. It is only when he is working with the enlarger that images are selected and details tested out.Yet even these enlargements are still only raw materials, and it is only the images that receive full approval that make the grade: with hand-done, drawn additions to the picture surface and a purpose-made, individually cut and painted cardboard passepartout. Breaking all the rules of technical correctness, intentionally revealing photochemical processes, using the most primitive of equipment, expressively retouching images, working and reworking the surfaces of the prints manually, mechanically or with pen and pencil -- all these are reminiscent of the experimental methods developed by artists in the last three decades to reclaim or to rediscover for themselves the expressive content of a technology that seemed to have been rendered sterile. By the same token, Tichy's work is about much more than just snapping images: motifs and compositions reflect each other in a now melancholic, now ironic interplay of mimesis and self-referentiality.".