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Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: Bookmans, Tucson, AZ, Estados Unidos de America
Libro
Paperback. Condición: Acceptable. General wear Satisfaction 100% guaranteed.
Publicado por University of Pennsylvania Press, USA, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: NightsendBooks, Concord, CA, Estados Unidos de America
Libro
Paperback. Condición: Like New. First Paperback Edition. 1st PB Edn, 1st PB Prntg. This copy is LIKE NEW; the text is clear, bright, and unmarked; binding is tight, but slight shelf wear on edges. First PB edition, unstated but earliest appearance of book. Stated 1st PB Printing. The covers are like new: absolutely intact, including perfect color and design. We have a five star rating because of our fulfilment success and because our descriptions are accurate. We guarantee: NO NASTY SURPRISES.
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: GF Books, Inc., Hawthorne, CA, Estados Unidos de America
Libro
Condición: Good. Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting.
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: Books Unplugged, Amherst, NY, Estados Unidos de America
Libro
Condición: Fair. Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within.
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: Book Deals, Tucson, AZ, Estados Unidos de America
Libro
Condición: Fair. Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library.
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Libro
Condición: New.
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: booksXpress, Bayonne, NJ, Estados Unidos de America
Libro
Soft Cover. Condición: new.
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: GoldenWavesOfBooks, Fayetteville, TX, Estados Unidos de America
Libro
Paperback. Condición: new. New. Fast Shipping and good customer service.
Publicado por University of Pennsylvania Press 6/5/2007, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de America
Libro
Paperback or Softback. Condición: New. This Is Our Music: Free Jazz, the Sixties, and American Culture 0.8. Book.
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: Front Cover Books, Denver, CO, Estados Unidos de America
Libro
Condición: new.
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: Wizard Books, Long Beach, CA, Estados Unidos de America
Libro
Paperback. Condición: new. New.
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: Lucky's Textbooks, Dallas, TX, Estados Unidos de America
Libro
Condición: New.
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: GF Books, Inc., Hawthorne, CA, Estados Unidos de America
Libro
Condición: New. Book is in NEW condition.
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: California Books, Miami, FL, Estados Unidos de America
Libro
Condición: New.
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Libro
Condición: As New. Unread book in perfect condition.
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: Ergodebooks, Houston, TX, Estados Unidos de America
Libro
Paperback. Condición: New.
Publicado por University of Pennsylvania Press, Inc. 2007-06-05, Philadelphia, Pa. :|Bristol, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: Blackwell's, London, Reino Unido
Libro
paperback. Condición: New. Language: ENG.
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: GoldBooks, Denver, CO, Estados Unidos de America
Libro
Paperback. Condición: new. New Copy. Customer Service Guaranteed.
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: Russell Books, Victoria, BC, Canada
Libro
Paperback. Condición: New. Special order direct from the distributor.
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: Monster Bookshop, Fleckney, Reino Unido
Libro
Paperback. Condición: New. BRAND NEW ** SUPER FAST SHIPPING FROM UK WAREHOUSE ** 30 DAY MONEY BACK GUARANTEE.
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
Libro
Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days. "Takes us back to that moment between the fifties and the sixties when a new music called free jazz took root in the coffeehouses and nightclubs of New York City, Chicago, and Los Angeles."-John Szwed, author of So What: The Life of Miles Davis.
Publicado por Univ of Pennsylvania Pr, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: Revaluation Books, Exeter, Reino Unido
Libro
Paperback. Condición: Brand New. illustrated edition. 264 pages. 9.00x6.00x1.00 inches. In Stock.
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: Ria Christie Collections, Uxbridge, Reino Unido
Libro
Condición: New. In.
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Libro
Condición: New. . 2007. Paperback. . . . .
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
Libro Impresión bajo demanda
Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: GreatBookPricesUK, Castle Donington, DERBY, Reino Unido
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Condición: New.
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: GreatBookPricesUK, Castle Donington, DERBY, Reino Unido
Libro
Condición: As New. Unread book in perfect condition.
Publicado por University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
Libro
Condición: New. . 2007. Paperback. . . . . Books ship from the US and Ireland.
Publicado por MT - University of Pennsylvania Press, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
Libro
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Publicado por University Of Pennsylvania Press Jun 2007, 2007
ISBN 10: 081222003XISBN 13: 9780812220032
Librería: AHA-BUCH GmbH, Einbeck, Alemania
Libro
Taschenbuch. Condición: Neu. Neuware - This Is Our MusicFree Jazz, the Sixties, and American CultureIain Anderson'An excellent study of the heyday of one of the most problematic bodies of work in the history of jazz music. . . . Essential.'--Choice'This Is Our Music takes us back to that moment between the fifties and the sixties when a new music called free jazz took root in the coffeehouses and nightclubs of New York City, Chicago, and Los Angeles. In this rich and evocative book, Iain Anderson meets the challenge posed by the music and follows its lead into the complex political realignments, shifting racial dynamics, and redefinition of art and entertainment that characterized the subsequent decade.'--John Szwed, author of So What: The Life of Miles Davis'Historian Iain Anderson tracks the political and social meanings of jazz as the music changed hands around the world. . . . The crooked line Anderson draws from the maverick [Cecil] Taylor (a Guggenheim Fellowship recipient) to the conservative [Wynton] Marsalis (arbiter of 'What Is--and Isn't--Jazz') is the real contribution of This Is Our Music.'--Bookforum'Anderson's evenhanded, archive-driven book is consistently instructive--a fine guide to the debates that raged around free jazz and to the music's unexpected current place in the American arts canon.'--Journal of American HistoryThis Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis, taking as its example the impact of 1960s free improvisation on the changing status of jazz. By examining the production, presentation, and reception of experimental music by Ornette Coleman, Cecil Taylor, John Coltrane, and others, Iain Anderson traces the strange, unexpected, and at times deeply ironic intersections between free jazz, avant-garde artistic movements, Sixties politics, and patronage networks. Anderson emphasizes free improvisation's enormous impact on jazz music's institutional standing, despite ongoing resistance from some of its biggest beneficiaries. He concludes that attempts by African American artists and intellectuals to define a place for themselves in American life, structural changes in the music industry, and the rise of nonprofit sponsorship portended a significant transformation of established cultural standards. At the same time, free improvisation's growing prestige depended in part upon traditional highbrow criteria: increasingly esoteric styles, changing venues and audience behavior, European sanction, withdrawal from the marketplace, and the professionalization of criticism. Thus jazz music's performers and supporters--and potentially those in other arts--have both challenged and accommodated themselves to an ongoing process of cultural stratification.Iain Anderson teaches History at Nebraska Wesleyan University.The Arts and Intellectual Life in Modern America2006 | 264 pages | 6 x 9 | 23 illus.ISBN 978-0-8122-2003-2 | Paper | $24.95s | £16.50 World Rights | American History, MusicShort copy:'Takes us back to that moment between the fifties and the sixties when a new music called free jazz took root in the coffeehouses and nightclubs of New York City, Chicago, and Los Angeles.'--John Szwed, author of So What: The Life of Miles Davis.